{"id":10817,"date":"2017-11-25T11:00:00","date_gmt":"2017-11-25T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/in-it-for-the-money-supergrass-2\/"},"modified":"2026-09-27T01:18:10","modified_gmt":"2026-09-26T23:18:10","slug":"in-it-for-the-money-supergrass-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/in-it-for-the-money-supergrass-2\/","title":{"rendered":"In It for the Money &#8211; Freno al sonrisa Alright"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Sawmills, m\u00e1s oscuro que Alright<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">En abril de 1997, <em>In It for the Money<\/em> fren\u00f3 la sonrisa de Alright y aceler\u00f3 un Supergrass m\u00e1s oscuro y m\u00e1s ancho. Gaz Coombes, Mick Quinn y Danny Goffey, apenas salidos de la adolescencia, autoprodujeron la continuaci\u00f3n en Parlophone con John Cornfield a la mesa, buscando escala en vez de otro verano de dibujos. Buskers en la portada, iron\u00eda en el t\u00edtulo: tres chicos de Oxford posan con sombrero y contrabajo mientras las cintas dentro rugen como una banda que decidi\u00f3 que la celebridad era opcional.<\/p>\n<p style=\"text-align: justify;\">\u00abRichard III\u00bb abre como una locomotora con la bater\u00eda de Goffey de horno. \u00abSun Hits the Sky\u00bb levanta las persianas a un d\u00eda psicod\u00e9lico; \u00abLate in the Day\u00bb suaviza sin perder nervio; \u00abCheapskate\u00bb y \u00abGoing Out\u00bb mantienen el moh\u00edn afilado. El tema hom\u00f3nimo sube del susurro al sobresalto y se corta demasiado pronto, esa catedral inacabada que el Britpop raramente intentaba. Metales, sombras de Mellotron y la voz el\u00e1stica de Coombes estiran el ADN de garage hacia ensue\u00f1os Abbey Road sin soltar el empuj\u00f3n punk.<\/p>\n<p style=\"text-align: justify;\">Lo que hace perdurar <em>In It for the Money<\/em> es el apetito. M\u00fasculo alternative, melod\u00eda indie y un rechazo punk a quedarse simp\u00e1ticos comparten un mismo orden de pistas. Puesto dos en el Reino Unido, singles que golpean la radio sin mendigar, y una leyenda discreta entre quienes prefer\u00edan el clima del segundo disco a la postal del debut. Spielberg hab\u00eda agitado un sitcom; la banda eligi\u00f3 el estudio. A\u00fan se oye esa decisi\u00f3n en cada estribillo saturado.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Recording this album was just really exciting. The first one was exciting because it was our first album, but on In It for the Money we were on our own. We had no producer, even though we were only 18 or 19. We just went for it in the studio. It was a really, really exciting time.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Gaz Coombes sobre In It for the Money)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb16061&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790425442{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Publicado el 21 de abril de 1997, el disco sigue siendo la bisagra entre Supergrass el fen\u00f3meno y Supergrass los m\u00fasicos: guitarras m\u00e1s densas, formas m\u00e1s largas, menos dibujo. La segunda marcha del Britpop ya humeaba cuando lo cortaron. El \u00e1lbum sigue sonando a una banda que se niega a repetir la sonrisa del debut bajo pedido.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>En abril de 1997, In It for the Money fren\u00f3 la sonrisa de Alright y aceler\u00f3 un Supergrass m\u00e1s oscuro.<\/p>\n","protected":false},"author":1,"featured_media":10813,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[313,487],"class_list":["post-10817","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-alternative-indie-punk-es","tag-supergrass-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>In It for the Money - Freno al sonrisa Alright - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/in-it-for-the-money-supergrass-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"In It for the Money - Freno al sonrisa Alright - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"En abril de 1997, In It for the Money fren\u00f3 la sonrisa de Alright y aceler\u00f3 un Supergrass m\u00e1s oscuro.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/in-it-for-the-money-supergrass-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2017-11-25T10:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T23:18:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/InItForTheMoney.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/in-it-for-the-money-supergrass-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/in-it-for-the-money-supergrass-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"In It for the Money &#8211; 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