{"id":14204,"date":"2009-05-02T11:00:00","date_gmt":"2009-05-02T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/blood-sugar-sex-magik-red-hot-chili-peppers\/"},"modified":"2026-09-27T01:58:48","modified_gmt":"2026-09-26T23:58:48","slug":"blood-sugar-sex-magik-red-hot-chili-peppers","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/blood-sugar-sex-magik-red-hot-chili-peppers\/","title":{"rendered":"Blood Sugar Sex Magik – Mansi\u00f3n de Laurel Canyon con Rick Rubin"},"content":{"rendered":"

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Mansi\u00f3n de Laurel Canyon con Rick Rubin<\/h3>\n

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En abril de 1991, los Red Hot Chili Peppers dejan los bloques de estudio habituales y alquilan la casa de Laurel Canyon luego llamada The Mansion, en el 2451 de Laurel Canyon Boulevard. El productor Rick Rubin busca aislamiento y tomas en vivo; Anthony Kiedis, Flea, John Frusciante y Chad Smith duermen, escriben y graban all\u00ed unas siete semanas. Brendan O’Brien es el ingeniero. Warner Bros. publica Blood Sugar Sex Magik<\/em> el 24 de septiembre de 1991, el mismo d\u00eda que Nirvana lanza Nevermind<\/em>.<\/p>\n

El disco supera los setenta minutos. Give It Away<\/em> abre el ciclo de singles con guitarra funk seca y un estribillo que Kiedis arma a partir de una conversaci\u00f3n con River Phoenix. Suck My Kiss<\/em> y Funky Monks<\/em> mantienen el chasis de bajo slap de discos anteriores, pero el toque de Frusciante es m\u00e1s limpio y mel\u00f3dico que en Mother’s Milk<\/em>. Breaking the Girl<\/em> a\u00f1ade comp\u00e1s de vals y capas ac\u00fasticas. Rubin saca del cuaderno de Kiedis un poema titulado \u00abUnder the Bridge\u00bb e insiste en que la banda lo arregle; la balada sobre la soledad y Los \u00c1ngeles se convierte en el eje comercial del \u00e1lbum. Gail Frusciante y amigas cantan el coro final. La versi\u00f3n de Robert Johnson They’re Red Hot<\/em> cierra el vinilo en menos de dos minutos.<\/p>\n

Los singles se suceden m\u00e1s de un a\u00f1o: Give It Away<\/em>, luego Under the Bridge<\/em>, Suck My Kiss<\/em>, Breaking the Girl<\/em> y m\u00e1s tarde If You Have to Ask<\/em> en el extranjero. El v\u00eddeo de Stephanie Sednaoui para Give It Away<\/em> y el de Gus Van Sant para Under the Bridge<\/em> meten a la banda en rotaci\u00f3n MTV que las giras funk-metal no hab\u00edan alcanzado. En directo, las canciones convierten arenas en salas de llamada y respuesta; fuera del escenario, Frusciante ya encaja mal la escala de fama que el disco est\u00e1 construyendo.<\/p>\n

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\n

Antes de Blood Sugar \u00e9ramos relativamente desconocidos. Despu\u00e9s, recuerdo caminar por mi calle en las Hills y o\u00edr nuestras canciones salir de los coches que pasaban.<\/p>\n<\/blockquote>\n

(Anthony Kiedis, historia oral Los Angeles Times, 2021)<\/em><\/p>\n

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Under the Bridge<\/em> llega al n.\u00ba 2 del Billboard Hot 100 en 1992 y permanece 26 semanas en la lista. El \u00e1lbum alcanza el n.\u00ba 3 del Billboard 200 y luego supera los siete millones de ventas en EE. UU. Sigue siendo el pivote cr\u00edtico y comercial de la banda, del funk de clubes de Los \u00c1ngeles al rock alternativo global.<\/p>\n

La lectura es concreta: una casa, un productor y una balada que casi se queda en un cuaderno. Sin Blood Sugar Sex Magik<\/em>, los regresos de Frusciante en Californication<\/em> y By the Way<\/em> tienen menos suelo. Sigue siendo el mapa m\u00e1s claro de c\u00f3mo los Chili Peppers convirtieron calor local en cat\u00e1logo mainstream.<\/p>\n

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En la primavera de 1991, los Red Hot Chili Peppers se mudan a una mansi\u00f3n de Laurel Canyon con Rick Rubin y graban Blood Sugar Sex Magik en unas siete semanas de tomas en vivo.<\/p>\n","protected":false},"author":1,"featured_media":14199,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[313,707],"class_list":["post-14204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-alternative-indie-punk-es","tag-red-hot-chili-peppers-es"],"yoast_head":"\nBlood Sugar Sex Magik - Mansi\u00f3n de Laurel Canyon con Rick Rubin - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/blood-sugar-sex-magik-red-hot-chili-peppers\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blood Sugar Sex Magik - 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