{"id":10677,"date":"2016-04-22T13:00:00","date_gmt":"2016-04-22T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/matador-gaz-coombes-2\/"},"modified":"2026-09-27T00:00:23","modified_gmt":"2026-09-26T22:00:23","slug":"matador-gaz-coombes-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/matador-gaz-coombes-2\/","title":{"rendered":"Matador &#8211; Segundo acto que se neg\u00f3 a encogerse"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Home studio en Wheatley, 2015<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">En enero de 2015, <em>Matador<\/em> sali\u00f3 de un home studio en Wheatley como un segundo acto que se negaba a encogerse. Gaz Coombes, antes voz funambulista de Supergrass, produjo el disco \u00e9l mismo para Hot Fruit Recordings, buscando arreglos grandes en vez del repliegue solo habitual: coros, cuerdas, sintes anal\u00f3gicos y canciones pensadas en caras de vinilo. Loz Colbert de Ride toc\u00f3 bater\u00eda; el hermano Charly cruza \u00abBuffalo\u00bb. El resto es Coombes en una habitaci\u00f3n de accidentes felices, y luego Courtyard Studios cuando hablar consigo mismo se volvi\u00f3 demasiado ruidoso.<\/p>\n<p style=\"text-align: justify;\">\u00abBuffalo\u00bb abre con pulso electr\u00f3nico y piano staccato antes de que la voz dispare. \u00ab20\/20\u00bb se inclina a lo cinematogr\u00e1fico. \u00abDetroit\u00bb naci\u00f3 de un loop de guitarra y, improbablemente, de un fragmento de orquesta grabado con el iPhone tras una puerta de una casa de radio, diez segundos bucleados en acordes en casa. \u00abThe Girl Who Fell to Earth\u00bb suaviza el aire; \u00abNeedle&#8217;s Eye\u00bb da la vuelta al disco. El tema hom\u00f3nimo dura apenas noventa segundos y a\u00fan parece una capa echada sobre la meta.<\/p>\n<p style=\"text-align: justify;\">Lo que hace aterrizar <em>Matador<\/em> es la escala sin fanfarroner\u00eda. M\u00fasculo indie y espacio art-pop. Coombes conserva el don mel\u00f3dico de Supergrass y lo apunta a salas m\u00e1s amplias. Puesto dieciocho en el Reino Unido, nominaci\u00f3n al Mercury Prize: la industria mir\u00f3, pero el clima privado del \u00e1lbum sigue en el grit del home studio bajo el brillo.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Estaba en una famosa casa de radiodifusi\u00f3n en Londres, y esa orquesta tocaba, as\u00ed que abr\u00ed la puerta y grab\u00e9 medio minuto con el iPhone. Lo que tocaban era incre\u00edble. Llegu\u00e9 a casa, loope\u00e9 unos diez segundos, y de ah\u00ed salieron los acordes de Detroit.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Gaz Coombes, Vulture, 2016)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb15108&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790418593{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Publicado el 26 de enero de 2015 v\u00eda Caroline International, Matador es un frontman que trata la soledad como arreglo: voces apiladas, bater\u00eda seca, melod\u00edas que rechazan la nostalgia Oasis. Supergrass es el CV. Este disco es el m\u00e9todo tras la banda: escribir en casa, guardar los hooks, soltar la sonrisa de dibujo.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>En enero de 2015, Matador sali\u00f3 de un home studio en Wheatley como segundo acto en solitario de Gaz Coombes tras Supergrass.<\/p>\n","protected":false},"author":1,"featured_media":10673,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[313,608],"class_list":["post-10677","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-alternative-indie-punk-es","tag-gaz-coombes-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Matador - Segundo acto que se neg\u00f3 a encogerse - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/matador-gaz-coombes-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Matador - Segundo acto que se neg\u00f3 a encogerse - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"En enero de 2015, Matador sali\u00f3 de un home studio en Wheatley como segundo acto en solitario de Gaz Coombes tras Supergrass.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/matador-gaz-coombes-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2016-04-22T11:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T22:00:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Matador.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/matador-gaz-coombes-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/matador-gaz-coombes-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Matador &#8211; 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