{"id":13767,"date":"2008-04-28T16:00:00","date_gmt":"2008-04-28T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/the-dark-side-of-the-moon-pink-floyd-2\/"},"modified":"2026-09-26T22:56:57","modified_gmt":"2026-09-26T20:56:57","slug":"the-dark-side-of-the-moon-pink-floyd-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/the-dark-side-of-the-moon-pink-floyd-2\/","title":{"rendered":"The Dark Side Of The Moon – Prisma, Parsons y una cara continua"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Prisma, Parsons, una cara continua<\/h3>\n

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The Dark Side of the Moon<\/em> lleg\u00f3 el 1 de marzo de 1973 (Harvest \/ Capitol). Pink Floyd hab\u00eda probado el ciclo en la carretera en 1972 bajo t\u00edtulos de trabajo antes de fijar la versi\u00f3n de estudio en Abbey Road entre junio de 1972 y enero de 1973. Alan Parsons ingenieriz\u00f3; la banda produjo. El \u00e1lbum corre como una secuencia: latidos, relojes, cajas registradoras, voces habladas, luego canciones sobre tiempo, dinero, conflicto y colapso mental. La portada-prisma de Hipgnosis (Storm Thorgerson y Aubrey Powell) se volvi\u00f3 tan famosa como cualquier tema interior.<\/p>\n

Speak to Me<\/em> \/ Breathe<\/em> abren el viaje. On the Run<\/em> es una persecuci\u00f3n VCS3. Time<\/em> apila despertadores reales grabados por Parsons; luego Gilmour y Wright se reparten la voz. The Great Gig in the Sky<\/em> da a Clare Torry una voz sin palabras sobre el piano de Wright. La cara dos abre con Money<\/em>, bajo en 7\/4 y saxo de Dick Parry, luego Us and Them<\/em>, Any Colour You Like<\/em>, Brain Damage<\/em> y Eclipse<\/em>. Waters escribi\u00f3 casi todas las letras; la m\u00fasica es un montaje a cuatro con voces del crew y del staff respondiendo preguntas sobre locura y violencia.<\/p>\n

En directo, la banda ya hab\u00eda tocado la suite antes de que el LP llegara a las tiendas. En disco, crossfades y efectos hacen que el vinilo se sienta una sola sala. Las listas contaron el resto: cima brit\u00e1nica, n.\u00ba 1 en EE. UU. y una estancia en el Billboard 200 medida en cientos de semanas. Money<\/em> sigue llevando un v\u00eddeo oficial ligado a la identidad del \u00e1lbum d\u00e9cadas despu\u00e9s.<\/p>\n

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El concepto iba de las presiones y las preocupaciones que pueden volver loco: viaje, dinero, tiempo, violencia. Quer\u00edamos que el \u00e1lbum se sintiera como una sola pieza.<\/p>\n<\/blockquote>\n

(Roger Waters, sobre The Dark Side of the Moon)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb14938″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790421804{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Cajas Immersion, remasters y tomas en directo de la era Pulse mantienen la secuencia de 1973 en circulaci\u00f3n. Covers y samples siguieron, pero la mezcla original sigue definiendo la marca: claridad seca, efectos de cinta, el grito de Torry, el saxo de Parry. Para muchos oyentes sigue siendo el primer Floyd que se siente terminado como un solo argumento y no como una colecci\u00f3n de experimentos.<\/p>\n

Vu\u00e9lvelo a poner y el latido sigue volviendo al final. The Dark Side of the Moon<\/em> es Pink Floyd convirtiendo oficio de estudio y un tema l\u00edrico claro en fijo permanente del cat\u00e1logo, prisma incluido.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

El 1 de marzo de 1973 Pink Floyd public\u00f3 The Dark Side of the Moon en Harvest, un \u00e1lbum conceptual continuo ingenierizado por Alan Parsons en Abbey Road y envuelto en la portada-prisma de Hipgnosis.<\/p>\n","protected":false},"author":1,"featured_media":13762,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299,245],"tags":[481,515],"class_list":["post-13767","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","category-sin-categoria","tag-classic-rock-es","tag-pink-floyd-es"],"yoast_head":"\nThe Dark Side Of The Moon - Prisma, Parsons y una cara continua - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/the-dark-side-of-the-moon-pink-floyd-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Dark Side Of The Moon - 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