{"id":13345,"date":"2019-12-31T16:00:00","date_gmt":"2019-12-31T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/?p=13345"},"modified":"2026-09-26T22:59:23","modified_gmt":"2026-09-26T20:59:23","slug":"random-access-memories-daft-punk","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/random-access-memories-daft-punk\/","title":{"rendered":"Random Access Memories – M\u00fasicos en vivo, Nile Rodgers, Album of the Year"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Columbia, m\u00fasicos en vivo, Nile Rodgers<\/h3>\n

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En mayo de 2013, Daft Punk public\u00f3 Random Access Memories<\/em> en Columbia, un disco disco con m\u00fasicos en vivo pensado como si Internet no hubiera existido. Thomas Bangalter y Guy-Manuel de Homem-Christo pasaron a\u00f1os reuniendo sesiones en Los \u00c1ngeles, Electric Lady en Nueva York y Gang en Par\u00eds. El ingeniero Mick Guzauski captur\u00f3 m\u00fasicos en vivo en L.A.; Florian Lagatta trabaj\u00f3 las salas de Par\u00eds. El brief rechaz\u00f3 la producci\u00f3n solo con port\u00e1til y busc\u00f3 la sensaci\u00f3n de \u00e1lbumes como Rumours<\/em>, Hotel California<\/em> y Thriller<\/em>.<\/p>\n

Los invitados se castear\u00f3n como una pel\u00edcula. Nile Rodgers aport\u00f3 la guitarra Chic, incluido el instrumento de plexigl\u00e1s que Bangalter pidi\u00f3 expresamente para Get Lucky<\/em>. Pharrell Williams cant\u00f3 ese hit tras encontrarse con el d\u00fao en Par\u00eds. Giorgio Moroder narra su autobiograf\u00eda sobre un throb anal\u00f3gico en Giorgio by Moroder<\/em>. Tambi\u00e9n aparecen Julian Casablancas, Panda Bear, Todd Edwards y el songwriter Paul Williams. Nathan East, Omar Hakim, Paul Jackson Jr. y otros session players llenan las bases.<\/p>\n

Get Lucky<\/em> se filtr\u00f3 pronto y luego domin\u00f3 2013: lick lineal de guitarra de Rodgers, falsete de Pharrell, voces robot en el estribillo. N.\u00ba 2 del Hot 100 y n.\u00ba 1 en gran parte de Europa. Lose Yourself to Dance<\/em> mantiene el mismo equipo en un groove m\u00e1s profundo. Instant Crush<\/em> pone a Casablancas sobre un pulso soft-rock. Give Life Back to Music<\/em> plantea la misi\u00f3n en los primeros minutos. La portada negra con t\u00edtulo cursivo blanco hace un gui\u00f1o a Thriller<\/em> sin copiarlo.<\/p>\n

En los 56.\u00ba Grammys el \u00e1lbum se llev\u00f3 Album of the Year y Best Dance\/Electronic Album; Get Lucky<\/em> se llev\u00f3 Record of the Year y Best Pop Duo\/Group Performance. Paul Williams brome\u00f3 en el escenario sobre dos robots que lo llamaron sobrio. El chiste funcion\u00f3 porque la m\u00fasica ya hab\u00eda llegado a salones mucho m\u00e1s all\u00e1 de la cultura club.<\/p>\n

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\n

Quer\u00edan hacer un \u00e1lbum como si internet nunca hubiera existido.<\/p>\n<\/blockquote>\n

(Nile Rodgers sobre el brief de Daft Punk para las sesiones)<\/em><\/p>\n

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El consenso cr\u00edtico fue s\u00f3lido: elogios a la ejecuci\u00f3n, debates sobre la longitud de los tramos ambient, aplausos casi un\u00e1nimes a los singles. Comercialmente devolvi\u00f3 al d\u00fao al centro del mainstream tras la era m\u00e1s abstracta de Human After All<\/em> y la BSO de Tron. La serie de v\u00eddeos The Collaborators document\u00f3 a los invitados y vendi\u00f3 la tesis anal\u00f3gica antes del lanzamiento.<\/p>\n

El legado es concreto. Los actos dance de festival volvieron a perseguir la disco en vivo. La carrera de Rodgers tuvo una segunda ola global. La ubicuidad de Pharrell en 2013 se apoya en parte en este tema. Dentro del cat\u00e1logo Daft Punk, Random Access Memories<\/em> es el polo opuesto al grit de m\u00e1quina de Homework<\/em> y la extensi\u00f3n l\u00f3gica del amor por la melod\u00eda de Discovery<\/em>.<\/p>\n

Los cr\u00e9ditos de sesi\u00f3n cuentan la historia tan claro como los singles. La bater\u00eda de Omar Hakim, el bajo de Nathan East y las guitarras live apiladas quedan bajo las voces robot en lugar de sustituirlas. El \u00e1lbum pasa de la hora, con puentes ambient que algunos saltan y otros tratan como pausas entre featuring. En ambos casos el hilo se sostiene: m\u00fasicos humanos primero, m\u00e1quinas como herramientas de arreglo, memoria disco como m\u00e9todo m\u00e1s que disfraz.<\/p>\n

Esc\u00fachalo de principio a fin y oyes una declaraci\u00f3n de craft de estudio terminada, no una playlist de drops. Los robots no mostraron sus caras; mostraron su colecci\u00f3n de discos y su agenda. Random Access Memories<\/em> es donde esa apuesta pag\u00f3 en listas, Grammys y un verano que a\u00fan suena a la guitarra de Nile cada vez que alguien pone Get Lucky<\/em>.<\/p>\n

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En mayo de 2013, Daft Punk public\u00f3 Random Access Memories en Columbia, un disco disco con m\u00fasicos en vivo pensado como si Internet no hubiera existido.<\/p>\n","protected":false},"author":1,"featured_media":13340,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[419,418],"class_list":["post-13345","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-daft-punk-es","tag-techno-house-dance-es"],"yoast_head":"\nRandom Access Memories - M\u00fasicos en vivo, Nile Rodgers, Album of the Year - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/random-access-memories-daft-punk\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Random Access Memories - 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