No guitar solos here. No well-crafted harmonies. Two voices barking truth like it's a matter of survival and a drum machine hitting like a protest march.
When Generation X unleashed Dancing With Myself in 1980, they didn’t just drop a song—they hurled a Molotov cocktail of punk energy, pop swagger, and raw individuality into the fading embers of the ’70s.
It doesn't come in. It breaks. Arrival like a strobe light in a blackout, The Bitter End is all sharp edges and shimmering paranoia. Originally released in 2003 as the lead single from Sleeping with Ghosts
Covering Elton John at the height of his influence requires courage. Making the song sound like it was written for you calls for something different altogether.
Before the stadiums, before the Brit Awards outbursts, and before being dubbed the last great rock 'n' roll band of the 20th century, Oasis were a group of Manc lads ripping holes in rehearsal room walls with riffs and attitude. Deep buried on the B-side