{"id":14196,"date":"2009-07-07T11:00:00","date_gmt":"2009-07-07T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/?p=14196"},"modified":"2026-09-27T01:16:21","modified_gmt":"2026-09-26T23:16:21","slug":"parklife-blur","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/","title":{"rendered":"Parklife – Maison Rouge, cuatro hits UK, Essex en pantalla ancha"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Maison Rouge, Essex en pantalla ancha<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

El 25 de abril de 1994, Blur public\u00f3 Parklife<\/em> en Food Records: el tercer \u00e1lbum de estudio de Damon Albarn, Graham Coxon, Alex James y Dave Rowntree, grabado sobre todo en Maison Rouge, Fulham, con Stephen Street produciendo y John Smith de ingeniero. Tras el modesto n.\u00ba 15 UK de Modern Life Is Rubbish<\/em>, la banda necesitaba un hit que a\u00fan sonara ingl\u00e9s. Parklife<\/em> respondi\u00f3 con la bravata de la portada de galgos, estribillos de music hall y bocetos de personajes que la prensa pronto llam\u00f3 Britpop.<\/p>\n

Las sesiones van de finales de 1993 a principios de 1994. Food segu\u00eda pidiendo demos antes de autorizar temas; la banda grab\u00f3 Girls & Boys<\/em> igual y lo lanz\u00f3 como primer single. Lleg\u00f3 al n.\u00ba 5 UK en marzo de 1994: bajo disco de James, riff seco de Coxon, Albarn gritando el estribillo de vacaciones. To the End<\/em>, terminado con Stephen Hague y L\u00e6titia Sadier en coros franceses, lleg\u00f3 al 16. El tema hom\u00f3nimo se atasc\u00f3 hasta que Albarn pas\u00f3 las estrofas al actor Phil Daniels; su ladrido a lo Quadrophenia vendi\u00f3 el mon\u00f3logo de las palomas y el single alcanz\u00f3 el 10. End of a Century<\/em> cerr\u00f3 la ronda de singles en el 19.<\/p>\n

Dentro del disco los climas cambian sin parar. Tracy Jacks<\/em> y Bank Holiday<\/em> juegan a la comedia social; Badhead<\/em> y This Is a Low<\/em> bajan el tempo hacia una melancol\u00eda de parte meteorol\u00f3gico, con la guitarra de Coxon abri\u00e9ndose en acordes m\u00e1s amplios. Street mantiene la bater\u00eda seca y las guitarras claras, lejos del lavado de estadio. La portada, dos galgos en carrera y el logo Blur en amarillo, busca un d\u00eda en el can\u00f3dromo, no un retrato de banda. Encaja con las letras: parques, basureros, viajes organizados y la comedia de las vidas ordinarias de Londres.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Perdonad, chicos, no ten\u00e9is permiso.<\/p>\n<\/blockquote>\n

(Andy Ross (Food Records) sobre Girls & Boys, recordado por Stephen Street en Uncut)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb13951″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790420628{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Lo grabaron igual. El \u00e1lbum debut\u00f3 n.\u00ba 1 UK, vendi\u00f3 unas 27.000 copias la primera semana y se qued\u00f3 90 semanas en lista; las ventas UK superar\u00edan el mill\u00f3n, el mejor resultado de estudio de Blur en casa. En los BRITs 1995 se llev\u00f3 Best British Album; el single y el v\u00eddeo de Parklife<\/em> tambi\u00e9n. Menos de tres semanas despu\u00e9s de la muerte de Kurt Cobain, el disco lleg\u00f3 como otra declaraci\u00f3n de los 90: local, habladora y hecha para las listas, no para el carril alternativo americano que Blur ya hab\u00eda rechazado.<\/p>\n

Lo que sigui\u00f3 fue el boom Britpop y la batalla de charts de 1995 con Oasis, pero el m\u00e9todo de trabajo ya est\u00e1 aqu\u00ed: Albarn escribiendo voces-personaje, Coxon rechazando el brillo soft rock, Street capturando a la banda entre energ\u00eda de club y oficio de balada. The Great Escape<\/em> empujar\u00eda m\u00e1s el cuaderno ingl\u00e9s; Parklife<\/em> es donde ese cuaderno se vendi\u00f3 por primera vez al por mayor.<\/p>\n

Esc\u00fachalo ahora y las bromas siguen funcionando porque los arreglos son concretos: kits en vivo sin Linn, bajo tenso, estribillos de grada y las estrofas habladas de Daniels cortando como una radionovela. Parklife<\/em> no invent\u00f3 el pop de guitarras ingl\u00e9s. Convirti\u00f3 ese car\u00e1cter ingl\u00e9s en moneda de charts, un salto de galgo tras otro.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

