{"id":13781,"date":"2008-04-22T16:00:00","date_gmt":"2008-04-22T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/the-piper-at-the-gates-of-dawn-pink-floyd-2\/"},"modified":"2026-09-26T23:58:33","modified_gmt":"2026-09-26T21:58:33","slug":"the-piper-at-the-gates-of-dawn-pink-floyd-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/the-piper-at-the-gates-of-dawn-pink-floyd-2\/","title":{"rendered":"The Piper At The Gates Of Dawn – El debut de Barrett en EMI Columbia"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

El debut de Barrett en EMI Columbia<\/h3>\n

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The Piper at the Gates of Dawn<\/em> lleg\u00f3 al Reino Unido el 5 de agosto de 1967 (EMI Columbia), mientras los Beatles trabajaban en Sgt. Pepper<\/em> en otras salas de Abbey Road. Norman Smith produjo. Syd Barrett escribi\u00f3 la mayor\u00eda de las canciones; Roger Waters, Richard Wright y Nick Mason completaban el cuarteto original. El t\u00edtulo toma el nombre de un cap\u00edtulo de The Wind in the Willows<\/em> de Kenneth Grahame. La foto caleidosc\u00f3pica de Vic Singh congela a la banda en color psicod\u00e9lico espejado.<\/p>\n

Astronomy Domine<\/em> abre con la voz de Peter Jenner por meg\u00e1fono y la guitarra space-rock de Barrett. Lucifer Sam<\/em> es una forma de single con riff de gato. Matilda Mother<\/em>, Flaming<\/em> y The Gnome<\/em> empujan el surrealismo de rima infantil de Barrett. Interstellar Overdrive<\/em> se estira en un jam instrumental largo que defini\u00f3 los sets en directo del primer Floyd. Bike<\/em> cierra la edici\u00f3n brit\u00e1nica con collage de ruido y una oferta hablada de bici y capa. Las prensas estadounidenses reordenaron y recortaron temas; el LP Columbia brit\u00e1nico sigue siendo la secuencia de referencia.<\/p>\n

Las sesiones corrieron de febrero a mayo de 1967. La banda ya atra\u00eda en el UFO Club; el \u00e1lbum capt\u00f3 ese momento underground londinense antes del colapso de la salud de Barrett y la llegada de David Gilmour m\u00e1s tarde ese a\u00f1o. Las listas metieron Piper en el Top 10 brit\u00e1nico. No invent\u00f3 el Floyd de estadio, pero fij\u00f3 el cat\u00e1logo de la era Barrett que la banda Saucerful of Secrets de Mason sigue girando.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Syd era el autor principal. Esas canciones ven\u00edan de su mundo de libros, gatos y noches londinenses, y las tocamos como banda en el estudio.<\/p>\n<\/blockquote>\n

(Nick Mason, sobre The Piper at the Gates of Dawn)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb14938″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790421573{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Remasters y reediciones mono\/estereo mantienen las cintas de Abbey Road de 1967 en circulaci\u00f3n. El audio oficial de Astronomy Domine<\/em> sigue presentando el debut mejor que cualquier corte de estadio posterior. Para quien solo conoce Dark Side o The Wall, Piper es el documento de otro grupo: canciones m\u00e1s cortas, la voz de Barrett e Interstellar Overdrive como cl\u00e1usula de jam.<\/p>\n

Vu\u00e9lvelo a poner y las salas de Abbey Road de 1967 siguen cerca: astronom\u00eda por meg\u00e1fono, riff del gato, rima del gnomo, luego el largo instrumental. The Piper at the Gates of Dawn<\/em> es la primera declaraci\u00f3n de Pink Floyd, Barrett en el centro, antes de que la formaci\u00f3n y los conceptos cambiaran.<\/p>\n

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El 5 de agosto de 1967 Pink Floyd public\u00f3 su debut The Piper at the Gates of Dawn en EMI Columbia, grabado en Abbey Road con Norman Smith mientras Syd Barrett a\u00fan lideraba las canciones.<\/p>\n","protected":false},"author":1,"featured_media":13776,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299,245],"tags":[481,515],"class_list":["post-13781","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","category-sin-categoria","tag-classic-rock-es","tag-pink-floyd-es"],"yoast_head":"\nThe Piper At The Gates Of Dawn - El debut de Barrett en EMI Columbia - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/the-piper-at-the-gates-of-dawn-pink-floyd-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Piper At The Gates Of Dawn - 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