{"id":13478,"date":"2013-01-10T13:00:00","date_gmt":"2013-01-10T12:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/?p=13478"},"modified":"2026-09-26T23:59:36","modified_gmt":"2026-09-26T21:59:36","slug":"low-david-bowie","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/","title":{"rendered":"Low &#8211; Berlin fragments after Station to Station"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">First Berlin fragment, Visconti and Eno<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">In January 1977 RCA released <em>Low<\/em>, the first Berlin-trilogy album, cut with Tony Visconti and Brian Eno after the <em>Station to Station<\/em> tour exhaustion. Basic tracks started at the Ch\u00e2teau d&#8217;H\u00e9rouville in France; work continued in West Berlin at Hansa. The split is audible on the finished LP: side one is short songs, side two is mostly instrumentals. Carlos Alomar, George Murray, and Dennis Davis remain the rhythm core while Eno opens empty space with treatments and synths.<\/p>\n<p style=\"text-align: justify;\">\u00abSpeed of Life\u00bb opens as an instrumental with a bright synth line before any vocal arrives. \u00abBreaking Glass,\u00bb \u00abWhat in the World,\u00bb \u00abSound and Vision,\u00bb \u00abAlways Crashing in the Same Car,\u00bb and \u00abBe My Wife\u00bb keep vocals sparse and mixes dry. \u00abSound and Vision\u00bb places Mary Visconti&#8217;s backing vocal and Roy Young&#8217;s piano in a wide stereo field while Bowie&#8217;s lead arrives late, a structural joke that became a hit. \u00abBe My Wife\u00bb is the plainest plea on the record, later filmed by Stanley Dorfman against a white backdrop with a red Strat as prop.<\/p>\n<p style=\"text-align: justify;\">Side two shifts gear. \u00abA New Career in a New Town,\u00bb \u00abWarszawa,\u00bb \u00abArt Decade,\u00bb \u00abWeeping Wall,\u00bb and \u00abSubterraneans\u00bb use Eno&#8217;s treatments, wordless vocals, and synthesizer beds. \u00abWarszawa\u00bb grew from a Visconti melody sketched after travel toward the atmosphere of the Polish capital; it became a live instrumental centrepiece on later tours. The cover still used a still from <em>The Man Who Fell to Earth<\/em>, tying the new music to the alien image while the insides rejected glam costume drama.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">There&#8217;s new wave, there&#8217;s electronic, there&#8217;s ambient. Low sits under a lot of that vocabulary.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Tony Visconti on Low&#8217;s afterlife)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb10945&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790424886{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">RCA worried about the instrumental half and the short song lengths. UK sales still pushed the album into the Top 5; \u00abSound and Vision\u00bb became a hit single and a BBC theme for a stretch. Punk and post-punk listeners treated the dry drums and synths as a usable template, from Joy Division&#8217;s mood maps to later electronic acts citing the Berlin records as working manuals rather than museum pieces.<\/p>\n<p style=\"text-align: justify;\"><em>Low<\/em> is the reset document. Bowie leaves the Thin White Duke theatre, keeps a rock rhythm section, and lets Eno open empty space without erasing the songs. The later fame of <em>\u00abHeroes\u00bb<\/em> sometimes shadows this first chapter, but the method starts here: short forms, studio experiment, and a refusal to fill every bar with personality.<\/p>\n<p style=\"text-align: justify;\">Play side one for the songs, side two for the rooms those songs cleared. That two-sided contract is why <em>Low<\/em> still teaches producers and bands how to stop talking when the track needs air.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>In January 1977 RCA released Low, the first Berlin-trilogy album, cut with Tony Visconti and Brian Eno after the Station to Station tour exhaustion.<\/p>\n","protected":false},"author":1,"featured_media":13473,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[481,422],"class_list":["post-13478","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-classic-rock-es","tag-david-bowie-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Low - Berlin fragments after Station to Station - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Low - Berlin fragments after Station to Station - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"In January 1977 RCA released Low, the first Berlin-trilogy album, cut with Tony Visconti and Brian Eno after the Station to Station tour exhaustion.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2013-01-10T12:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T21:59:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Low.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/low-david-bowie\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/low-david-bowie\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Low &#8211; Berlin fragments after Station to Station\",\"datePublished\":\"2013-01-10T12:00:00+00:00\",\"dateModified\":\"2026-09-26T21:59:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/low-david-bowie\\\/\"},\"wordCount\":550,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/low-david-bowie\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Low.jpg\",\"keywords\":[\"Classic Rock\",\"David Bowie\"],\"articleSection\":[\"\u00c1lbumes\",\"Cr\u00edticas\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/low-david-bowie\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/low-david-bowie\\\/\",\"name\":\"Low - Berlin fragments after Station to Station - RIFFS AND