{"id":13335,"date":"2021-07-22T13:00:00","date_gmt":"2021-07-22T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/?p=13335"},"modified":"2026-09-27T00:01:36","modified_gmt":"2026-09-26T22:01:36","slug":"homework-daft-punk","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/homework-daft-punk\/","title":{"rendered":"Homework – Da Funk desde un dormitorio parisino"},"content":{"rendered":"

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Virgin\/Soma, grabado en Daft House<\/h3>\n

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El 20 de enero de 1997, Daft Punk public\u00f3 Homework<\/em> en Virgin y Soma, un debut grabado sobre todo en Daft House en Par\u00eds tras los 12″ de Soma. Thomas Bangalter y Guy-Manuel de Homem-Christo hab\u00edan dejado el proyecto indie-rock Darlin’, pasado un cassette a Soma en una rave de Euro Disney y construido reputaci\u00f3n con Da Funk<\/em> antes del \u00e1lbum major. El brief: French house con ADN Chicago y disco, temas largos de club y casi cero cara de celebridad.<\/p>\n

La pareja produce y escribe el \u00e1lbum. El equipo importa m\u00e1s que los featuring: cajas de ritmos, samplers, fragmentos disco filtrados, talkbox y guitarra funk seca. Da Funk<\/em> ya hab\u00eda pegado como single Soma en 1995 y volvi\u00f3 v\u00eda Virgin con el v\u00eddeo de Spike Jonze del perro en la ciudad. Around the World<\/em> sigui\u00f3 como gancho global: bajo en loop, mantra vocodado y la coreograf\u00eda de Michel Gondry en cintas de correr, bailarines en trajes de animales y robots.<\/p>\n

En secuencia el \u00e1lbum suena a noche de DJ. Daftendirekt<\/em> y el falso jingle radio WDPK 83.7 FM<\/em> abren la puerta. Revolution 909<\/em> empieza con un sample de redada policial antes de que el kick tome el control. Rollin’ & Scratchin’<\/em> y Rock’n Roll<\/em> abrasivan; Fresh<\/em> y Phoenix<\/em> abren espacio; Teachers<\/em> lista h\u00e9roes sobre un groove que rueda. La duraci\u00f3n es parte del punto. Los temas pasan a prop\u00f3sito las costumbres del edit radio.<\/p>\n

Comercialmente Around the World<\/em> y Da Funk<\/em> encabezaron el chart dance de Billboard; el primero entr\u00f3 en el Top 5 UK y toc\u00f3 el Hot 100. El \u00e1lbum se volvi\u00f3 referencia French touch en clubs de Par\u00eds a Nueva York. El logo de chaqueta de sat\u00e9n negro de la portada hizo m\u00e1s branding que cualquier foto de prensa de las caras del d\u00fao.<\/p>\n

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\n

Homework lleg\u00f3 en 1997\u2026 los \u00e1lbumes dance solo sol\u00edan cruzar al mainstream brit\u00e1nico centrado en la guitarra si hab\u00eda voces que aliviaran tantos beats repetitivos. Quiz\u00e1 el \u00e9xito de Homework tenga que ver con que una de sus pocas pistas vocales fuera Around the World.<\/p>\n<\/blockquote>\n

(Cr\u00edtica de BBC Music sobre Homework)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb8327″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790422840{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Lo que vino despu\u00e9s es f\u00e1cil de nombrar: el pop disco filtrado de Discovery, las giras pir\u00e1mide, la mitolog\u00eda de cascos. Homework<\/em> es la ra\u00edz club bajo ese barniz posterior. Sigue funcionando como escucha continua, no solo como playlist de singles. Mete Alive<\/em> o Burnin’<\/em> en un set actual y el kick sigue defendiendo su caso.<\/p>\n

La influencia atraves\u00f3 a pares del French house y al electro festivalero posterior. Justice, muchos actos de Ed Banger y una generaci\u00f3n de productores filter-disco trataron este debut como plantilla: intros largas, ganchos simples, bajo f\u00edsico. El giro posterior hacia la disco con m\u00fasicos en vivo en Random Access Memories<\/em> tiene m\u00e1s sentido cuando oyes cu\u00e1nta funk hab\u00eda ya en estas m\u00e1quinas.<\/p>\n

El empuje de Virgin import\u00f3, pero el d\u00fao mantuvo el control del artwork y del mito. M\u00e1scaras de perro en la promo temprana, luego el logo de chaqueta, luego cascos robot: la distancia con la cultura celebrity empieza aqu\u00ed. Los clubs que programaban French touch a finales de los 90 trataron Homework<\/em> como prueba de que un \u00e1lbum house pod\u00eda viajar sin compromisos soft rock ni cantantes pop invitados en cada tema.<\/p>\n

Homework<\/em> sigue siendo la puerta a Daft Punk. No la entrada m\u00e1s suave, no el pico de la era Grammy, pero el disco que demostr\u00f3 que dos parisinos pod\u00edan entregar un \u00e1lbum dance major sin lijar el grit de almac\u00e9n. Pon el logo de chaqueta junto a los cascos robot posteriores y ves evolucionar la marca; pon el \u00e1lbum y a\u00fan oyes la pista.<\/p>\n

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El 20 de enero de 1997, Daft Punk public\u00f3 Homework en Virgin y Soma, un debut grabado sobre todo en Daft House en Par\u00eds tras los 12″ de Soma.<\/p>\n","protected":false},"author":1,"featured_media":13330,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[419,418],"class_list":["post-13335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-daft-punk-es","tag-techno-house-dance-es"],"yoast_head":"\nHomework - Da Funk desde un dormitorio parisino - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/homework-daft-punk\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Homework - 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