{"id":13961,"date":"2010-07-03T09:00:00","date_gmt":"2010-07-03T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/badhead-blur-2\/"},"modified":"2026-09-26T23:59:00","modified_gmt":"2026-09-26T21:59:00","slug":"badhead-blur-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/badhead-blur-2\/","title":{"rendered":"Badhead – Blur: La tarde de resaca de Parklife"},"content":{"rendered":"

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Maison Rouge, invierno 1993-94: Street, Kick Horns, estribillo grin and bear<\/h3>\n

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Badhead<\/em> ocupa el sexto puesto en Parklife<\/em>, el \u00e1lbum de Food Records de abril de 1994 que instal\u00f3 a Blur en el carril central del Britpop. Stephen Street produjo; John Smith fue ingeniero. Las sesiones corrieron en Maison Rouge en Londres de noviembre de 1993 a enero de 1994, el mismo invierno que tambi\u00e9n dio las piezas de personaje m\u00e1s ruidosas del \u00e1lbum. El tema dura poco m\u00e1s de tres minutos: bater\u00eda mid-tempo, acordes cortados de Coxon y una l\u00ednea de metal de los Kick Horns (Simon Clarke, Tim Sanders, Roddy Lorimer) que convierte un diario de resaca en algo cercano a un peque\u00f1o desfile. En un \u00e1lbum lleno de personajes y c\u00e1maras, este se queda en casa. Ninguna campa\u00f1a de single lo empuj\u00f3. No la necesitaba.<\/p>\n

La letra de Albarn es dom\u00e9stica y mezquina a prop\u00f3sito. Levantarse hacia las dos, un toque de gripe, una discusi\u00f3n que no merece la pena: el estribillo prefiere \u00abgrin and bear it\u00bb. Ese encogimiento de hombros se sienta junto a las piezas de personaje m\u00e1s ruidosas del \u00e1lbum (Parklife<\/em>, Girls & Boys<\/em>) y evita que el disco sea solo comedia de disfraz. El arreglo de metales no es decoraci\u00f3n por decorar; levanta el gancho como una banda de pub levanta un s\u00e1bado por la tarde, c\u00e1lido sin convertir la resaca en carnaval. El equilibrio de Street mantiene la voz seca y los metales claros, sin barniz moderno apilado. Casi se oyen las sobras del almuerzo y las cortinas a medio correr en la habitaci\u00f3n.<\/p>\n

Las setlists de gira siguen buscando Badhead<\/em> cuando la banda quiere un groove de Parklife<\/em> sin el grito del tema t\u00edtulo ni el gui\u00f1o de Girls & Boys<\/em>. El audio oficial en el canal del grupo mantiene intacta la toma de Maison Rouge para oyentes nuevos que solo conocen los singles. Las versiones en directo a veces quitan los metales y dejan solo el encogimiento; las dos funcionan, porque el centro de la canci\u00f3n es la negativa a escalar, no la fanfarria. Vuelve a la secuencia del \u00e1lbum y la pista seis sigue haciendo trabajo discreto entre vecinos m\u00e1s ruidosos, el tipo de corte que explica por qu\u00e9 Parklife<\/em> se siente como un barrio y no como un n\u00famero de variedades.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

And I might as well just grin and bear it \/ Because it’s not worth the trouble of an argument.<\/p>\n<\/blockquote>\n

(Damon Albarn, letra de Badhead, Parklife, 1994)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb13949″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790418036{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

En un \u00e1lbum famoso por personajes y c\u00e1maras, Badhead<\/em> es la ma\u00f1ana siguiente, cuando esos personajes vuelven a casa. Los remasters mantienen claros a los Kick Horns; la l\u00f3gica del d\u00eda de gripe sigue en pie tres d\u00e9cadas despu\u00e9s. Junto a End of a Century<\/em> y To the End<\/em>, este corte es la habitaci\u00f3n ordinaria: sin giro de trama, solo la decisi\u00f3n de no pelear.<\/p>\n

Tres minutos de negarse a la pelea. Esa es la casa de Parklife<\/em> sin el autob\u00fas de gira. Dale al play por los acordes cortados de Coxon y el peque\u00f1o desfile de los Kick Horns, qu\u00e9date por el encogimiento de Albarn, y f\u00edjate cu\u00e1nto car\u00e1cter puede cargar un tema de \u00e1lbum cuando nunca pide ser single.<\/p>\n

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Grabado en Maison Rouge entre noviembre de 1993 y enero de 1994, Badhead es la sexta pista de resaca de Parklife: Stephen Street a la producci\u00f3n, Kick Horns en los metales, Albarn sonriendo a trav\u00e9s de una discusi\u00f3n de d\u00eda de gripe que no tendr\u00e1.<\/p>\n","protected":false},"author":1,"featured_media":13957,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299,245],"tags":[313,408],"class_list":["post-13961","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","category-sin-categoria","tag-alternative-indie-punk-es","tag-blur-es","post_format-post-format-video"],"yoast_head":"\nBadhead - Blur: La tarde de resaca de Parklife - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/badhead-blur-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Badhead - 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