{"id":14450,"date":"2009-12-19T09:00:00","date_gmt":"2009-12-19T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/?p=14450"},"modified":"2026-09-27T01:16:26","modified_gmt":"2026-09-26T23:16:26","slug":"rubber-soul-the-beatles","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/rubber-soul-the-beatles\/","title":{"rendered":"Rubber Soul – Abbey Road comprimido, folk en la sala"},"content":{"rendered":"

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Abbey Road comprimido, folk en la sala<\/h3>\n

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El 3 de diciembre de 1965 Parlophone public\u00f3 Rubber Soul<\/em>, el \u00e1lbum de los Beatles grabado en Abbey Road en una carrera oto\u00f1al comprimida con George Martin tras Help!<\/em> y otra gira americana. La foto de portada de Robert Freeman, tomada en el jard\u00edn de la casa de John en Weybridge y estirada en la impresi\u00f3n, da a las caras una torcedura de goma que encaja con el t\u00edtulo. La lista UK abre con Drive My Car<\/em>; la edici\u00f3n Capitol US cambi\u00f3 varios temas por cortes m\u00e1s folk, una diferencia que a\u00fan importa al comparar listas.<\/p>\n

La escritura se vuelve hacia dentro. Norwegian Wood (This Bird Has Flown)<\/em> pone el sitar de Harrison bajo la voz seca de Lennon sobre una noche que acaba mal. Nowhere Man<\/em> mantiene un bloque de armon\u00edas seco y ninguna trama de amor. Michelle<\/em> y Girl<\/em> cambian frases en franc\u00e9s y una voz de humo por charla adulta. In My Life<\/em> est\u00e1 en el centro: letra de memoria de Lennon, solo de piano acelerado de Martin que suena a teclado barroco. El bajo de McCartney se vuelve mel\u00f3dico; el kit de Ringo sigue seco. La banda a\u00fan cabe en duraciones de radio, pero los temas han dejado atr\u00e1s los bailes escolares.<\/p>\n

Harrison aporta Think for Yourself<\/em> e If I Needed Someone<\/em>, el segundo construido sobre un arpegio al estilo Byrds. The Word<\/em> y What Goes On<\/em> mantienen la identidad vocal del grupo mientras las letras se afilan. En todo el LP las guitarras est\u00e1n m\u00e1s limpias que la embestida Mersey inicial, las armon\u00edas m\u00e1s apretadas, los chistes m\u00e1s secos.<\/p>\n

La reserva de oto\u00f1o dej\u00f3 poco margen para dudar. Las canciones se terminaban r\u00e1pido entre fechas de gira y plazos de Navidad. El piano de Martin en In My Life<\/em> se grab\u00f3 a mitad de velocidad y luego se aceler\u00f3 para imitar un solo barroco que no pod\u00eda tocar en tiempo real a tempo completo. El sitar de Harrison en Norwegian Wood<\/em> a\u00fan era una novedad en el pop brit\u00e1nico; en menos de un a\u00f1o los colores indios se asentar\u00edan m\u00e1s hondo en la escritura del grupo, sobre todo en Revolver<\/em>.<\/p>\n

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\n

Est\u00e1bamos mejorando, t\u00e9cnicamente y musicalmente.<\/p>\n<\/blockquote>\n

(George Harrison sobre el per\u00edodo Rubber Soul)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb15845″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790419604{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Las ventas fueron inmediatas: n.\u00ba 1 UK, n.\u00ba 1 US en la configuraci\u00f3n Capitol. La cr\u00edtica trat\u00f3 el \u00e1lbum como un paso hacia el oficio de \u00e1lbum m\u00e1s que un almac\u00e9n de singles. Dylan y los Byrds estaban de fondo en la prensa; los Beatles respondieron absorbiendo el fraseo folk sin abandonar la forma pop.<\/p>\n

Rubber Soul<\/em> es la bisagra antes de Revolver<\/em>. Demuestra que el cuarteto puede llevar temas adultos dentro de marcos de tres minutos y seguir llenando calcetines de Navidad. Las caras estiradas de la funda son un accidente de impresi\u00f3n convertido en marca. Las canciones debajo son deliberadas: menos gritos, m\u00e1s frases, una banda de estudio que aprende a significar lo que canta.<\/p>\n

Los compradores US de la edici\u00f3n Capitol perdieron Drive My Car<\/em>, Nowhere Man<\/em>, What Goes On<\/em> e If I Needed Someone<\/em>, ganando I’ve Just Seen a Face<\/em> e It’s Only Love<\/em> de las sesiones de Help!<\/em>. Por eso las lecturas folk-rock americanas de Rubber Soul<\/em> a veces suenan a otro \u00e1lbum. La secuencia Parlophone es la que la banda orden\u00f3 como declaraci\u00f3n.<\/p>\n

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El 3 de diciembre de 1965 Parlophone public\u00f3 Rubber Soul, el \u00e1lbum de los Beatles grabado en Abbey Road en una carrera oto\u00f1al comprimida con George Martin tras Help! y otra gira americana.<\/p>\n","protected":false},"author":1,"featured_media":14446,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[300,299],"tags":[481,494],"class_list":["post-14450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-classic-rock-es","tag-the-beatles-es"],"yoast_head":"\nRubber Soul - Abbey Road comprimido, folk en la sala - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/rubber-soul-the-beatles\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rubber Soul - 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