{"id":13723,"date":"2008-06-16T13:00:00","date_gmt":"2008-06-16T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/standing-on-the-shoulder-of-giants-oasis\/"},"modified":"2026-09-26T22:56:59","modified_gmt":"2026-09-26T20:56:59","slug":"standing-on-the-shoulder-of-giants-oasis","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/standing-on-the-shoulder-of-giants-oasis\/","title":{"rendered":"Standing on the Shoulder of Giants – Loops y un Oasis m\u00e1s delgado tras la marcha"},"content":{"rendered":"

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Big Brother, loops tras la separaci\u00f3n<\/h3>\n

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Standing on the Shoulder of Giants<\/em> sali\u00f3 el 28 de febrero de 2000 como cuarto \u00e1lbum de estudio de Oasis y el primero en Big Brother Recordings. Las sesiones van de abril a agosto de 1999 en Olympic, Supernova Heights, Wheeler End y el Ch\u00e2teau de La Colle Noire en Francia, con Mark \u00abSpike\u00bb Stent y Noel Gallagher produciendo. Paul \u00abBonehead\u00bb Arthurs y Paul \u00abGuigsy\u00bb McGuigan se hab\u00edan ido; Gem Archer y Andy Bell entrar\u00edan en la gira, pero gran parte del disco se grab\u00f3 con el n\u00facleo Gallagher y ayuda de sesi\u00f3n, incluido Alan White a la bater\u00eda.<\/p>\n

El sonido cambi\u00f3. Noel apost\u00f3 por samples, loops de bater\u00eda y color psicod\u00e9lico: el loop Johnny Jenkins \/ Dr. John bajo Go Let It Out<\/em>, el ruido de p\u00fablico de la Isla de Wight en Fuckin’ in the Bushes<\/em> y el pulso electr\u00f3nico de Who Feels Love?<\/em>. Go Let It Out<\/em> lleg\u00f3 al n.\u00ba 1 UK en febrero de 2000; Who Feels Love?<\/em> y Sunday Morning Call<\/em> siguieron como singles. Little James<\/em>, de Liam para el hijo de Appleton, fue su primer cr\u00e9dito de composici\u00f3n Oasis en un \u00e1lbum de estudio. La portada del skyline de Nueva York de d\u00eda a noche marc\u00f3 la ruptura con la era Creation tanto como la m\u00fasica.<\/p>\n

Comercialmente el \u00e1lbum a\u00fan debut\u00f3 n.\u00ba 1 en Reino Unido y vendi\u00f3 fuerte, pero las cr\u00edticas fueron m\u00e1s fr\u00edas que con (What’s the Story) Morning Glory?<\/em> o Be Here Now<\/em>. En directo, la gira 2000 (luego en Familiar to Millions<\/em>) tuvo que demostrar que un Oasis remodelado llenaba arenas sin la secci\u00f3n r\u00edtmica original. El mix denso y el mid-tempo dividieron a fans del ataque britpop seco de 1994-96. El mix de Spike Stent deja m\u00e1s espacio a la electr\u00f3nica y a texturas invertidas que los discos secos de Creation. Put Yer Money Where Yer Mouth Is<\/em> va sobre un groove turbio; I Can See a Liar<\/em> mantiene un filo rock m\u00e1s duro. El t\u00edtulo, tomado y ligeramente deformado de Newton, encaja con una banda que reivindica la historia del rock sonando menos a la m\u00e1quina de c\u00e1nticos de estadio de 1995.<\/p>\n

La independencia de Big Brother respecto a Creation tambi\u00e9n signific\u00f3 que Oasis controlaba arte, timing de singles y cat\u00e1logo en casa. Standing on the Shoulder of Giants<\/em> es por tanto experimento sonoro y reset de negocio: la primera declaraci\u00f3n de c\u00f3mo los Gallagher gestionar\u00edan la marca tras la era discogr\u00e1fica del Britpop.
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\n

Era hora de un cambio. No pod\u00edamos seguir haciendo el mismo disco.<\/p>\n<\/blockquote>\n

(Noel Gallagher sobre Standing on the Shoulder of Giants, entrevistas de prensa, 2000)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb14916″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790425882{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Temas como Gas Panic!<\/em> y Where Did It All Go Wrong?<\/em> muestran a Noel escribiendo desde la resaca y la duda en lugar del swagger. Roll It Over<\/em> cierra con un largo fade de guitarra abierta. El t\u00edtulo gui\u00f1a a la frase de Newton (con el \u00abShoulder\u00bb singular de Oasis), etiqueta ir\u00f3nica para una banda que baja del pico Britpop hacia una identidad m\u00e1s de estudio.<\/p>\n

En la l\u00ednea temporal de Oasis, este \u00e1lbum es la bisagra entre el exceso Creation y el rock m\u00e1s claro de Heathen Chemistry<\/em> en Big Brother: primero loops y ambiente, luego estribillos reconstruidos para los a\u00f1os Archer\/Bell.<\/p>\n

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El 28 de febrero de 2000, Oasis public\u00f3 Standing on the Shoulder of Giants en Big Brother, su primer \u00e1lbum sin Bonehead ni Guigsy y el primero en el sello propio de la banda.<\/p>\n","protected":false},"author":1,"featured_media":13718,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[481,464],"class_list":["post-13723","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-classic-rock-es","tag-oasis-es"],"yoast_head":"\nStanding on the Shoulder of Giants - Loops y un Oasis m\u00e1s delgado tras la marcha - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/standing-on-the-shoulder-of-giants-oasis\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Standing on the Shoulder of Giants - 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