{"id":13547,"date":"2019-02-16T16:00:00","date_gmt":"2019-02-16T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/let-love-rule-lenny-kravitz\/"},"modified":"2026-09-27T00:00:59","modified_gmt":"2026-09-26T22:00:59","slug":"let-love-rule-lenny-kravitz","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/let-love-rule-lenny-kravitz\/","title":{"rendered":"Let Love Rule – Debut en solitario contra el sonido ochentero masivo"},"content":{"rendered":"

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Debut en Hoboken contra el sonido ochentero<\/h3>\n

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El 6 de septiembre de 1989, Virgin Records public\u00f3 Let Love Rule<\/em>, el primer \u00e1lbum de estudio de Lenny Kravitz. La mayor parte de las sesiones tuvo lugar en 1988-89 en Waterfront Studios de Henry Hirsch, en Hoboken (Nueva Jersey). \u00abSittin’ on Top of the World\u00bb se grab\u00f3 en Studio II de Culver City; los overdubs de \u00f3rgano, en T.C. Studios de Somerville. Greg Calbi masteriz\u00f3 el disco en Sterling Sound. Kravitz produjo, cant\u00f3 y toc\u00f3 casi todos los instrumentos.<\/p>\n

La elecci\u00f3n del equipo fue deliberada. Kravitz describi\u00f3 despu\u00e9s un Fender Deluxe tweed al 10 para el tono sucio de guitarra, un Fender Twin Reverb para las partes m\u00e1s limpias, y sobre todo una Epiphone Sorrento, con una Telecaster en algunos temas limpios. En una era de bater\u00edas gated y efectos pesados, busc\u00f3 una mezcla \u00edntima y org\u00e1nica. Lisa Bonet escribi\u00f3 la letra de \u00abFear\u00bb y coescribi\u00f3 \u00abRosemary\u00bb; el resto del \u00e1lbum es esencialmente un one-man show.<\/p>\n

El tema titular se convirti\u00f3 en la carta de presentaci\u00f3n. Su groove a tempo medio, su feeling percusivo y su estribillo con tinte gospel contrastaban con la radio rock de finales de los 80. Otros cortes clave: \u00abI Build This Garden for Us,\u00bb \u00abDoes Anybody Out There Even Care,\u00bb y \u00abMr. Cab Driver,\u00bb que pone fricci\u00f3n social en lenguaje claro sobre una figura de guitarra dura. El saxo de Karl Denson aparece en temas seleccionados; Henry Hirsch aporta tambi\u00e9n \u00f3rgano e ingenier\u00eda.<\/p>\n

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\n

Entonces todo el mundo hac\u00eda ese sonido muy ochenta, muy efectos, muy aparatoso, bater\u00edas enormes. As\u00ed que fui al otro lado, a un espacio muy org\u00e1nico. Un espacio muy \u00edntimo. Y us\u00e9 todo ese equipo vintage incre\u00edble.<\/p>\n<\/blockquote>\n

(Lenny Kravitz, entrevista en Guitar World sobre Let Love Rule<\/em>)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb7649″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790419636{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Cr\u00edtica y p\u00fablico oyeron rock psicod\u00e9lico y soul psicod\u00e9lico en el mismo disco. El debut no explot\u00f3 de la noche a la ma\u00f1ana en el n.\u00ba 1 de EE. UU., pero construy\u00f3 una base duradera: radio universitaria y rock, identidad visual clara y suficiente impulso para que Virgin respaldara un segundo \u00e1lbum. El v\u00eddeo y las versiones en directo del tema titular mantuvieron la frase \u00ablet love rule\u00bb en circulaci\u00f3n mucho despu\u00e9s del primer ciclo de listas.<\/p>\n

Lo que vino despu\u00e9s lo confirm\u00f3. Mama Said<\/em> (1991) y Are You Gonna Go My Way<\/em> (1993) ampliaron el sonido, pero el ADN ya est\u00e1 aqu\u00ed: multiinstrumento, amplificaci\u00f3n vintage y canciones que mezclan grit rock con armon\u00eda soul. Las ediciones de aniversario y remasters, incluido el paquete del 20.\u00ba aniversario, a\u00f1adieron demos y extras sin sustituir la secuencia de 1989 como documento central.<\/p>\n

Let Love Rule<\/em> sigue siendo la puerta de entrada a Kravitz como autor de estudio. Es un debut hecho fuera del mainstream brillante de su a\u00f1o, y luego absorbido por ese mismo mainstream cuando engancharon los estribillos. Empieza por el tema titular y escucha c\u00f3mo el resto del \u00e1lbum sostiene la misma l\u00f3gica de toma seca, de la primera a la \u00faltima canci\u00f3n.<\/p>\n

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El 6 de septiembre de 1989, Lenny Kravitz public\u00f3 Let Love Rule en Virgin, un debut grabado sobre todo en Waterfront Studios de Hoboken, con equipo vintage y casi ning\u00fan m\u00fasico externo.<\/p>\n","protected":false},"author":1,"featured_media":13538,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[741,468],"class_list":["post-13547","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-lenny-kravitz-es","tag-pop-es-2"],"yoast_head":"\nLet Love Rule - Debut en solitario contra el sonido ochentero masivo - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/let-love-rule-lenny-kravitz\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Let Love Rule - 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