{"id":13531,"date":"2019-10-14T16:00:00","date_gmt":"2019-10-14T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/thriller-25-michael-jackson\/"},"modified":"2026-09-27T00:01:10","modified_gmt":"2026-09-26T22:01:10","slug":"thriller-25-michael-jackson","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/","title":{"rendered":"Thriller &#8211; Nine tracks that ate the charts"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Epic, Quincy Jones, 1982<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">On 30 November 1982, Michael Jackson released <em>Thriller<\/em> on Epic. Quincy Jones produced again. Bruce Swedien engineered. The sessions lived mainly at Westlake Studios in Los Angeles, after the quiet proof of <em>Off the Wall<\/em>. Jackson wanted a record that could clear the dance floor and the radio at the same time, without choosing sides. Nine tracks. No filler. The brief was that simple and that ruthless.<\/p>\n<p style=\"text-align: justify;\"><em>Wanna Be Startin&#8217; Somethin&#8217;<\/em> opens with a bass line that refuses to sit still and a chant that sounds half party, half warning. <em>Baby Be Mine<\/em> keeps the heat without showing off. <em>The Girl Is Mine<\/em>, with Paul McCartney, is the polite duet that still sold hard, a soft center before the album shows its teeth. Then the title track arrives: Rod Temperton&#8217;s horror-movie pop, Vincent Price&#8217;s spoken coda, and a groove that walks more than it runs. <em>Beat It<\/em> brings Eddie Van Halen&#8217;s guitar solo into a pop single without apology. <em>Billie Jean<\/em> is the bass, the hi-hat, and a story told like evidence. <em>Human Nature<\/em>, from Steve Porcaro and John Bettis, floats. <em>P.Y.T. (Pretty Young Thing)<\/em> grins. <em>The Lady in My Life<\/em> closes the door gently.<\/p>\n<p style=\"text-align: justify;\">Jackson co-produced key cuts and wrote or co-wrote the spine of the set. Temperton supplied the title song and more of the melodic architecture. Jones kept the arrangements tight: horns where they cut, synths where they glided, and space around the voice. Swedien&#8217;s mixes left air in the drums so the bass could speak in full sentences. Listen to how <em>Billie Jean<\/em> enters: almost nothing, then the whole room. That patience is the album&#8217;s real luxury. It does not sound huge because everything is loud. It sounds huge because every part has a job.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">I wanted to create a record that would last forever, something that people would never forget.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Michael Jackson, on Thriller)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb14974&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790425709{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Seven of the nine tracks became Top 10 singles in the United States. <em>Billie Jean<\/em> and <em>Beat It<\/em> both hit No. 1. The John Landis short film for the title track turned MTV into a place where a Black pop star could own the whole screen, not a guest slot. Grammy night stacked awards on the project. Sales went past any previous album logic and kept going. Radio still treats the sequence as current vocabulary: a bass figure, a spoken bridge, a guitar solo that does not need a rock band around it to make sense.<\/p>\n<p style=\"text-align: justify;\">Covers, samples, and dance-floor returns keep using <em>Thriller<\/em> as a toolkit more than a nostalgia set. The leather, the red jacket, the moonwalk came later as images. The record itself already had the plot: pop craft as pressure, funk as structure, and a singer who knew exactly when to whisper and when to cut. That is the album. Not a remaster sticker. Not an anniversary pack. The nine songs that still do the work.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>On 30 November 1982, Michael Jackson released Thriller on Epic, the album that turned Off the Wall&#8217;s promise into a worldwide machine with Quincy Jones still at the desk.<\/p>\n","protected":false},"author":1,"featured_media":13525,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[453,468],"class_list":["post-13531","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-michael-jackson-es","tag-pop-es-2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Thriller - Nine tracks that ate the charts - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Thriller - Nine tracks that ate the charts - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"On 30 November 1982, Michael Jackson released Thriller on Epic, the album that turned Off the Wall&#039;s promise into a worldwide machine with Quincy Jones still at the desk.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-14T14:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T22:01:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Thriller25.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/thriller-25-michael-jackson\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/thriller-25-michael-jackson\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Thriller &#8211; Nine tracks that ate the charts\",\"datePublished\":\"2019-10-14T14:00:00+00:00\",\"dateModified\":\"2026-09-26T22:01:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/thriller-25-michael-jackson\\\/\"},\"wordCount\":589,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/thriller-25-michael-jackson\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Thriller25.jpg\",\"keywords\":[\"Michael Jackson\",\"Pop\"],\"articleSection\":[\"\u00c1lbumes\",\"Cr\u00edticas\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/thriller-25-michael-jackson\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/thriller-25-michael-jackson\\\/\",\"name\":\"Thriller - Nine tracks that ate the charts - RIFFS AND