{"id":14358,"date":"2014-06-22T11:00:00","date_gmt":"2014-06-22T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/the-rainbow-children-prince\/"},"modified":"2026-09-26T23:59:58","modified_gmt":"2026-09-26T21:59:58","slug":"the-rainbow-children-prince","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/the-rainbow-children-prince\/","title":{"rendered":"The Rainbow Children &#8211; Concepto Testigo de Jehov\u00e1 tras el renacer"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Concepto Testigo tras el renacer<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">El 20 de noviembre de 2001 NPG Records y Redline Entertainment publicaron <em>The Rainbow Children<\/em>, tras un drop descargable en octubre para miembros del NPG Music Club. Grabado sobre todo en Paisley Park entre septiembre de 2000 y junio de 2001, es el primer gran disco retail de nuevo bajo el nombre Prince tras volver del Love Symbol. El \u00e1lbum corre como concepto continuo &#8211; narraci\u00f3n hablada, alegor\u00eda con marco de Testigos de Jehov\u00e1 y largas suites jazz-funk &#8211; durante unos sesenta y nueve minutos.<\/p>\n<p style=\"text-align: justify;\">El baterista John Blackwell impulsa gran parte del disco; Larry Graham aparece al bajo en cortes clave como <em>The Work, Pt. 1<\/em> y <em>The Everlasting Now<\/em>; Najee suma saxo y flauta; Clare Fischer aporta orquestaci\u00f3n en la suite t\u00edtulo. Los metales Hornheadz colorean varios temas del tramo medio. Pocos singles: <em>The Work, Pt. 1<\/em> ya hab\u00eda circulado por Napster y un CD single meses antes, falsete al estilo James Brown y pocket funk apretado; la radio promo tambi\u00e9n empuj\u00f3 <em>She Loves Me 4 Me<\/em> y <em>Last December<\/em>.<\/p>\n<p style=\"text-align: justify;\">S\u00f3nicamente el set se inclina al swing de banda en vivo m\u00e1s que a la densidad de samples de finales de los 90: bater\u00eda abierta, bajo caminando en los temas con Graham y formas largas como la suite t\u00edtulo de diez minutos, <em>Family Name<\/em> y <em>The Everlasting Now<\/em>. La portada pintada de una banda multigeneracional encaja con el marco de jazz club. El impacto en listas fue modesto frente a los picos de los 80, pero entre oyentes hardcore el \u00e1lbum marc\u00f3 un cap\u00edtulo claro post-Warner y post-s\u00edmbolo: letras espirituales soldadas a m\u00fasicos serios, no a edits de radio.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">It was time to make a record that said what I believe, with musicians who could play it live every night.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Prince sobre la era The Rainbow Children \/ marco de prensa contempor\u00e1nea)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb14962&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790420984{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">En directo, One Nite Alone y fechas de 2002 llevaron estos temas a clubs de jazz y teatros, demostrando el material m\u00e1s all\u00e1 del libreto conceptual. Reediciones Legacy en vinilo y streaming mantuvieron la secuencia continua, incluida la coda sin t\u00edtulo tras <em>Last December<\/em>.<\/p>\n<p style=\"text-align: justify;\">Para el cat\u00e1logo, <em>The Rainbow Children<\/em> es el puente concreto de la independencia de la era s\u00edmbolo a los \u00e1lbumes de banda de los 2000: el pocket de Blackwell, el slap de Graham, el funk de formato largo y un cr\u00e9dito retail que otra vez dice simplemente Prince.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>El 20 de noviembre de 2001 NPG Records y Redline Entertainment publicaron The Rainbow Children, el primer gran \u00e1lbum retail de nuevo bajo el nombre Prince tras los a\u00f1os Love Symbol.<\/p>\n","protected":false},"author":1,"featured_media":14353,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[427,470],"class_list":["post-14358","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-discofunk-es","tag-prince-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Rainbow Children - Concepto Testigo de Jehov\u00e1 tras el renacer - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/the-rainbow-children-prince\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Rainbow Children - Concepto Testigo de Jehov\u00e1 tras el renacer - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"El 20 de noviembre de 2001 NPG Records y Redline Entertainment publicaron The Rainbow Children, el primer gran \u00e1lbum retail de nuevo bajo el nombre Prince tras los a\u00f1os Love Symbol.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/the-rainbow-children-prince\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2014-06-22T09:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T21:59:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/TheRainbowChildren.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/the-rainbow-children-prince\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/albumes\\\/the-rainbow-children-prince\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"The Rainbow Children &#8211; 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