{"id":13879,"date":"2009-05-03T09:00:00","date_gmt":"2009-05-03T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/square-one-coldplay\/"},"modified":"2026-09-27T00:43:06","modified_gmt":"2026-09-26T22:43:06","slug":"square-one-coldplay","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/square-one-coldplay\/","title":{"rendered":"Square One – Coldplay: Coldplay opened X&Y with a three-note fanfare lifted toward 2001: A"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Apertura de X&Y, 2005: tres notas y empieza el \u00e1lbum panor\u00e1mico<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Lo primero que oyes es una figura de tres notas que apunta a Strauss y al 2001: A Space Odyssey<\/em> de Kubrick. Luego la bater\u00eda de Will Champion encaja, el bajo de Guy Berryman engrosa, y la voz de Chris Martin monta una mezcla pensada a la vez para auriculares y estadios. Square One<\/em> abre el tercer \u00e1lbum de Coldplay, X&Y<\/em>, publicado el 6 de junio de 2005 en Parlophone. No es el lead single. Es la declaraci\u00f3n de escala: tras las largas y turbulentas sesiones de 2004, la banda quer\u00eda un disco m\u00e1s ancho que Parachutes<\/em> o A Rush of Blood to the Head<\/em>, y la apertura lo dice en menos de un minuto.<\/p>\n

Ken Nelson hab\u00eda producido los dos primeros \u00e1lbumes. Para X&Y<\/em> la banda trabaj\u00f3 tambi\u00e9n con Danton Supple y consigo misma, descartando lotes enteros de canciones antes de que la lista final aguantara. El manager y c\u00f3mplice creativo Phil Harvey estuvo en gran medida fuera de ese bucle, una novedad para el grupo, y la presi\u00f3n se nota en la letra: ser observado, empezar de nuevo, buscar una se\u00f1al en el ruido. Guitarras distorsionadas bajo piano limpio. El estribillo se ensancha sin caer en balada blanda. Se siente a la banda probando hasta d\u00f3nde puede sonar grande sin perder la voz de Martin en el centro.<\/p>\n

En directo, Square One<\/em> sol\u00eda abrir sets tempranos de X&Y<\/em> y m\u00e1s tarde festivales como Austin City Limits y Glastonbury. El motivo de tres notas daba a las mesas de luces una se\u00f1al f\u00e1cil y al p\u00fablico un c\u00e1ntico antes del primer verso. Las salas aprendieron a gritar el t\u00edtulo aunque la radio prefiriera Speed of Sound<\/em> y Fix You<\/em>. En la secuencia del \u00e1lbum hace el trabajo de un cold open: anunciar la paleta y pasar el testigo a What If<\/em>.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Quer\u00edamos probar cosas nuevas, hacer avanzar nuestro sonido. Pero el foco sigue en las canciones.<\/p>\n<\/blockquote>\n

(Jonny Buckland, sobre las sesiones de X&Y)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb14762″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790420111{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

La cr\u00edtica se dividi\u00f3 sobre si el tama\u00f1o del \u00e1lbum serv\u00eda a cada tema. Pocos discutieron la claridad de intenci\u00f3n de la apertura. Square One<\/em> te dec\u00eda que la banda hab\u00eda dejado la intimidad de habitaci\u00f3n de 2000 y escrib\u00eda para salas que ya sab\u00edan cada palabra de Clocks<\/em>.<\/p>\n

Ponlo otra vez al inicio del disco y la fanfarria sigue funcionando como puerta. Detr\u00e1s hay un Coldplay m\u00e1s denso, a\u00fan construido sobre la voz de Martin y el pulso de Champion, pero que ya no finge ser peque\u00f1o. Esa honestidad de escala explica por qu\u00e9 el tema sigue abriendo playlists de rarezas de mediados de los 2000: dale al play, oye las tres notas, y empieza el disco panor\u00e1mico.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

En 2005, Coldplay abri\u00f3 X&Y con Square One: una fanfarria de tres notas hacia 2001: A Space Odyssey, luego un empuj\u00f3n de banda que anunciaba un \u00e1lbum m\u00e1s ancho y denso que Parachutes.<\/p>\n","protected":false},"author":1,"featured_media":16835,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[313,558],"class_list":["post-13879","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-alternative-indie-punk-es","tag-coldplay-es","post_format-post-format-video"],"yoast_head":"\nSquare One - Coldplay: Coldplay opened X&Y with a three-note fanfare lifted toward 2001: A - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/square-one-coldplay\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Square One - 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