{"id":13884,"date":"2009-10-25T11:00:00","date_gmt":"2009-10-25T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/what-if-coldplay\/"},"modified":"2026-09-27T01:58:55","modified_gmt":"2026-09-26T23:58:55","slug":"what-if-coldplay","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/what-if-coldplay\/","title":{"rendered":"What If – Coldplay: Track two on X&Y, starts as a fragile piano question and swells into"},"content":{"rendered":"

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X&Y, tema dos, 2005: duda al piano, luego la banda responde con volumen<\/h3>\n

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Una figura de piano sencilla, luego Chris Martin lanzando la pregunta directa: qu\u00e9 pasa si decides que no me quieres ah\u00ed. What If<\/em> es el segundo tema de X&Y<\/em> (2005), justo despu\u00e9s de la apertura panor\u00e1mica Square One<\/em>. Donde aquel anunciaba escala, este frena la sala y hace audible la duda. L\u00edneas en falsete sobre una mezcla que suma bajo, bater\u00eda y guitarra a pasos cuidados hasta que el \u00faltimo estribillo gasta el volumen ganado. Oyes al arreglo decidir, comp\u00e1s a comp\u00e1s, cu\u00e1nto peso puede llevar la letra.<\/p>\n

La letra se lee como una secuela de The Scientist<\/em>: miedo a perder a quien necesitas, admisi\u00f3n de que cada paso puede ser un error, y la decisi\u00f3n de asumir el riesgo igual. Las sesiones de X&Y<\/em> corrieron de 2004 a principios de 2005 en salas como AIR, Parr Street, Sarm West y Townhouse, con Danton Supple y la banda entre los productores tras aparcar en gran medida el material de Ken Nelson. What If<\/em> guard\u00f3 el ADN piano primero del Coldplay anterior mientras la imagen est\u00e9reo buscaba el marco m\u00e1s ancho que persegu\u00eda el \u00e1lbum. Esa tensi\u00f3n, intimidad m\u00e1s anchura, es el verdadero motor del tema.<\/p>\n

La radio brit\u00e1nica se centr\u00f3 en Speed of Sound<\/em> y Fix You<\/em>. En junio de 2006, sin embargo, What If<\/em> sali\u00f3 como single promocional hacia emisoras franc\u00f3fonas de Francia, B\u00e9lgica y Suiza, con una mezcla de Tom Lord-Alge como cara A en algunos CD. En directo la canci\u00f3n sol\u00eda ir a mitad de set: lo bastante quieta para que bajen los m\u00f3viles, lo bastante alta al final para que el estribillo llene una sala. Bootlegs y subidas de fans de la gira X&Y<\/em> muestran a Martin al piano, con la banda entrando solo cuando la letra necesita peso, exactamente como a\u00fan quiere o\u00edrse el corte de estudio.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

What if you decide that you don’t want me there by your side\u2026 every step you take could be your biggest mistake. It could bend or it could break, but that’s the risk that you take.<\/p>\n<\/blockquote>\n

(Chris Martin, letra de What If)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb14762″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790424649{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Dentro del \u00e1lbum, el tema hace de puente entre espect\u00e1culo y confesi\u00f3n. Si lo saltas, X&Y<\/em> parece un carrete de singles. Si lo dejas, oyes por qu\u00e9 la banda a\u00fan necesitaba baladas que escalan en vez de quedarse suaves para siempre.<\/p>\n

Pon What If<\/em> entre Square One<\/em> y White Shadows<\/em> y el ritmo del disco vuelve a tener sentido: anunciar, dudar, luego empujar. La pregunta del t\u00edtulo nunca recibe una respuesta limpia. El arreglo responde con volumen, y esa sigue siendo una buena raz\u00f3n para darle al play antes de que lleguen los grandes hits de radio.<\/p>\n

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