{"id":13610,"date":"2011-08-23T13:00:00","date_gmt":"2011-08-23T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/be-here-now-oasis-2\/"},"modified":"2026-09-27T01:16:48","modified_gmt":"2026-09-26T23:16:48","slug":"be-here-now-oasis-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/be-here-now-oasis-2\/","title":{"rendered":"Be Here Now – Abbey Road y luego el campo en sobrecarga"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Creation, Abbey Road y luego el campo<\/h3>\n

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El 21 de agosto de 1997 Creation public\u00f3 Be Here Now<\/em>, grabado entre Abbey Road, AIR, Orinoco, Master Rock y Ridge Farm con Owen Morris y Noel Gallagher a la producci\u00f3n. Las sesiones empezaron en Abbey Road el 7 de octubre de 1996; Morris llam\u00f3 mala a la primera semana y sugiri\u00f3 parar, pero Noel encogi\u00f3 de hombros y sigui\u00f3. Tras la presi\u00f3n tabloide sobre Liam, el management se mud\u00f3 a salas m\u00e1s tranquilas, incluida Ridge Farm en Surrey. Alan White es el \u00fanico bater\u00eda del LP terminado. Es el \u00faltimo \u00e1lbum de estudio de Oasis con Paul \u00abBonehead\u00bb Arthurs y Paul \u00abGuigsy\u00bb McGuigan antes de que ambos se fueran en 1999.<\/p>\n

Noel busc\u00f3 un muro de guitarras colosal: canciones m\u00e1s largas, overdubs densos, metales y cuerdas de Nick Ingman en varios temas. D’You Know What I Mean?<\/em> abre con un helic\u00f3ptero y una guitarra en delay; All Around the World<\/em> pasa de los nueve minutos con una coda larga. Los teclados de Mike Rowe densifican el medio. La portada de Stocks House muestra un Rolls en una piscina, un calendario en el 21 y al grupo posando en el caos, cuando el exceso Britpop ya era portada.<\/p>\n

Las ventas brit\u00e1nicas de la primera semana batieron r\u00e9cords de la \u00e9poca; las tiendas abrieron a medianoche y la cola dur\u00f3 hasta la ma\u00f1ana. El v\u00eddeo de Dom y Nic para D’You Know What I Mean?<\/em> pone a la banda en helic\u00f3ptero sobre un paisaje \u00e1rido. Epic empuj\u00f3 los mismos singles en EE. UU. La cr\u00edtica pronto habl\u00f3 de mezclas hinchadas; Noel admiti\u00f3 despu\u00e9s que los overdubs fueron demasiado lejos. M\u00fasculo de charts y resaca cr\u00edtica llegaron en la misma temporada.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Quer\u00eda que sonara enorme. Seguimos a\u00f1adiendo guitarras hasta que la sala estuviera llena.<\/p>\n<\/blockquote>\n

(Noel Gallagher sobre el enfoque de Be Here Now)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb14916″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790421891{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

D’You Know What I Mean?<\/em>, Stand by Me<\/em> y All Around the World<\/em> entraron en el top 5 brit\u00e1nico. El \u00e1lbum debut\u00f3 en el n\u00famero uno en el Reino Unido y vendi\u00f3 millones en el mundo antes de que llegara el contragolpe. Los directos de la \u00e9poca mantuvieron la misma est\u00e9tica de muro de guitarras, con duraciones que apretaban los huecos de festival.<\/p>\n

Como documento, congela a Oasis en el pico comercial y en el pico de autoindulgencia. Los discos posteriores aligeraron los arreglos; este sigue siendo la marca de agua del volumen de la era Creation antes de que cambiaran la formaci\u00f3n y el momento cultural. Los fans a\u00fan discuten si las canciones necesitaban tanta pintura.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

El 21 de agosto de 1997 Creation public\u00f3 Be Here Now, grabado entre Abbey Road, AIR, Orinoco, Master Rock y Ridge Farm con Owen Morris y Noel Gallagher a la producci\u00f3n.<\/p>\n","protected":false},"author":1,"featured_media":13605,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[481,464],"class_list":["post-13610","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-classic-rock-es","tag-oasis-es"],"yoast_head":"\nBe Here Now - Abbey Road y luego el campo en sobrecarga - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/be-here-now-oasis-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Be Here Now - 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