{"id":14250,"date":"2011-07-09T11:00:00","date_gmt":"2011-07-09T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/diamond-hoo-ha-supergrass\/"},"modified":"2026-09-26T23:59:14","modified_gmt":"2026-09-26T21:59:14","slug":"diamond-hoo-ha-supergrass","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/diamond-hoo-ha-supergrass\/","title":{"rendered":"Diamond Hoo Ha – Hansa a tope con Nick Launay"},"content":{"rendered":"

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Hansa a tope con Nick Launay<\/h3>\n

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El 24 de marzo de 2008, Supergrass public\u00f3 Diamond Hoo Ha<\/em> en Parlophone, su sexto y \u00faltimo \u00e1lbum de estudio antes de la separaci\u00f3n. Las sesiones fueron de enero a noviembre de 2007 en Hansa Tonstudio, Berl\u00edn, las mismas salas del periodo berlin\u00e9s de Bowie, con la mezcla terminada en Los \u00c1ngeles. Produjo Nick Launay. Tras el tono bajo de Normand\u00eda en Road to Rouen<\/em>, el encargo era claro: mantener agresiva la bater\u00eda de Danny Goffey, dejar que el bajo de Mick Quinn empuje y dar espacio a los teclados de Rob Coombes sin limar aristas.<\/p>\n

Los singles marcan el clima. Diamond Hoo Ha Man<\/em> lleg\u00f3 primero en enero de 2008 como descarga gratuita y luego como single: stomp glam, Gaz Coombes en persona de c\u00f3mic, Charly Coombes ya reforzando en directo la segunda guitarra. Bad Blood<\/em> sigui\u00f3 en marzo con un v\u00eddeo de Keith Schofield y acab\u00f3 en Need for Speed: Undercover<\/em>. Rebel in You<\/em>, editado en junio en Supergrass Records tras el l\u00edo de EMI, cerr\u00f3 la campa\u00f1a en vinilo limitado a 1.500 copias. En listas el disco lleg\u00f3 al n.\u00ba 19 UK, su pico de estudio m\u00e1s bajo, aunque los conciertos de ese verano segu\u00edan tratando las nuevas canciones como material de set principal.<\/p>\n

S\u00f3nicamente es un disco de ciudad. Las guitarras quedan fuzzy y adelante, la bater\u00eda ocupa el centro y la mezcla se mantiene seca para o\u00edr los fills de Goffey. 345<\/em> y Rough Knuckles<\/em> persiguen la desorientaci\u00f3n en la letra; Whiskey & Green Tea<\/em> y When I Needed You<\/em> bajan el pulso sin perder el golpe de la banda. La lista de cr\u00e9ditos de Launay (PiL, Nick Cave, Midnight Oil) encaja: quer\u00eda la energ\u00eda en directo de Supergrass en cinta, no otro experimento pastoral.<\/p>\n

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\n

S\u00e9 lo que pod\u00e9is hacer, y os he visto hacerlo, pero me encantar\u00eda grabar un disco en el que os la jugu\u00e9is de verdad.<\/p>\n<\/blockquote>\n

(Nick Launay, citado por Gaz Coombes sobre Diamond Hoo Ha)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb16061″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790426229{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Fuera del estudio, 2008 fue un a\u00f1o turbulento. El vaiv\u00e9n de Parlophone dej\u00f3 Rebel in You<\/em> a la deriva y, en el a\u00f1o siguiente, Supergrass dej\u00f3 EMI, firm\u00f3 con Cooking Vinyl y empez\u00f3 las sesiones inacabadas de Release the Drones<\/em> antes de anunciar la separaci\u00f3n en 2010. A posteriori, Diamond Hoo Ha<\/em> se lee como un \u00faltimo gesto ruidoso: menos calor de charts que la fama de la era Alright<\/em>, m\u00e1s swagger deliberado que la campa\u00f1a de Rouen.<\/p>\n

Lo \u00fatil es la claridad de intenci\u00f3n. Supergrass no intent\u00f3 reescribir la nostalgia Britpop; reservaron Hansa, contrataron a un productor que quer\u00eda su volumen en directo y grabaron once temas que a\u00fan saltan cuando pega el bombo. Para un \u00faltimo cap\u00edtulo de estudio, es una salida limpia: guitarras ne\u00f3n, bater\u00eda apretada y un t\u00edtulo que no se disculpa por divertirse.<\/p>\n

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En marzo de 2008, Supergrass grab\u00f3 Diamond Hoo Ha en Hansa, Berl\u00edn, con Nick Launay y volvi\u00f3 a subir el volumen tras la calma de Road to Rouen.<\/p>\n","protected":false},"author":1,"featured_media":14245,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[313,487],"class_list":["post-14250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-alternative-indie-punk-es","tag-supergrass-es"],"yoast_head":"\nDiamond Hoo Ha - Hansa a tope con Nick Launay - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/diamond-hoo-ha-supergrass\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Diamond Hoo Ha - 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