{"id":14426,"date":"2012-05-16T13:00:00","date_gmt":"2012-05-16T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/?p=14426"},"modified":"2026-09-26T23:59:26","modified_gmt":"2026-09-26T21:59:26","slug":"electric-warrior-t-rex","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/electric-warrior-t-rex\/","title":{"rendered":"Electric Warrior – Glam Visconti que clava el riff"},"content":{"rendered":"

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Glam Visconti que clava el riff<\/h3>\n

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En septiembre de 1971, Fly Records public\u00f3 Electric Warrior<\/em>, el \u00e1lbum de T. Rex que Tony Visconti produjo despu\u00e9s de que Marc Bolan acortara el nombre y enchufara el d\u00fao folk a una banda de rock completa. Mickey Finn se qued\u00f3 en percusi\u00f3n. Steve Currie entr\u00f3 al bajo, Bill Legend a la bater\u00eda. La silueta de la portada, Bolan frente a una pila de amplis, ya dice lo que promete el t\u00edtulo: los a\u00f1os ac\u00fasticos de Tyrannosaurus Rex se acabaron.<\/p>\n

Las sesiones corren sobre todo en Trident y Advision en Londres, con Visconti buscando una mezcla seca y golpeadora. Mambo Sun<\/em> abre con un riff seco y la voz enroscada de Bolan. Cosmic Dancer<\/em> baja el pulso sin perder el swagger glam. Jeepster<\/em> monta una l\u00ednea a lo Chuck Berry hacia un estribillo de radio adolescente. Get It On<\/em>, publicado en EE. UU. como Bang a Gong (Get It On)<\/em>, fija un riff simple, palmadas y una voz que no se queda quieta. En todo el disco, la guitarra de Bolan sigue clara y un poco sucia; la bater\u00eda pega corto; las cuerdas que a\u00f1ade Visconti nunca entierran el groove.<\/p>\n

El paquete vende el nuevo T. Rex como m\u00e1quina pop, no como resto hippie. Rizos de Bolan, glitter, temas cortos: todo apunta a las listas. En el Reino Unido el \u00e1lbum encabez\u00f3 las listas de \u00e1lbumes y se qued\u00f3 semanas. Get It On<\/em> lleg\u00f3 al n.\u00ba 1 como single. En Estados Unidos el single renombrado entr\u00f3 en el Top 10 y dio a Bolan un apoyo que no igual\u00f3 del todo con discos posteriores.<\/p>\n

Bolan ya hab\u00eda marcado con Ride a White Swan<\/em> y el nombre acortado en 1970. Electric Warrior<\/em> fij\u00f3 la f\u00f3rmula: duraciones cortas, chistes sexuales a medio disfrazar de charla c\u00f3smica, y Visconti insistiendo en que las guitarras cortaran la radio AM. Flo and Eddie se unir\u00edan despu\u00e9s a las armon\u00edas en vivo de la \u00e9poca; en el \u00e1lbum el centro vocal sigue siendo Bolan, un poco detr\u00e1s del beat, vendiendo cada rizo de frase.<\/p>\n

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\n

Solo quer\u00eda hacer rock and roll. Eso es todo lo que es Electric Warrior.<\/p>\n<\/blockquote>\n

(Marc Bolan sobre la intenci\u00f3n del \u00e1lbum)<\/em><\/p>\n

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La cr\u00edtica oy\u00f3 el giro de inmediato: misticismo folk cambiado por boogie y ganchos. M\u00e1s tarde se llamar\u00eda al disco un blueprint glam, pero en 1971 simplemente sonaba a una banda que hab\u00eda encontrado su volumen y sus chistes a la vez. La producci\u00f3n de Visconti deja o\u00edr la sala. Nada se disuelve en niebla psicod\u00e9lica.<\/p>\n

Lo que sostiene es la econom\u00eda. Diez temas, pocos compases desperdiciados, un cantante que trata cada s\u00edlaba como un gesto de escenario. Electric Warrior<\/em> documenta a Bolan decidiendo que el pop adolescente y el swagger rock pueden compartir la misma cinta. El Ziggy<\/em> de Bowie llegar\u00eda meses despu\u00e9s y reescribir\u00eda el libro de disfraces; este \u00e1lbum ya ten\u00eda los riffs y la prueba en listas. Pon Get It On<\/em> y Jeepster<\/em> seguidos y oyes por qu\u00e9 Inglaterra se rindi\u00f3 primero.<\/p>\n

Los \u00e1lbumes posteriores de T. Rex persiguieron el mismo glitter con peores resultados en listas. Este sigue funcionando porque las canciones no se alargan m\u00e1s que el riff. Las fotos de moda glam de entonces envejecen; el backbeat de Lean Woman Blues<\/em> y las palmadas de Get It On<\/em>, no.<\/p>\n

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En septiembre de 1971, Fly Records public\u00f3 Electric Warrior, el \u00e1lbum de T. 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