{"id":14473,"date":"2013-07-27T11:00:00","date_gmt":"2013-07-27T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/master-and-servant-depeche-mode\/"},"modified":"2026-09-27T03:12:10","modified_gmt":"2026-09-27T01:12:10","slug":"master-and-servant-depeche-mode","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/master-and-servant-depeche-mode\/","title":{"rendered":"Master and Servant – Depeche Mode: chasquido de l\u00e1tigo que dobl\u00f3 como canci\u00f3n laboral"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Some Great Reward, agosto 1984: samples de l\u00e1tigo, met\u00e1fora laboral, v\u00eddeo de cuero<\/h3>\n

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Un chasquido de l\u00e1tigo abre el campo est\u00e9reo antes de que el secuenciador se asiente. Dave Gahan canta la dominaci\u00f3n como si fuera un turno de f\u00e1brica, mientras la letra de Martin Gore pliega el juego de alcoba en la jerarqu\u00eda de oficina. Master and Servant<\/em> es el segundo single brit\u00e1nico de Some Great Reward<\/em>, publicado el 20 de agosto de 1984 en Mute, con (Set Me Free) Remotivate Me<\/em> en la cara B. Sigui\u00f3 a People Are People<\/em> y empuj\u00f3 a Depeche Mode m\u00e1s lejos del synth-pop de Basildon de Speak & Spell<\/em> hacia algo m\u00e1s fr\u00edo y m\u00e1s f\u00edsico. Las demos de Gore para la era del \u00e1lbum ya se apoyaban en percusi\u00f3n encontrada y ambig\u00fcedad moral; el single simplemente hizo esa tensi\u00f3n bailable. Algunas radios dudaron del tema. Los clubs no.<\/p>\n

La banda produjo con Daniel Miller y Gareth Jones. El tracking b\u00e1sico corri\u00f3 en Music Works en Highbury, Londres, en mayo de 1984; la mezcla pas\u00f3 a Hansa Mischraum en Berl\u00edn Oeste, el mismo complejo que ya hab\u00eda alojado a Bowie e Iggy. Samples de percusi\u00f3n industrial y una voz seca se sientan sobre un pulso dance hecho para clubs tanto como para radio. Gore ha dicho que la canci\u00f3n habla de cualquier relaci\u00f3n con un lado dominante y uno sumiso, incluidas las que la gente ficha cada ma\u00f1ana. Esa doble lectura es por qu\u00e9 el t\u00edtulo sigue funcionando de d\u00eda: es lenguaje S&M con tarjeta de fichaje. La campa\u00f1a de doce pulgadas de Mute trat\u00f3 el l\u00e1tigo como cue de DJ tanto como efecto de shock, lo que ayud\u00f3 al tema a viajar m\u00e1s all\u00e1 de la radio indie brit\u00e1nica.<\/p>\n

Clive Richardson dirigi\u00f3 el v\u00eddeo oficial: cuero, cadenas y luces de escenario alineadas con la campa\u00f1a del \u00e1lbum. El pico UK fue el n\u00famero nueve; Alemania Occidental lo llev\u00f3 al dos. En EE. UU. el tema hall\u00f3 tracci\u00f3n en la pista de baile aunque la radio pop dudara, rozando el Hot 100 y las listas Club Songs. En directo se volvi\u00f3 un cue de chasquido a mitad de set en las giras de mediados de los 80 que apuntaban a la escala Rose Bowl de 101<\/em>. En fechas posteriores a veces se sentaba junto a Blasphemous Rumours<\/em>, otro single de Some Great Reward<\/em> que rechazaba el buen humor f\u00e1cil. El Slavery Whip Mix estir\u00f3 el groove m\u00e1s de nueve minutos para cajas DJ que quer\u00edan m\u00e1s chasquido y menos estribillo.<\/p>\n

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\n

Habla de cualquier relaci\u00f3n donde hay una persona dominante y una sumisa. Puede ser un jefe y un trabajador, o un profesor y un alumno.<\/p>\n<\/blockquote>\n

(Martin Gore, sobre Master and Servant)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb7728″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790419991{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Los mixes de doce pulgadas estiraron el l\u00e1tigo y el groove para cajas DJ, incluidas m\u00e1s tarde variantes On-U Sound y US black-and-blue. La versi\u00f3n de \u00e1lbum sigue siendo la que m\u00e1s oyentes conocen: tensa, lo bastante corta para la radio, lo bastante directa para que el t\u00edtulo haga su trabajo. Pon Master and Servant<\/em> junto a People Are People<\/em> y oyes a Depeche Mode 1984 en una sola noche: pol\u00edtica de civil, luego deseo vestido de trabajo. El chasquido del inicio a\u00fan te dice de qu\u00e9 lado del escritorio est\u00e1s. Dale al play solo por el sample, y qu\u00e9date a ver con qu\u00e9 calma Gahan vende un juego de poder como un fichaje.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

En agosto de 1984, Depeche Mode publica Master and Servant de Some Great Reward: un mix de Gareth Jones y Daniel Miller donde la met\u00e1fora S&M de Martin Gore dobla como canci\u00f3n laboral, y el v\u00eddeo de Clive Richardson fija el look de cuero.<\/p>\n","protected":false},"author":1,"featured_media":6382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[560,458],"class_list":["post-14473","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-depeche-mode-es","tag-newwave-electro-triphop-es","post_format-post-format-video"],"yoast_head":"\nMaster and Servant - Depeche Mode: chasquido de l\u00e1tigo que dobl\u00f3 como canci\u00f3n laboral - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/master-and-servant-depeche-mode\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Master and Servant - 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