{"id":14073,"date":"2010-09-16T16:00:00","date_gmt":"2010-09-16T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/yellow-coldplay-2\/"},"modified":"2026-09-27T01:16:36","modified_gmt":"2026-09-26T23:16:36","slug":"yellow-coldplay-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/yellow-coldplay-2\/","title":{"rendered":"Yellow &#8211; Coldplay: Cielo nocturno en Rockfield, el single que abre puertas"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Rockfield 2000: estrellas sobre Gales, single de ruptura<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Look at the stars, look how they shine for you. La primera frase de <em>Yellow<\/em> es tambi\u00e9n la historia de origen, y a\u00fan suena a voto privado cantado en una sala grande. Durante las sesiones de <em>Parachutes<\/em> en Rockfield Studios en Gales en 2000, Coldplay sali\u00f3, vio una noche clara y Chris Martin arranc\u00f3 una melod\u00eda. La palabra de trabajo que encajaba era \u00abyellow\u00bb, ayudada por una gu\u00eda Yellow Pages en la sala y el color del cielo que miraban. Ken Nelson produce. La guitarra con delay de Jonny Buckland lleva la estrofa; la bater\u00eda de Will Champion se queda paciente; Guy Berryman fija el bajo bajo la voz de Martin, que se quiebra a prop\u00f3sito. Esa grieta no es un fallo. Es por qu\u00e9 la sinceridad se lee como riesgo.<\/p>\n<p style=\"text-align: justify;\">Parlophone publica <em>Yellow<\/em> el 26 de junio de 2000 como segundo single del debut. Llega al n\u00famero cuatro en el Reino Unido y abre puertas en Estados Unidos tras el empuj\u00f3n de Nettwerk y luego Capitol. La radio encontr\u00f3 una balada que sonaba inacabada de la mejor manera: cuatro j\u00f3venes de Londres, a\u00fan lejos de las pulseras LED, confiando en una palabra de color que se negaba a ser lista. Para muchos oyentes fuera de Gran Breta\u00f1a, fue la primera canci\u00f3n de Coldplay que se qued\u00f3, y sigue siendo la puerta que la mayor\u00eda abre primero.<\/p>\n<p style=\"text-align: justify;\">El v\u00eddeo de James Frost y Donal Kirkman deja a Martin solo en Studland Bay, Dorset, al amanecer, caminando por la playa con impermeable mientras el resto de la banda apenas aparece. Sin coreograf\u00eda. Solo el cantante y la orilla, a la escala del disco. En directo, <em>Yellow<\/em> se volvi\u00f3 el coro compartido que cierra sets o recalibra a un p\u00fablico inquieto: m\u00f3viles arriba, estribillo en com\u00fan, la parte de Buckland haciendo a\u00fan el trabajo quieto bajo el ruido. Dos d\u00e9cadas de gradas, playlists de boda y versiones ac\u00fasticas no han limado la toma de Rockfield.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Miraba las estrellas y la palabra \u00abyellow\u00bb encajaba sin m\u00e1s. No pretend\u00eda ser complicado. Pretend\u00eda ser una canci\u00f3n de amor.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Chris Martin, sobre la escritura de Yellow, entrevistas de la \u00e9poca de Parachutes)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb14762&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790425917{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">La mezcla de Nelson mantiene la guitarra en campanilleo y la voz delante. Vuelve a <em>Yellow<\/em> y oyes el momento exacto en que una banda de campus se vuelve un hecho radiof\u00f3nico: un cielo gal\u00e9s, una l\u00ednea de guitarra con delay y una palabra de color que a\u00fan funciona con casi nada alrededor.<\/p>\n<p style=\"text-align: justify;\">Junto a himnos posteriores pensados para shows de luces, este pide casi ning\u00fan disfraz. Por eso sigue siendo el primer Coldplay que muchos buscan, y por eso a\u00fan suena a canci\u00f3n escrita fuera bajo estrellas fr\u00edas.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>En 2000 en Rockfield, Gales, Coldplay convierte un cielo nocturno y un t\u00edtulo de trabajo en Yellow, el single de Parachutes que llev\u00f3 a un cuarteto londinense a la radio mundial.<\/p>\n","protected":false},"author":1,"featured_media":14069,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299,245],"tags":[313,558],"class_list":["post-14073","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","category-sin-categoria","tag-alternative-indie-punk-es","tag-coldplay-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Yellow - Coldplay: Cielo nocturno en Rockfield, el single que abre puertas - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/yellow-coldplay-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yellow - Coldplay: Cielo nocturno en Rockfield, el single que abre puertas - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"En 2000 en Rockfield, Gales, Coldplay convierte un cielo nocturno y un t\u00edtulo de trabajo en Yellow, el single de Parachutes que llev\u00f3 a un cuarteto londinense a la radio mundial.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/yellow-coldplay-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2010-09-16T14:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T23:16:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Coldplay-Yellow.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/canciones\\\/yellow-coldplay-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/canciones\\\/yellow-coldplay-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Yellow &#8211; 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