El 25 de abril de 1994, Blur public\u00f3 Parklife en Food Records: Stephen Street en Maison Rouge, cuatro singles UK y un n.\u00ba 1 que dur\u00f3 90 semanas en lista.<\/p>\n","protected":false},"author":1,"featured_media":14192,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[313,408],"class_list":["post-14196","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-alternative-indie-punk-es","tag-blur-es"],"yoast_head":"\nParklife - Maison Rouge, cuatro hits UK, Essex en pantalla ancha - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Parklife - Maison Rouge, cuatro hits UK, Essex en pantalla ancha - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"El 25 de abril de 1994, Blur public\u00f3 Parklife en Food Records: Stephen Street en Maison Rouge, cuatro singles UK y un n.\u00ba 1 que dur\u00f3 90 semanas en lista.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2009-07-07T09:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T23:16:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Parklife.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/parklife-blur\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/parklife-blur\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Parklife – Maison Rouge, cuatro hits UK, Essex en pantalla ancha\",\"datePublished\":\"2009-07-07T09:00:00+00:00\",\"dateModified\":\"2026-09-26T23:16:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/parklife-blur\\\/\"},\"wordCount\":657,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/parklife-blur\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Parklife.jpg\",\"keywords\":[\"Alternative \\\/ Indie \\\/ Punk\",\"Blur\"],\"articleSection\":[\"\u00c1lbumes\",\"Cr\u00edticas\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/parklife-blur\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/parklife-blur\\\/\",\"name\":\"Parklife - Maison Rouge, cuatro hits UK, Essex en pantalla ancha - RIFFS AND BEATS\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/parklife-blur\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/parklife-blur\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Parklife.jpg\",\"datePublished\":\"2009-07-07T09:00:00+00:00\",\"dateModified\":\"2026-09-26T23:16:21+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/parklife-blur\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/parklife-blur\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/parklife-blur\\\/#primaryimage\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Parklife.jpg\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Parklife.jpg\",\"width\":1200,\"height\":700},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/parklife-blur\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Parklife – Maison Rouge, cuatro hits UK, Essex en pantalla ancha\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\",\"name\":\"RIFFS AND BEATS\",\"description\":\"Soundtrack Of Our Lives\",\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\",\"name\":\"RIFFS AND BEATS\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"width\":500,\"height\":500,\"caption\":\"RIFFS AND BEATS\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/profile.php?id=61576819018054\",\"https:\\\/\\\/x.com\\\/riffsandbeats99\",\"https:\\\/\\\/www.instagram.com\\\/riffsandbeatsofficial\",\"https:\\\/\\\/www.youtube.com\\\/@RiffsandBeats\",\"https:\\\/\\\/www.tiktok.com\\\/@riffsandbeats\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\",\"name\":\"pgorce\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"caption\":\"pgorce\"},\"sameAs\":[\"https:\\\/\\\/riffsandbeats.com\"],\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/author\\\/pgorce\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Parklife - Maison Rouge, cuatro hits UK, Essex en pantalla ancha - RIFFS AND BEATS","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/","og_locale":"es_ES","og_type":"article","og_title":"Parklife - Maison Rouge, cuatro hits UK, Essex en pantalla ancha - RIFFS AND BEATS","og_description":"El 25 de abril de 1994, Blur public\u00f3 Parklife en Food Records: Stephen Street en Maison Rouge, cuatro singles UK y un n.\u00ba 1 que dur\u00f3 90 semanas en lista.","og_url":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/","og_site_name":"RIFFS AND BEATS","article_publisher":"https:\/\/www.facebook.com\/profile.php?id=61576819018054","article_published_time":"2009-07-07T09:00:00+00:00","article_modified_time":"2026-09-26T23:16:21+00:00","og_image":[{"width":1200,"height":700,"url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Parklife.jpg","type":"image\/jpeg"}],"author":"pgorce","twitter_card":"summary_large_image","twitter_creator":"@riffsandbeats99","twitter_site":"@riffsandbeats99","twitter_misc":{"Escrito por":"pgorce","Tiempo de lectura":"3 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/#article","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/"},"author":{"name":"pgorce","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599"},"headline":"Parklife – Maison Rouge, cuatro hits UK, Essex en pantalla ancha","datePublished":"2009-07-07T09:00:00+00:00","dateModified":"2026-09-26T23:16:21+00:00","mainEntityOfPage":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/"},"wordCount":657,"publisher":{"@id":"https:\/\/riffsandbeats.com\/es\/#organization"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Parklife.jpg","keywords":["Alternative \/ Indie \/ Punk","Blur"],"articleSection":["\u00c1lbumes","Cr\u00edticas"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/","url":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/","name":"Parklife - Maison Rouge, cuatro hits UK, Essex en pantalla ancha - RIFFS AND BEATS","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/#primaryimage"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Parklife.jpg","datePublished":"2009-07-07T09:00:00+00:00","dateModified":"2026-09-26T23:16:21+00:00","breadcrumb":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/#primaryimage","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Parklife.jpg","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Parklife.jpg","width":1200,"height":700},{"@type":"BreadcrumbList","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/parklife-blur\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/riffsandbeats.com\/es\/"},{"@type":"ListItem","position":2,"name":"Parklife – Maison Rouge, cuatro hits UK, Essex en pantalla ancha"}]},{"@type":"WebSite","@id":"https:\/\/riffsandbeats.com\/es\/#website","url":"https:\/\/riffsandbeats.com\/es\/","name":"RIFFS AND BEATS","description":"Soundtrack Of Our Lives","publisher":{"@id":"https:\/\/riffsandbeats.com\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/riffsandbeats.com\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/riffsandbeats.com\/es\/#organization","name":"RIFFS AND BEATS","url":"https:\/\/riffsandbeats.com\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/logo\/image\/","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","width":500,"height":500,"caption":"RIFFS AND BEATS"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/profile.php?id=61576819018054","https:\/\/x.com\/riffsandbeats99","https:\/\/www.instagram.com\/riffsandbeatsofficial","https:\/\/www.youtube.com\/@RiffsandBeats","https:\/\/www.tiktok.com\/@riffsandbeats"]},{"@type":"Person","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599","name":"pgorce","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","caption":"pgorce"},"sameAs":["https:\/\/riffsandbeats.com"],"url":"https:\/\/riffsandbeats.com\/es\/author\/pgorce\/"}]}},"_links":{"self":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/14196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/comments?post=14196"}],"version-history":[{"count":5,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/14196\/revisions"}],"predecessor-version":[{"id":18608,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/14196\/revisions\/18608"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/media\/14192"}],"wp:attachment":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/media?parent=14196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/categories?post=14196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/tags?post=14196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}