{"id":13973,"date":"2010-07-07T13:00:00","date_gmt":"2010-07-07T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/barbaric-blur-2\/"},"modified":"2026-09-27T01:16:33","modified_gmt":"2026-09-26T23:16:33","slug":"barbaric-blur-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/barbaric-blur-2\/","title":{"rendered":"Barbaric – Blur: Tema tres de The Ballad of Darren"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Julio 2023: Studio 13, mezcla lean de Ford, un sentimiento llamado \u00abbarbaric\u00bb<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Barbaric<\/em> es la tercera pista del noveno \u00e1lbum de estudio de Blur, The Ballad of Darren<\/em>, publicado el 21 de julio de 2023 en Parlophone. James Ford produjo el disco en Studio 13 en Londres y Devon, las mismas salas que dieron forma a los otros singles del \u00e1lbum y dieron a la reuni\u00f3n su claridad de \u00e9poca tard\u00eda. La canci\u00f3n avanza a un tempo rock medido: figuras de guitarra de Coxon claras pero no de estadio, bater\u00eda recta de Rowntree, Albarn cantando un sentimiento compartido que se escap\u00f3. El estribillo repite la p\u00e9rdida hasta que la palabra \u00abbarbaric\u00bb cae como diagn\u00f3stico, no como disfraz. Ocho a\u00f1os despu\u00e9s de The Magic Whip<\/em>, la banda suena como cuatro personas que se conocen y se niegan a inflar por nostalgia.<\/p>\n

La publicaron como single alrededor de la llegada del \u00e1lbum, tras The Narcissist<\/em> (18 de mayo) y St. Charles Square<\/em>. Un visualiser oficial dirigido con Undercard Studio acompa\u00f1\u00f3 el lanzamiento y mantuvo el foco en la canci\u00f3n m\u00e1s que en un clip de concepto. En las listas UK el single hizo una carrera modesta; el \u00e1lbum debut\u00f3 en el n\u00famero uno, s\u00e9ptimo LP de Blur en lo alto de las listas brit\u00e1nicas. Los conciertos en Wembley Stadium en julio de 2023 pusieron los temas nuevos junto a los cl\u00e1sicos de la era Parklife, y Barbaric<\/em> se sostuvo sin los viejos trucos de canto colectivo. A mitad de set funciona como pausa entre detonaciones m\u00e1s viejas: un estribillo que se puede cantar sin convertirlo en c\u00e1ntico de estadio.<\/p>\n

La mezcla de Ford deja espacio alrededor de la voz. Coros y colores de guitarra llegan y luego retroceden, para que el diagn\u00f3stico del estribillo siga audible. La imagen del \u00abpowdered cake of common cause\u00bb es lo bastante concreta para pegar sin explicar toda la reuni\u00f3n ni la historia privada detr\u00e1s de la escritura de Albarn. Se oye respirar el arreglo en vez de amontonar. En un \u00e1lbum que tambi\u00e9n guarda Russian Strings<\/em> y The Everglades (For Leonard)<\/em>, la pista tres hace trabajo relacional: no el pitch del lead single, no las alturas de cierre, sino la confesi\u00f3n en el medio del orden de pistas.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Now where are you going, darling? \/ The feeling that we thought we’d never lose \/ It is barbaric.<\/p>\n<\/blockquote>\n

(Damon Albarn, letra de Barbaric, The Ballad of Darren, 2023)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb13949″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790420789{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Vuelve a la secuencia del \u00e1lbum y Barbaric<\/em> sigue nombrando el da\u00f1o sin convertirlo en eslogan. Junto a los titulares m\u00e1s ruidosos del a\u00f1o de reuni\u00f3n, este corte es la frase privada: un sentimiento perdido, dicho con claridad, con el marco lean de Ford sujet\u00e1ndolo en un disco corto y concentrado.<\/p>\n

Un sentimiento perdido, dicho con claridad. Bast\u00f3 para el carril central de un disco de reuni\u00f3n. Dale al play por las figuras claras de Coxon y el diagn\u00f3stico de Albarn en el estribillo, qu\u00e9date por el espacio que Ford deja alrededor de la voz, y f\u00edjate cu\u00e1nta poca gram\u00e1tica de estadio necesita una canci\u00f3n Blur de 2023 cuando la banda conf\u00eda en la confesi\u00f3n.<\/p>\n

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En The Ballad of Darren (21 de julio de 2023), Barbaric llega como pista tres: James Ford en Studio 13, un estribillo sobre un sentimiento perdido, y un single que sigue a The Narcissist y St. Charles Square en el a\u00f1o de reuni\u00f3n.<\/p>\n","protected":false},"author":1,"featured_media":13965,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299,245],"tags":[313,408],"class_list":["post-13973","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","category-sin-categoria","tag-alternative-indie-punk-es","tag-blur-es","post_format-post-format-video"],"yoast_head":"\nBarbaric - Blur: Tema tres de The Ballad of Darren - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/barbaric-blur-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Barbaric - 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