BEATS\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/low-david-bowie\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/low-david-bowie\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Low.jpg\",\"datePublished\":\"2013-01-10T12:00:00+00:00\",\"dateModified\":\"2026-09-26T21:59:36+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/low-david-bowie\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/low-david-bowie\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/low-david-bowie\\\/#primaryimage\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Low.jpg\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Low.jpg\",\"width\":1200,\"height\":700},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/low-david-bowie\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Low &#8211; Berlin fragments after Station to Station\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\",\"name\":\"RIFFS AND BEATS\",\"description\":\"Soundtrack Of Our Lives\",\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\",\"name\":\"RIFFS AND BEATS\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"width\":500,\"height\":500,\"caption\":\"RIFFS AND BEATS\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/profile.php?id=61576819018054\",\"https:\\\/\\\/x.com\\\/riffsandbeats99\",\"https:\\\/\\\/www.instagram.com\\\/riffsandbeatsofficial\",\"https:\\\/\\\/www.youtube.com\\\/@RiffsandBeats\",\"https:\\\/\\\/www.tiktok.com\\\/@riffsandbeats\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\",\"name\":\"pgorce\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"caption\":\"pgorce\"},\"sameAs\":[\"https:\\\/\\\/riffsandbeats.com\"],\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/author\\\/pgorce\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Low - Berlin fragments after Station to Station - RIFFS AND BEATS","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/","og_locale":"es_ES","og_type":"article","og_title":"Low - Berlin fragments after Station to Station - RIFFS AND BEATS","og_description":"In January 1977 RCA released Low, the first Berlin-trilogy album, cut with Tony Visconti and Brian Eno after the Station to Station tour exhaustion.","og_url":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/","og_site_name":"RIFFS AND BEATS","article_publisher":"https:\/\/www.facebook.com\/profile.php?id=61576819018054","article_published_time":"2013-01-10T12:00:00+00:00","article_modified_time":"2026-09-26T21:59:36+00:00","og_image":[{"width":1200,"height":700,"url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Low.jpg","type":"image\/jpeg"}],"author":"pgorce","twitter_card":"summary_large_image","twitter_creator":"@riffsandbeats99","twitter_site":"@riffsandbeats99","twitter_misc":{"Escrito por":"pgorce","Tiempo de lectura":"3 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/#article","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/"},"author":{"name":"pgorce","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599"},"headline":"Low &#8211; Berlin fragments after Station to Station","datePublished":"2013-01-10T12:00:00+00:00","dateModified":"2026-09-26T21:59:36+00:00","mainEntityOfPage":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/"},"wordCount":550,"publisher":{"@id":"https:\/\/riffsandbeats.com\/es\/#organization"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Low.jpg","keywords":["Classic Rock","David Bowie"],"articleSection":["\u00c1lbumes","Cr\u00edticas"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/","url":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/","name":"Low - Berlin fragments after Station to Station - RIFFS AND BEATS","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/#primaryimage"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Low.jpg","datePublished":"2013-01-10T12:00:00+00:00","dateModified":"2026-09-26T21:59:36+00:00","breadcrumb":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/#primaryimage","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Low.jpg","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Low.jpg","width":1200,"height":700},{"@type":"BreadcrumbList","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/low-david-bowie\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/riffsandbeats.com\/es\/"},{"@type":"ListItem","position":2,"name":"Low &#8211; Berlin fragments after Station to Station"}]},{"@type":"WebSite","@id":"https:\/\/riffsandbeats.com\/es\/#website","url":"https:\/\/riffsandbeats.com\/es\/","name":"RIFFS AND BEATS","description":"Soundtrack Of Our Lives","publisher":{"@id":"https:\/\/riffsandbeats.com\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/riffsandbeats.com\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/riffsandbeats.com\/es\/#organization","name":"RIFFS AND BEATS","url":"https:\/\/riffsandbeats.com\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/logo\/image\/","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","width":500,"height":500,"caption":"RIFFS AND BEATS"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/profile.php?id=61576819018054","https:\/\/x.com\/riffsandbeats99","https:\/\/www.instagram.com\/riffsandbeatsofficial","https:\/\/www.youtube.com\/@RiffsandBeats","https:\/\/www.tiktok.com\/@riffsandbeats"]},{"@type":"Person","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599","name":"pgorce","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","caption":"pgorce"},"sameAs":["https:\/\/riffsandbeats.com"],"url":"https:\/\/riffsandbeats.com\/es\/author\/pgorce\/"}]}},"_links":{"self":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/13478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/comments?post=13478"}],"version-history":[{"count":5,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/13478\/revisions"}],"predecessor-version":[{"id":18765,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/13478\/revisions\/18765"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/media\/13473"}],"wp:attachment":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/media?parent=13478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/categories?post=13478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/tags?post=13478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}