{"id":13325,"date":"2022-02-04T13:00:00","date_gmt":"2022-02-04T12:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/?p=13325"},"modified":"2026-09-26T22:23:42","modified_gmt":"2026-09-26T20:23:42","slug":"the-story-goes-craig-david","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/the-story-goes-craig-david\/","title":{"rendered":"The Story Goes\u2026 – Mark Hill de vuelta, n.\u00ba 5 UK"},"content":{"rendered":"

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Warner Bros., Mark Hill de vuelta en el estudio<\/h3>\n

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En septiembre de 2005, Craig David public\u00f3 The Story Goes…<\/em> en Warner Bros., reencuentro con Mark Hill para un tercer \u00e1lbum tras Born to Do It<\/em> y Slicker Than Your Average<\/em>. El cantante de Southampton ya hab\u00eda llevado el UK garage a la radio pop. Aqu\u00ed el brief se inclina a una producci\u00f3n R&B m\u00e1s limpia, grooves mid-tempo y baladas mezcladas para la claridad de Spike Stent m\u00e1s que para sistemas 2-step.<\/p>\n

Mark Hill produce cortes clave: All the Way<\/em>, Don’t Love You No More (I’m Sorry)<\/em>, Separate Ways<\/em>, Johnny<\/em>, Do You Believe in Love<\/em> y Let Her Go<\/em>. Otras salas aportan Rick Nowels, The Underdogs, Lee Groves, Soulshock and Karlin y Mark Taylor. La programaci\u00f3n y el brillo importan: Lee Groves en varias bases, Spike Stent en la mayor\u00eda de mezclas. El \u00e1lbum no tuvo campa\u00f1a retail completa en EE. UU. al inicio; Atlantic dud\u00f3 del encaje de mercado, y el empuje americano lleg\u00f3 despu\u00e9s como importaci\u00f3n y digital.<\/p>\n

All the Way<\/em> abre con un bounce de club claro y el fraseo el\u00e1stico de David sobre un groove de Mark Hill. El v\u00eddeo de Max & Dania lo mantiene en modo nightlife sin enterrar la voz. Don’t Love You No More (I’m Sorry)<\/em> baja a R&B de disculpa con un gancho memorable. Unbelievable<\/em> apunta al brillo radio; Hypnotic<\/em> y One Last Dance<\/em> (con Nowels) abren la v\u00eda balada. En todo el disco la voz queda al frente, lo bastante seca para leer cada s\u00edlaba.<\/p>\n

En listas el \u00e1lbum lleg\u00f3 al n.\u00ba 5 UK y lider\u00f3 el chart de \u00e1lbumes R&B brit\u00e1nico. Tambi\u00e9n entr\u00f3 en el top 10 en Australia, Francia, Italia, Espa\u00f1a y Suiza. Las ventas globales pasaron del medio mill\u00f3n. Menos que la era del debut, pero suficiente para mantener a David en radios europeas en 2005-2006.<\/p>\n

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\n

If you know you gon’ be hittin’ the club tonight \/ Then you gotta make sure that you’re looking right.<\/p>\n<\/blockquote>\n

(Craig David, All the Way, 2005)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb7592″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790423901{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

La recepci\u00f3n cr\u00edtica fue de tibia a c\u00e1lida: elogios al oficio y a los ganchos, notas de que el filo garage de 2000 se hab\u00eda suavizado. Justo. El disco es un \u00e1lbum pop-R&B pensado para singles y playlists adultas, no un documento garage. Los temas de Hill siguen llevando el swing m\u00e1s afilado; las producciones m\u00e1s americanas rellenan el tiempo sin igualar ese golpe.<\/p>\n

El contexto importa. Tras el gran debut y un segundo disco ya estirado hacia el R&B US, The Story Goes…<\/em> consolida. David demuestra que puede escribir confesionales mid-tempo y a\u00fan clavar una apertura de pista. Los a\u00f1os siguientes traer\u00edan m\u00e1s reinicios; este documenta con claridad el cap\u00edtulo Warner de mediados de los 2000.<\/p>\n

La secuencia del \u00e1lbum imita una noche que se enfr\u00eda: bounce de club delante, baladas de disculpa en el medio, cierres m\u00e1s suaves. Las mezclas de Spike Stent mantienen la voz por encima de la percusi\u00f3n programada sin ahogar el swing de Mark Hill. Para quien lleg\u00f3 v\u00eda Fill Me In<\/em>, este es el cap\u00edtulo en que David suena menos a exportaci\u00f3n garage y m\u00e1s a cantante R&B internacional con festivales y TV por Europa.<\/p>\n

Pon All the Way<\/em> junto a 7 Days<\/em> y oyes el arco de carrera: del breakthrough garage-pop al barniz R&B internacional. The Story Goes…<\/em> es ese cap\u00edtulo intermedio en forma de \u00e1lbum, mezclado lo bastante alto para la radio y secuenciado para una noche que empieza en la pista y termina en un slow.<\/p>\n

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En septiembre de 2005, Craig David public\u00f3 The Story Goes… en Warner Bros., reencuentro con Mark Hill para un tercer \u00e1lbum tras Born to Do It y Slicker Than Your Average.<\/p>\n","protected":false},"author":1,"featured_media":13320,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[737,538],"class_list":["post-13325","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-craig-david-es","tag-soul-rb-es"],"yoast_head":"\nThe Story Goes\u2026 - Mark Hill de vuelta, n.\u00ba 5 UK - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/the-story-goes-craig-david\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Story Goes\u2026 - 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