{"id":13532,"date":"2017-02-15T13:00:00","date_gmt":"2017-02-15T12:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/lenny-lenny-kravitz\/"},"modified":"2026-09-27T01:18:00","modified_gmt":"2026-09-26T23:18:00","slug":"lenny-lenny-kravitz","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/lenny-lenny-kravitz\/","title":{"rendered":"Lenny – Hom\u00f3nimo tras el recopilatorio"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Hom\u00f3nimo tras el recopilatorio<\/h3>\n

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El 30 de octubre de 2001, Lenny Kravitz public\u00f3 Lenny<\/em> en Virgin Records. Fue su sexto \u00e1lbum de estudio y el primero en llevar su nombre de pila como t\u00edtulo, un a\u00f1o despu\u00e9s del multiplatino Greatest Hits<\/em>. \u00c9l mismo lo produjo y mezcl\u00f3, con el ingeniero de siempre Henry Hirsch a los mandos. El encargo era claro: escribir canciones nuevas capaces de sostenerse junto a los \u00e9xitos de radio sin reciclar las plantillas de los noventa.<\/p>\n

Los doce temas duran unos cincuenta minutos. El apertura \u00abBattlefield of Love\u00bb fija un rock a tempo medio. \u00abIf I Could Fall in Love,\u00bb coescrita con el guitarrista Craig Ross, apuesta por un gancho m\u00e1s limpio. \u00abStillness of Heart\u00bb ralentiza el groove hacia una balada que luego se consolid\u00f3 en directo. \u00abBelieve in Me\u00bb y \u00abDig In\u00bb golpean m\u00e1s duro, con guitarras secas y una voz bien delante en la mezcla.<\/p>\n

\u00abDig In\u00bb fue el primer single, publicado en septiembre de 2001. Samuel Bayer dirigi\u00f3 el v\u00eddeo. En el Billboard Hot 100 alcanz\u00f3 el n.\u00ba 31 y el n.\u00ba 7 en Adult Top 40. Los singles siguientes, \u00abStillness of Heart,\u00bb \u00abBelieve in Me\u00bb e \u00abIf I Could Fall in Love,\u00bb mantuvieron el disco en la radio internacional durante 2002.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

It’s time to face it and come on in and join the party. Life has been waiting for you to care.<\/p>\n<\/blockquote>\n

(Lenny Kravitz, \u00abDig In\u00bb, 2001)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb7649″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790422439{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Lenny<\/em> entr\u00f3 en el Billboard 200 en el n.\u00ba 12. En Europa golpe\u00f3 m\u00e1s fuerte: n.\u00ba 1 en Austria, n.\u00ba 3 en Suiza, n.\u00ba 5 en Alemania y Suecia, n.\u00ba 6 en Italia y Jap\u00f3n, n.\u00ba 7 en Pa\u00edses Bajos. En el Reino Unido el pico fue m\u00e1s modesto, n.\u00ba 55. Esas cifras muestran d\u00f3nde segu\u00eda vendiendo el h\u00edbrido rock-soul de Kravitz tras una d\u00e9cada de hits.<\/p>\n

Los cortes m\u00e1s profundos completan el retrato. \u00abBank Robber Man\u00bb aprieta la secci\u00f3n r\u00edtmica. \u00abA Million Miles Away\u00bb y \u00abYou Were in My Heart\u00bb se abren a arreglos m\u00e1s lentos. \u00abLet’s Get High\u00bb cierra el \u00e1lbum con un formato m\u00e1s largo. En el conjunto, las guitarras se mantienen relativamente secas, la bater\u00eda golpea sin brillo ochentero y el bajo queda redondo bajo la voz. Sigue siendo el vocabulario Kravitz, pero menos ornamentado que en 5<\/em>.<\/p>\n

Lenny<\/em> tendi\u00f3 el puente entre la era de los hits y los a\u00f1os Virgin posteriores, hasta Baptism<\/em> en 2004. No invent\u00f3 una nueva persona; consolid\u00f3 la que ya ten\u00eda. Para quien entr\u00f3 por \u00abDig In\u00bb en la radio rock a finales de 2001, este es el \u00e1lbum completo detr\u00e1s de ese single: doce temas, autopproducidos y pensados para el escenario.<\/p>\n

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El 30 de octubre de 2001, Lenny Kravitz public\u00f3 Lenny en Virgin, su sexto \u00e1lbum de estudio y un disco hom\u00f3nimo tras Greatest Hits.<\/p>\n","protected":false},"author":1,"featured_media":13522,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[741,468],"class_list":["post-13532","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-lenny-kravitz-es","tag-pop-es-2"],"yoast_head":"\nLenny - Hom\u00f3nimo tras el recopilatorio - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/lenny-lenny-kravitz\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lenny - 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