{"id":14468,"date":"2008-07-14T09:00:00","date_gmt":"2008-07-14T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/rock-n-roll-suicide-david-bowie\/"},"modified":"2026-09-26T23:58:36","modified_gmt":"2026-09-26T21:58:36","slug":"rock-n-roll-suicide-david-bowie","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/rock-n-roll-suicide-david-bowie\/","title":{"rendered":"Rock ‘n’ Roll Suicide – David Bowie: la \u00faltima mano de Ziggy hacia el patio"},"content":{"rendered":"

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Cierre de Ziggy, junio 1972: ac\u00fastica, cuerdas, you’re not alone<\/h3>\n

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Una guitarra ac\u00fastica sola y una voz cansada abren el \u00faltimo tema. Luego el arreglo de cuerdas de Mick Ronson levanta la sala, entra la banda, y David Bowie gira la letra hacia el patio: you’re not alone. Rock ‘n’ Roll Suicide<\/em> cierra The Rise and Fall of Ziggy Stardust and the Spiders from Mars<\/em> (RCA, 16 de junio de 1972). Tras la embestida de Suffragette City<\/em>, el \u00e1lbum necesita una despedida que a\u00fan suene a rock, no a un discurso en fade-out. La intro ac\u00fastica es casi folk-simple antes de que llegue la orquestaci\u00f3n, una ca\u00edda deliberada tras el sprint glam que la precede. Las bases cayeron el 4 de febrero de 1972 en Trident con Ken Scott, el mismo d\u00eda en que los Spiders grabaron la puerta de radio del \u00e1lbum y su sprint callejero.<\/p>\n

Bowie escribi\u00f3 una secuencia que cualquier estrella quemada podr\u00eda cantar: el tiempo se lleva un cigarrillo, la pared llama, demasiado joven para perderlo, demasiado viejo para perder eso. El estribillo no moraliza. Ofrece una mano. Las cuerdas de Ronson crecen sin enterrar la voz, la misma disciplina que aport\u00f3 al resto de los discos Spiders. El drama est\u00e1 en el arreglo m\u00e1s que en trucos de estudio: voz cercana, orquesta que sube, luego el grito que invita a la sala a responder. Bootlegs de fechas anteriores de 1973 ya muestran al p\u00fablico atrapando las l\u00edneas you’re-not-alone antes de que Hammersmith las volviera hist\u00f3ricas. En disco la canci\u00f3n funciona como teatro sin resumen de trama. Sientes al personaje vaciar el tanque y aun as\u00ed negarse a dejar a la gente en fr\u00edo.<\/p>\n

El 3 de julio de 1973 en el Hammersmith Odeon de Londres, Bowie cerr\u00f3 el show Ziggy con esta canci\u00f3n y luego dijo al p\u00fablico que era el \u00faltimo show que har\u00eda jam\u00e1s, retirando el personaje en el acto. La pel\u00edcula oficial del concierto, luego publicada en 4K en su canal, congela ese momento: brazos abiertos, voz rajada, banda sosteniendo el \u00faltimo acorde mientras el mito termina en p\u00fablico. Bandas sonoras y conciertos homenaje siguen eligiendo este cierre cuando necesitan el final de Ziggy sin explicar la trama. Las giras posteriores a\u00fan trataron el tema como se\u00f1al de final, prueba de que la l\u00ednea de solidaridad sobrevivi\u00f3 al disfraz.<\/p>\n

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\n

De todos los shows de esta gira, este en particular se quedar\u00e1 con nosotros m\u00e1s tiempo, porque no solo es el \u00faltimo show de la gira, es el \u00faltimo show que haremos jam\u00e1s.<\/p>\n<\/blockquote>\n

(David Bowie, Hammersmith Odeon, 3 de julio de 1973)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb10945″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790421860{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

La radio rara vez necesitaba Rock ‘n’ Roll Suicide<\/em> como single; la secuencia del \u00e1lbum hizo el trabajo. Los fans que solo conocen a Ziggy por los hits a\u00fan reconocen el grito you’re-not-alone en documentales y clips en directo. Ponlo despu\u00e9s de Suffragette City<\/em> y el arco del disco se cierra: velocidad, luego solidaridad. La l\u00ednea del cigarrillo sigue sonando a puerta de escenario a medianoche, no a met\u00e1fora que flota fuera de la sala. Dale al play solo por el hush ac\u00fastico, y qu\u00e9date por la mano que Bowie tiende cuando el personaje ya se ha ido.<\/p>\n

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Ziggy Stardust cierra en junio de 1972 con Rock ‘n’ Roll Suicide: inicio ac\u00fastico, cuerdas Ronson, y el you’re not alone gritado que Bowie us\u00f3 para matar al personaje en Hammersmith en 1973.<\/p>\n","protected":false},"author":1,"featured_media":7929,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[481,422],"class_list":["post-14468","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-classic-rock-es","tag-david-bowie-es","post_format-post-format-video"],"yoast_head":"\nRock 'n' Roll Suicide - David Bowie: la \u00faltima mano de Ziggy hacia el patio - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/rock-n-roll-suicide-david-bowie\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rock 'n' Roll Suicide - 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