{"id":14486,"date":"2010-05-16T11:00:00","date_gmt":"2010-05-16T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/20-20-gaz-coombes\/"},"modified":"2026-09-26T23:58:58","modified_gmt":"2026-09-26T21:58:58","slug":"20-20-gaz-coombes","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/20-20-gaz-coombes\/","title":{"rendered":"20\/20 – Gaz Coombes: Matador sube del hush al volumen pleno"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Matador, enero 2015: inicio apagado, luego una cresta de banda<\/h3>\n

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Electr\u00f3nica suave y una voz a medio tragar abren el tema. Luego la bater\u00eda se espesa, las guitarras se apilan, y Gaz Coombes empuja hacia un estribillo que por fin abre los pulmones. 20\/20<\/em> es la segunda canci\u00f3n de Matador<\/em>, publicado el 26 de enero de 2015, y sali\u00f3 pronto como single con un v\u00eddeo en directo oficial rodado en el venue 229 de Londres. Tras Here Come The Bombs<\/em>, este \u00e1lbum demostraba que pod\u00eda profundizar el proyecto en solitario sin tomar prestados al por mayor los arreglos Supergrass. Donde Hot Fruit<\/em> anunciaba libertad, 20\/20<\/em> mostr\u00f3 paciencia: el arreglo espera antes de gastar su volumen. Esa espera es ya la mitad del placer. Oyes llenarse la sala en vez de que te digan que aplaudas.<\/p>\n

Coombes grab\u00f3 en gran parte en su estudio casero y en Courtyard Studios en Oxfordshire, tocando casi todos los instrumentos \u00e9l mismo. La letra apila im\u00e1genes densas (huracanes, vista, calor) sobre un beat roto que algunos primeros oyentes compararon con el Radiohead tard\u00edo antes de que la melod\u00eda los devolviera a su propia l\u00ednea. NME y otros medios se\u00f1alaron el clip 229 en enero de 2015 como pieza de campa\u00f1a: sin decorado concept, solo volumen de banda en una sala peque\u00f1a. Courtyard y la habitaci\u00f3n de casa le dieron overdubs sin reloj encima, por eso el \u00faltimo estribillo suena apilado m\u00e1s que apresurado. El t\u00edtulo promete vista clara. El arreglo la entrega por acumulaci\u00f3n, no por slogan. Notas el falsete asomando entre la electr\u00f3nica, luego las guitarras tomando el suelo cuando el beat deja de fingir timidez.<\/p>\n

Las fechas UK de febrero de 2015 (Bristol Fleece hasta Manchester Gorilla, con parada en el Queen Elizabeth Hall de Londres) situaron 20\/20<\/em> a mitad de set, donde el arco suave-fuerte pod\u00eda respirar. El apoyo radiof\u00f3nico fue modesto frente a los picos Supergrass, pero el tema se volvi\u00f3 marcador fan del ciclo Matador<\/em>: el momento en que el segundo \u00e1lbum en solitario deja de susurrar y empieza a insistir. Los fans que ven\u00edan de Supergrass notaron las patillas y el falsete, y se quedaron por la electr\u00f3nica que ya no necesitaba voto de comit\u00e9. Las playlists streaming de inclinaci\u00f3n indie a\u00fan lo sacan junto a Hot Fruit<\/em> como mapa en dos pasos de sus primeros a\u00f1os en solitario. Los \u00e1lbumes en solitario posteriores mantuvieron el h\u00e1bito multi-instrumentista; este corte sigue siendo una de las puertas m\u00e1s claras a ese m\u00e9todo.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Casi todo en el disco soy yo. Quer\u00eda que las canciones se sintieran hechas a mano, incluso cuando se vuelven grandes.<\/p>\n<\/blockquote>\n

(Gaz Coombes, sobre las sesiones de Matador)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb15106″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790425398{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Empezar peque\u00f1o, rechazar un estribillo barato, ganarse el \u00faltimo minuto: ese es el trato de 20\/20<\/em>. Ponlo despu\u00e9s del abridor Buffalo<\/em> y el ritmo de Matador<\/em> encaja: anunciar la paleta, luego ensanchar el cuadro. Dale al play solo por la electr\u00f3nica apagada, y qu\u00e9date por la cresta que por fin gasta el volumen que retuvo a prop\u00f3sito. El t\u00edtulo sigue encajando. La vista clara llega apilando partes, no gritando la tesis en el primer comp\u00e1s.<\/p>\n

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En Matador en enero de 2015, 20\/20 sube de electr\u00f3nica apagada a una cresta de banda; Coombes toca casi todo \u00e9l mismo y luego rueda el v\u00eddeo oficial en directo en el 229 de Londres.<\/p>\n","protected":false},"author":1,"featured_media":6837,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[305,299],"tags":[313,608],"class_list":["post-14486","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-alternative-indie-punk-es","tag-gaz-coombes-es","post_format-post-format-video"],"yoast_head":"\n20\/20 - Gaz Coombes: Matador sube del hush al volumen pleno - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/20-20-gaz-coombes\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"20\/20 - 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