{"id":13739,"date":"2009-01-10T09:00:00","date_gmt":"2009-01-10T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/a-saucerful-of-secrets-pink-floyd\/"},"modified":"2026-09-26T23:58:42","modified_gmt":"2026-09-26T21:58:42","slug":"a-saucerful-of-secrets-pink-floyd","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/a-saucerful-of-secrets-pink-floyd\/","title":{"rendered":"A Saucerful Of Secrets – Salida de Barrett, entrada de Gilmour, collage Hipgnosis"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Barrett sale, Gilmour entra, collage Hipgnosis<\/h3>\n

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A Saucerful of Secrets<\/em> se public\u00f3 en junio de 1968 (EMI Columbia UK; Tower US) como segundo \u00e1lbum de estudio de Pink Floyd. La grabaci\u00f3n se alarg\u00f3 de agosto de 1967 a abril de 1968 en Abbey Road con Norman Smith. David Gilmour entr\u00f3 a principios de 1968; un tiempo la banda en directo incluy\u00f3 a Gilmour y Syd Barrett antes de la marcha definitiva de Barrett. En el disco terminado, Barrett aparece en Remember a Day<\/em>, Set the Controls for the Heart of the Sun<\/em> y su adi\u00f3s Jugband Blues<\/em>. Sigue siendo el \u00fanico LP de estudio de Floyd con los cinco miembros de la era cl\u00e1sica acreditados en las sesiones.<\/p>\n

La m\u00fasica deja el whimsy de The Piper at the Gates of Dawn<\/em> por piezas m\u00e1s largas y arquitect\u00f3nicas. Waters y Mason dibujaron el tema t\u00edtulo como un diagrama din\u00e1mico antes de rellenar la m\u00fasica. Set the Controls for the Heart of the Sun<\/em>, con letras de Waters tomadas de poes\u00eda china y la bater\u00eda de Mason con mazas, se volvi\u00f3 fijo en directo hasta la era Pompeya. Let There Be More Light<\/em> y Corporal Clegg<\/em> mantienen color psicod\u00e9lico; See-Saw<\/em> (Wright) suaviza la cara B antes del adi\u00f3s fracturado de Barrett.<\/p>\n

Hipgnosis dise\u00f1\u00f3 la portada, un collage celestial y surrealista temprano que fij\u00f3 el lenguaje visual que Floyd afin\u00f3 despu\u00e9s. En listas lleg\u00f3 al n.\u00ba 9 UK. En vivo, la banda alarg\u00f3 la suite t\u00edtulo y Set the Controls<\/em> en improvisaci\u00f3n, puente entre la psicodelia del UFO Club y los \u00e9picos de concierto de principios de los 70. Remember a Day<\/em> conserva la voz de teclado nost\u00e1lgica de Wright de los a\u00f1os Barrett, mientras Corporal Clegg<\/em> a\u00f1ade kazoo y humor negro sobre medallas de guerra. La suite t\u00edtulo encadena secciones calmadas, ca\u00f3ticas y casi corales que anticipan transiciones Floyd posteriores. Las ediciones Tower US y Columbia UK difieren un poco, pero la imagen Hipgnosis viaja intacta y sigue siendo la primera portada plenamente surrealista de la banda.<\/p>\n

La producci\u00f3n de Norman Smith a\u00fan lleva la disciplina Abbey Road de la era Beatles, aunque la banda tire hacia estructuras m\u00e1s libres. Esa tensi\u00f3n, oficio de estudio frente a improvisaci\u00f3n abierta, es justo lo que se oye entre la apertura muy arreglada de Let There Be More Light<\/em> y el tramo m\u00e1s suelto de la suite t\u00edtulo.
\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Intent\u00e1bamos hallar una forma de trabajar sin Syd, y ese \u00e1lbum es el sonido de esa b\u00fasqueda.<\/p>\n<\/blockquote>\n

(David Gilmour \/ retrospectivas de la banda sobre A Saucerful of Secrets)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb14938″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790417873{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Jugband Blues<\/em> cierra con la lucidez cruda de Barrett y un fragmento de banda de la Salvaci\u00f3n, un final a prop\u00f3sito incompleto. El resto del disco pertenece a Waters, Wright, Mason y Gilmour aprendiendo a llevar el nombre. Ese aprendizaje aliment\u00f3 Atom Heart Mother<\/em>, Meddle<\/em> y luego The Dark Side of the Moon<\/em>.<\/p>\n

Para quien escucha a Floyd, A Saucerful of Secrets<\/em> es el \u00e1lbum bisagra: \u00faltima huella de estudio de Barrett y primera de Gilmour, estructuras space-rock en lugar de psicodelia nursery, Hipgnosis abriendo el libro visual.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

En junio de 1968, Pink Floyd public\u00f3 A Saucerful of Secrets en EMI Columbia, el \u00fanico \u00e1lbum de estudio con Syd Barrett y David Gilmour en la misma lista de temas.<\/p>\n","protected":false},"author":1,"featured_media":13734,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[481,515],"class_list":["post-13739","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-classic-rock-es","tag-pink-floyd-es"],"yoast_head":"\nA Saucerful Of Secrets - Salida de Barrett, entrada de Gilmour, collage Hipgnosis - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/a-saucerful-of-secrets-pink-floyd\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Saucerful Of Secrets - 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