{"id":13128,"date":"2015-02-27T11:00:00","date_gmt":"2015-02-27T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/rapture-blondie-2\/"},"modified":"2026-09-27T01:17:37","modified_gmt":"2026-09-26T23:17:37","slug":"rapture-blondie-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/rapture-blondie-2\/","title":{"rendered":"Rapture – Blondie: Disco-funk tras una fiesta en el Bronx con Fab 5 Freddy"},"content":{"rendered":"

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Autoamerican, 1980: primer n.\u00ba 1 Hot 100 con rap<\/h3>\n

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Tras una fiesta en el Bronx con Fab 5 Freddy, Debbie Harry y Chris Stein escribieron un tema disco-funk cuyo coda hablado puso el rap en la cima del Hot 100 en marzo de 1981. Rapture<\/em> est\u00e1 en el quinto \u00e1lbum de Blondie, Autoamerican<\/em>, publicado el 19 de noviembre de 1980 y producido por Mike Chapman. El groove se inclina hacia Chic: bajo en el pocket, guitarra seca, voz fr\u00eda de Harry hasta que abre la secci\u00f3n rap y entra el hombre de Marte. El teclista Jimmy Destri encontr\u00f3 tubular bells en el estudio; dan al tema ese brillo raro bajo el pulso dance, el detalle que mantiene la pista curiosa.<\/p>\n

Harry y Stein fueron llevados por Fred Brathwaite (Fab 5 Freddy) a un evento del South Bronx hacia 1978, donde los MC intercambiaban l\u00edneas sobre breakbeats mientras los bailarines llenaban el suelo. Volvieron. A finales de 1979 redactaban su propia versi\u00f3n, nombrando a Freddy y Grandmaster Flash en la letra en vez de tratar el hip-hop como color an\u00f3nimo. El t\u00edtulo, dijo Stein, era un juego de palabras con rap. Chrysalis public\u00f3 el single el 12 de enero de 1981, despu\u00e9s de que The Tide Is High<\/em> ya hubiera coronado la lista.<\/p>\n

El v\u00eddeo, dirigido por Keith MacMillan, puso el arte downtown y el hip-hop uptown en el mismo marco: aparece Fab 5 Freddy, tambi\u00e9n el grafitero Lee Qui\u00f1ones. Grandmaster Flash falt\u00f3 al rodaje; Jean-Michel Basquiat lo sustituy\u00f3 como DJ. MTV lo emiti\u00f3 despu\u00e9s entre los primeros v\u00eddeos de rap del canal. En disco, el coda sigue sonando a un apret\u00f3n de manos downtown hecho p\u00fablico: banda new wave, nombres del Bronx, pocket disco, sin disculpas.<\/p>\n

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\n

Estaba muy emocionado porque, a nivel sociopol\u00edtico, era literalmente todos esos chicos marginados encontrando una voz.<\/p>\n<\/blockquote>\n

(Chris Stein sobre las fiestas del Bronx que inspiraron Rapture)<\/em><\/p>\n

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El 28 de marzo de 1981 Rapture<\/em> alcanz\u00f3 el n.\u00ba 1 del Billboard Hot 100 durante dos semanas, cuarto y \u00faltimo n.\u00ba 1 estadounidense de Blondie, y el primer single n.\u00ba 1 en Estados Unidos con voces de rap. Disco de oro, n.\u00ba 5 en Reino Unido y Australia, n.\u00ba 3 en Canad\u00e1. Flash despu\u00e9s scratch\u00f3 la l\u00ednea \u00abFlash is fast, flash is cool\u00bb en The Adventures of Grandmaster Flash on the Wheels of Steel<\/em>. La canci\u00f3n tambi\u00e9n apareci\u00f3 en la pel\u00edcula Wild Style<\/em>.<\/p>\n

Lo que queda no es un debate de pureza. Blondie no invent\u00f3 el hip-hop. Pusieron una noche cre\u00edble del Bronx en un single new wave de platino y obligaron al Top 40 a hacer sitio. Pon Rapture<\/em> despu\u00e9s de Heart of Glass<\/em> y oyes a la misma banda negarse a una sola sala: suciedad CBGB, brillo disco y un coda que a\u00fan suena a una puerta abierta entre downtown y el Bronx.<\/p>\n

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