{"id":13811,"date":"2016-01-11T16:00:00","date_gmt":"2016-01-11T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/for-you-prince\/"},"modified":"2026-09-27T01:17:47","modified_gmt":"2026-09-26T23:17:47","slug":"for-you-prince","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/for-you-prince\/","title":{"rendered":"For You – El auto-productor m\u00e1s joven del sello"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

El auto-productor m\u00e1s joven del sello<\/h3>\n

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Prince empieza For You<\/em> en septiembre de 1977 en Sound 80 (Minneapolis), pasa ese oto\u00f1o al Record Plant de Sausalito y termina overdubs y mezclas en Sound Labs (Hollywood) a principios de 1978. El amigo e ingeniero David Rivkin (luego David Z) aconseja en cabina. El cr\u00e9dito es claro: producido, arreglado, compuesto e interpretado por Prince.<\/p>\n

Warner Bros. publica el \u00e1lbum el 7 de abril de 1978. El manager Owen Husney convenci\u00f3 al sello con un contrato de tres discos tras ver al adolescente apilar pistas en el estudio. Prince tiene diecinueve a\u00f1os y, seg\u00fan la compa\u00f1\u00eda, es el artista m\u00e1s joven al que dejan producir su debut tocando todos los instrumentos. La portada lista unas veintisiete partes entre bajo, guitarras, teclados y falsetes apilados.<\/p>\n

El single Soft and Wet<\/em>, coescrito con Chris Moon, llega al n.\u00ba 92 del Billboard Hot 100 y al n.\u00ba 12 del Hot Soul. El siguiente, Just as Long as We’re Together<\/em>, queda sobre todo en radio R&B. El \u00e1lbum alcanza el n.\u00ba 163 del Billboard 200 y el n.\u00ba 21 del Soul. Tempos disco, bajo funk limpio y voces multipista ya esbozan el Minneapolis Sound que otros perseguir\u00e1n.<\/p>\n

La promoci\u00f3n es limitada. Prince prefiere volver al estudio antes que montar una banda de gira para estas canciones, as\u00ed que la radio no acompa\u00f1a el oficio de la cinta. Tras su muerte en 2016, el \u00e1lbum reentra en el Billboard 200 en el n.\u00ba 138 cuando el cat\u00e1logo se reactiva.<\/p>\n

Tommy Vicari aparece acreditado en la mezcla; el presupuesto es dinero real de Warner, no una cinta de dormitorio. Aun as\u00ed, cada deslizamiento de bajo y cada stab de sintetizador es el dedo de Prince. La oraci\u00f3n a cappella que abre el \u00e1lbum dura apenas un minuto y fija el tono de la dedicatoria antes de que el pulse disco de In Love<\/em> tome el relevo.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Montaron una especie de prueba en la que lo observaron en el estudio. Antes de que terminara, me sacaron al pasillo y me dijeron: \u00ab \u00bfSabes qu\u00e9? Te creemos. \u00bb<\/p>\n<\/blockquote>\n

(Owen Husney sobre el fichaje de Warner Bros., Noisey, 2016)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb14962″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790420976{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Esc\u00fachalo junto a Prince<\/em> (1979) y oyes la velocidad: For You<\/em> es cuidadoso, apilado, a\u00fan aprendiendo a dejar aire. Temas como In Love<\/em> y Crazy You<\/em> muestran el falsete y el detalle ac\u00fastico; I’m Yours<\/em> deja morder la guitarra.<\/p>\n

Como primera declaraci\u00f3n hace el trabajo por el que Warner paga: demostrar que el chico puede escribir, tocar y producir sin un ej\u00e9rcito de sesi\u00f3n. Los n\u00fameros comerciales son modestos; el control de la sesi\u00f3n no lo es.<\/p>\n

Empieza por Soft and Wet<\/em> y luego el fragmento a cappella del t\u00edtulo que abre el disco. Todo lo posterior, desde las demos de Dirty Mind<\/em> hasta los maratones de Paisley Park, nace de esa obstinaci\u00f3n por tocar las partes \u00e9l mismo.<\/p>\n

MC Hammer m\u00e1s tarde muestre\u00f3 y version\u00f3 la \u00f3rbita de Soft and Wet<\/em> para otra generaci\u00f3n. Para lectores de RIFFS AND BEATS, el punto es m\u00e1s simple: la fama de control freak empieza en la cara A del primer LP, fechado en 1978.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

El 7 de abril de 1978, Warner Bros. publica For You, el debut que Prince produce, arregla, compone y toca solo a los diecinueve a\u00f1os.<\/p>\n","protected":false},"author":1,"featured_media":13806,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[427,470],"class_list":["post-13811","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-discofunk-es","tag-prince-es"],"yoast_head":"\nFor You - El auto-productor m\u00e1s joven del sello - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/for-you-prince\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"For You - 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