{"id":13775,"date":"2008-05-16T09:00:00","date_gmt":"2008-05-16T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/the-final-cut-pink-floyd-2\/"},"modified":"2026-09-26T23:58:35","modified_gmt":"2026-09-26T21:58:35","slug":"the-final-cut-pink-floyd-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/the-final-cut-pink-floyd-2\/","title":{"rendered":"The Final Cut – R\u00e9quiem de Waters tras The Wall, sin Wright"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Waters tras The Wall, sin Wright<\/h3>\n

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The Final Cut<\/em> lleg\u00f3 el 21 de marzo de 1983 (Harvest \/ Columbia), presentado como \u00aba requiem for the post-war dream by Roger Waters, performed by Pink Floyd\u00bb. Richard Wright ya estaba fuera. La aportaci\u00f3n de David Gilmour fue limitada; Nick Mason sigui\u00f3 a la bater\u00eda. Michael Kamen y James Guthrie produjeron con Waters. El \u00e1lbum creci\u00f3 a partir de ideas sobrantes de The Wall y de la rabia de Waters ante la guerra de las Malvinas y la pol\u00edtica thatcheriana. Es el \u00faltimo \u00e1lbum de estudio de Floyd con Waters en el grupo.<\/p>\n

La secuencia es casi un relato en solitario de Waters con marca Floyd. Orquestaci\u00f3n y metales colorean baladas como The Gunner’s Dream<\/em> y The Fletcher Memorial Home<\/em>. Your Possible Pasts<\/em> y One of the Few<\/em> cosen personajes de la era Wall al nuevo brief. Not Now John<\/em> es el single duro: estribillo grit\u00f3n, Gilmour a la voz en el gancho, una r\u00e1faga de rock contra los temas de r\u00e9quiem m\u00e1s quietos. La foto de portada de Willie Christie muestra una figura uniformada con medallas; ya no hay prisma Hipgnosis.<\/p>\n

Las sesiones corrieron por varios estudios brit\u00e1nicos a mediados y finales de 1982. La tensi\u00f3n en la sala de control forma parte de la historia documentada: Waters empujaba el concepto, Gilmour ped\u00eda m\u00e1s m\u00fasica y menos discurso. El LP terminado aun as\u00ed entr\u00f3 alto en listas brit\u00e1nicas y estadounidenses, llevado por el nombre y por Not Now John<\/em> como puerta de radio.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Era muy mucho el disco de Roger. El resto est\u00e1bamos para tocar lo que hac\u00eda falta para esa historia.<\/p>\n<\/blockquote>\n

(Nick Mason, sobre The Final Cut)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb14938″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790421051{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Tras el lanzamiento, Waters se fue; Gilmour y Mason siguieron con Pink Floyd sin \u00e9l. Los remasters mantienen The Final Cut<\/em> en el cat\u00e1logo junto a The Wall<\/em>, a menudo o\u00eddo como coda amarga m\u00e1s que como favorito del p\u00fablico. Los v\u00eddeos oficiales de Not Now John<\/em> y The Fletcher Memorial Home<\/em> siguen enmarcando c\u00f3mo se vio la campa\u00f1a de 1983.<\/p>\n

Vu\u00e9lvelo a poner y el argumento sigue siendo directo: guerra, traici\u00f3n de la promesa de posguerra, una banda reducida al marco del autor. The Final Cut<\/em> es Pink Floyd al final de la era Waters, un r\u00e9quiem que suena al brief de un solo hombre m\u00e1s que a un compromiso a cuatro.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

En marzo de 1983 Pink Floyd public\u00f3 The Final Cut, un \u00e1lbum conceptual antib\u00e9lico liderado por Waters, producido con Michael Kamen y James Guthrie, sin Richard Wright y con Gilmour en gran parte al margen.<\/p>\n","protected":false},"author":1,"featured_media":13768,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299,245],"tags":[481,515],"class_list":["post-13775","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","category-sin-categoria","tag-classic-rock-es","tag-pink-floyd-es"],"yoast_head":"\nThe Final Cut - R\u00e9quiem de Waters tras The Wall, sin Wright - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/the-final-cut-pink-floyd-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Final Cut - 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