BEATS\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/thriller-25-michael-jackson\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/thriller-25-michael-jackson\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Thriller25.jpg\",\"datePublished\":\"2019-10-14T14:00:00+00:00\",\"dateModified\":\"2026-09-26T22:01:10+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/thriller-25-michael-jackson\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/thriller-25-michael-jackson\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/thriller-25-michael-jackson\\\/#primaryimage\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Thriller25.jpg\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Thriller25.jpg\",\"width\":1200,\"height\":700},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/thriller-25-michael-jackson\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Thriller &#8211; Nine tracks that ate the charts\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\",\"name\":\"RIFFS AND BEATS\",\"description\":\"Soundtrack Of Our Lives\",\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\",\"name\":\"RIFFS AND BEATS\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"width\":500,\"height\":500,\"caption\":\"RIFFS AND BEATS\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/profile.php?id=61576819018054\",\"https:\\\/\\\/x.com\\\/riffsandbeats99\",\"https:\\\/\\\/www.instagram.com\\\/riffsandbeatsofficial\",\"https:\\\/\\\/www.youtube.com\\\/@RiffsandBeats\",\"https:\\\/\\\/www.tiktok.com\\\/@riffsandbeats\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\",\"name\":\"pgorce\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"caption\":\"pgorce\"},\"sameAs\":[\"https:\\\/\\\/riffsandbeats.com\"],\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/author\\\/pgorce\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Thriller - Nine tracks that ate the charts - RIFFS AND BEATS","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/","og_locale":"es_ES","og_type":"article","og_title":"Thriller - Nine tracks that ate the charts - RIFFS AND BEATS","og_description":"On 30 November 1982, Michael Jackson released Thriller on Epic, the album that turned Off the Wall's promise into a worldwide machine with Quincy Jones still at the desk.","og_url":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/","og_site_name":"RIFFS AND BEATS","article_publisher":"https:\/\/www.facebook.com\/profile.php?id=61576819018054","article_published_time":"2019-10-14T14:00:00+00:00","article_modified_time":"2026-09-26T22:01:10+00:00","og_image":[{"width":1200,"height":700,"url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Thriller25.jpg","type":"image\/jpeg"}],"author":"pgorce","twitter_card":"summary_large_image","twitter_creator":"@riffsandbeats99","twitter_site":"@riffsandbeats99","twitter_misc":{"Escrito por":"pgorce","Tiempo de lectura":"3 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/#article","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/"},"author":{"name":"pgorce","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599"},"headline":"Thriller &#8211; Nine tracks that ate the charts","datePublished":"2019-10-14T14:00:00+00:00","dateModified":"2026-09-26T22:01:10+00:00","mainEntityOfPage":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/"},"wordCount":589,"publisher":{"@id":"https:\/\/riffsandbeats.com\/es\/#organization"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Thriller25.jpg","keywords":["Michael Jackson","Pop"],"articleSection":["\u00c1lbumes","Cr\u00edticas"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/","url":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/","name":"Thriller - Nine tracks that ate the charts - RIFFS AND BEATS","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/#primaryimage"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Thriller25.jpg","datePublished":"2019-10-14T14:00:00+00:00","dateModified":"2026-09-26T22:01:10+00:00","breadcrumb":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/#primaryimage","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Thriller25.jpg","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Thriller25.jpg","width":1200,"height":700},{"@type":"BreadcrumbList","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/thriller-25-michael-jackson\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/riffsandbeats.com\/es\/"},{"@type":"ListItem","position":2,"name":"Thriller &#8211; Nine tracks that ate the charts"}]},{"@type":"WebSite","@id":"https:\/\/riffsandbeats.com\/es\/#website","url":"https:\/\/riffsandbeats.com\/es\/","name":"RIFFS AND BEATS","description":"Soundtrack Of Our Lives","publisher":{"@id":"https:\/\/riffsandbeats.com\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/riffsandbeats.com\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/riffsandbeats.com\/es\/#organization","name":"RIFFS AND BEATS","url":"https:\/\/riffsandbeats.com\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/logo\/image\/","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","width":500,"height":500,"caption":"RIFFS AND BEATS"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/profile.php?id=61576819018054","https:\/\/x.com\/riffsandbeats99","https:\/\/www.instagram.com\/riffsandbeatsofficial","https:\/\/www.youtube.com\/@RiffsandBeats","https:\/\/www.tiktok.com\/@riffsandbeats"]},{"@type":"Person","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599","name":"pgorce","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","caption":"pgorce"},"sameAs":["https:\/\/riffsandbeats.com"],"url":"https:\/\/riffsandbeats.com\/es\/author\/pgorce\/"}]}},"_links":{"self":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/13531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/comments?post=13531"}],"version-history":[{"count":5,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/13531\/revisions"}],"predecessor-version":[{"id":18806,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/13531\/revisions\/18806"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/media\/13525"}],"wp:attachment":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/media?parent=13531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/categories?post=13531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/tags?post=13531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}