{"id":14260,"date":"2009-11-02T11:00:00","date_gmt":"2009-11-02T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/i-should-coco-supergrass\/"},"modified":"2026-09-27T01:16:25","modified_gmt":"2026-09-26T23:16:25","slug":"i-should-coco-supergrass","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/i-should-coco-supergrass\/","title":{"rendered":"I Should Coco – Sonrisa Sawmills que lo empez\u00f3 todo"},"content":{"rendered":"

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Sonrisa Sawmills que lo empez\u00f3 todo<\/h3>\n

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El 15 de mayo de 1995, Supergrass public\u00f3 I Should Coco<\/em> en Parlophone. Gaz Coombes, Danny Goffey y Mick Quinn grabaron el \u00e1lbum en Sawmills Studio, Cornualles, entre febrero y agosto de 1994 con el productor Sam Williams, que los hab\u00eda visto tocar por Oxford. El presupuesto fue peque\u00f1o; Quinn dijo despu\u00e9s que todo el disco cost\u00f3 menos que el v\u00eddeo de Alright<\/em>. Aun as\u00ed Parlophone obtuvo un debut que fue el \u00e1lbum primero m\u00e1s vendido del sello desde Please Please Me<\/em> de los Beatles.<\/p>\n

Los singles cuentan la historia en orden. Caught by the Fuzz<\/em> (octubre de 1994) abre con un arresto adolescente y un sprint de tres minutos. Mansize Rooster<\/em> y el limitado Lose It<\/em> mantienen el ritmo. Lenny<\/em> llega justo antes del \u00e1lbum; luego Alright<\/em>, en julio de 1995, alcanza el n.\u00ba 2 UK y fija a la banda en la tele Britpop. El \u00e1lbum pas\u00f3 tres semanas en el n.\u00ba 1 UK, fue platino en casa y super\u00f3 el mill\u00f3n de copias en el mundo. Rob Coombes a\u00fan no era miembro oficial en la portada, pero el directo ya sonaba a cuatro personas discutiendo con ganas.<\/p>\n

Lo que se oye es velocidad con estribillos. La bater\u00eda va delante, las guitarras se quedan secas y brillantes, y la voz de Coombes pasa del gesto al gui\u00f1o sin soltar la melod\u00eda. Sitting Up Straight<\/em>, Strange Ones<\/em> e I’d Like to Know<\/em> mantienen el motor punk-pop; Sofa (of My Lethargy)<\/em> y Time<\/em> bajan el tempo sin relleno. Williams acort\u00f3 las tomas. El Fisherman’s Arms cerca de Sawmills solo aporta color: la banda iba a por el last orders y volv\u00eda a terminar canciones antes de que la cinta se saliera de presupuesto.<\/p>\n

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\n

Llev\u00f3 unos tres meses y medio de grabaci\u00f3n en total y cost\u00f3 menos hacerlo que el v\u00eddeo de ‘Alright’.<\/p>\n<\/blockquote>\n

(Mick Quinn sobre I Should Coco)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb16061″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790421120{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

El contexto importa. El Britpop estaba en su pico, Oxford alimentaba a la prensa nacional y Parlophone quer\u00eda un acto joven y ruidoso que a\u00fan escribiera estribillos. I Should Coco<\/em> dio las dos cosas: detalle callejero en las letras y formas radiof\u00f3nicas en los singles. Los discos posteriores de Supergrass se oscurecer\u00edan y se alargar\u00edan; este se queda bajo los cuarenta minutos y no se disculpa por la velocidad adolescente.<\/p>\n

El punto duradero es simple. Antes de las caras de rayos X y el ne\u00f3n de Hansa, Supergrass demostr\u00f3 que una sesi\u00f3n barata en Cornualles pod\u00eda coronar la lista UK y seguir sonando a una banda en una sala. Alright<\/em> hizo los p\u00f3sters; I Should Coco<\/em> demostr\u00f3 que el resto del \u00e1lbum pod\u00eda seguir el ritmo.<\/p>\n

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En mayo de 1995, Supergrass public\u00f3 I Should Coco en Parlophone: sesiones en Sawmills, Sam Williams a la mesa y un n.\u00ba 1 UK construido sobre Caught by the Fuzz y Alright.<\/p>\n","protected":false},"author":1,"featured_media":14253,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[313,487],"class_list":["post-14260","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-alternative-indie-punk-es","tag-supergrass-es"],"yoast_head":"\nI Should Coco - Sonrisa Sawmills que lo empez\u00f3 todo - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/i-should-coco-supergrass\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I Should Coco - 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