{"id":13795,"date":"2016-03-05T16:00:00","date_gmt":"2016-03-05T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/dirty-mind-prince\/"},"modified":"2026-09-27T00:00:21","modified_gmt":"2026-09-26T22:00:21","slug":"dirty-mind-prince","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/dirty-mind-prince\/","title":{"rendered":"Dirty Mind – Demos caseras guardadas como masters"},"content":{"rendered":"

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Demos caseras guardadas como masters<\/h3>\n

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En mayo y junio de 1980, Prince graba las canciones de Dirty Mind<\/em> en su casa de North Arm Drive junto al lago Minnetonka y luego lleva las cintas a Hollywood Sound Recorders en Los \u00c1ngeles. La portada dice \u00abSomewhere in Uptown\u00bb y acredita al ingeniero Jamie Starr, su primer alias p\u00fablico. Conserva esas tomas porque las demos ya golpean m\u00e1s fuerte que un remake pulido.<\/p>\n

Warner Bros. publica el \u00e1lbum el 8 de octubre de 1980. Es su tercer disco de estudio tras For You<\/em> y Prince<\/em>, y el \u00faltimo del contrato inicial de tres \u00e1lbumes. Ocho temas, media hora: funk seco, guitarra new wave y letras que asustan a la radio. El single Uptown<\/em> llega al n.\u00ba 5 en Hot Soul y Dance de Billboard. Siguen promos de Head<\/em> y When You Were Mine<\/em>; el Reino Unido recibe m\u00e1s tarde Do It All Night<\/em>.<\/p>\n

En directo la banda ya va por delante del disco. La guitarra es fina y cortante, los teclados pinchan m\u00e1s que envuelven, la bater\u00eda permanece seca. When You Were Mine<\/em> es pop crudo que Cyndi Lauper versionar\u00e1. Sister<\/em> y Head<\/em> empujan el contenido sexual m\u00e1s all\u00e1 de lo que Warner esperaba de un acto R&B crossover. El sello duda; Prince exige sacar las cintas tal cual.<\/p>\n

En el Billboard 200 el \u00e1lbum llega al n.\u00ba 45 y al n.\u00ba 7 en Soul LPs. El oro RIAA llega en junio de 1984, cuando Purple Rain<\/em> ya ha reescrito el cat\u00e1logo. La cr\u00edtica lo coloca arriba en los balances de 1980, incluido el Pazz & Jop del Village Voice.<\/p>\n

Lisa Coleman y Dr. Fink ya est\u00e1n en el c\u00edrculo de gira que se endurecer\u00e1 como the Revolution; en disco, Prince sigue multipistando \u00e9l mismo casi todo el bajo y la guitarra. La foto de portada, torso desnudo y trench, encaja con el atrevimiento l\u00edrico: canciones cortas, sin disculpa, sin balada de relleno.<\/p>\n

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\n

Mick Jagger deber\u00eda guardarse el pene y volverse a casa.<\/p>\n<\/blockquote>\n

(Robert Christgau, Village Voice Consumer Guide, 1980)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb14962″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790425263{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Saturday Night Live lo programa el 21 de febrero de 1981: toca Partyup<\/em> de este \u00e1lbum y ense\u00f1a a una audiencia nacional la banda de Minneapolis ya de gira con el material. La Controversy Tour del a\u00f1o siguiente construye teatro esc\u00e9nico sobre el mismo funk magro.<\/p>\n

Dirty Mind<\/em> es la bisagra antes de los a\u00f1os crossover. Sin estas ocho canciones, el synth-funk de 1999<\/em> y el rock teatral de Purple Rain<\/em> no tienen pista. El disco sigue sonando a demo que se niega a comportarse, y por eso funciona.<\/p>\n

Pon Uptown<\/em> o el tema t\u00edtulo y oyes el plano: canciones cortas, sin baladas de relleno, y un cantante que ya trata el estudio como una one-man band con humor sucio.<\/p>\n

Reediciones y streaming mantienen la secuencia original de ocho temas. Para quien llega desde Purple Rain<\/em>, este es el predecesor m\u00e1s magro y m\u00e1s sucio que explica c\u00f3mo el Minneapolis Sound sali\u00f3 de la radio R&B hacia los clubs new wave.<\/p>\n

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En octubre de 1980, Warner Bros. publica Dirty Mind, tercer disco de Prince, grabado sobre todo en solitario en su home studio del lago Minnetonka y acreditado al ingeniero Jamie Starr.<\/p>\n","protected":false},"author":1,"featured_media":13790,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[427,470],"class_list":["post-13795","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-discofunk-es","tag-prince-es"],"yoast_head":"\nDirty Mind - Demos caseras guardadas como masters - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/dirty-mind-prince\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dirty Mind - 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