{"id":14601,"date":"2012-08-17T13:00:00","date_gmt":"2012-08-17T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/lust-for-life-iggy-pop\/"},"modified":"2026-09-26T22:57:49","modified_gmt":"2026-09-26T20:57:49","slug":"lust-for-life-iggy-pop","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/lust-for-life-iggy-pop\/","title":{"rendered":"Lust For Life – Iggy Pop: Berlin in 1977, Iggy Pop and David Bowie cut around Hunt Sales’s"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Berlin, 1977: la bateria de Hunt Sales abre las sesiones de Lust For Life<\/h3>\n

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Cuatro golpes de caja y la sala salta. Lust For Life<\/em>, tema titular del album de 1977 de Iggy Pop con David Bowie, arranca con la bateria de Hunt Sales antes de que guitarras y respuestas vocales se acumulen. Los catalogos fechan el album a finales de agosto \/ principios de septiembre de 1977, grabado en Berlin tras The Idiot<\/em>. Bowie coescribe y coproduce; Tony Sales sostiene el bajo; Ricky Gardiner colorea las guitarras. El groove esta mas cerca de un hibrido Bo Diddley \/ motorik que del feedback Stooges.<\/p>\n

El tramo berlin\u00e9s fue rehab por trabajo: estudios frios, tomas disciplinadas y Pop escribiendo con Bowie tras el caos de mediados de los 70. Lust For Life<\/em> mantiene la letra conversacional (\u00abhere comes Johnny Yen again\u00bb) mientras la banda fija una rejilla bailable. Colin Thurston ingeniero en el circuito Hansa \/ Berlin que tambien moldeo Low \/ \u00abHeroes\u00bb de Bowie. La cancion esta hecha para cantarse: vocales simples, respuestas gritadas, estribillo sin partitura.<\/p>\n

Cine y television reabrieron el tema a publicos mas jovenes. Trainspotting<\/em> de Danny Boyle (1996) puso la intro de bateria bajo la carrera inicial, y siguieron los anuncios. Los canales oficiales siguen empujando el clip VEVO como referencia visual: Iggy en movimiento, no un homenaje borroso posterior. En directo, el Manchester Apollo y los espacios TV europeos del otono de 1977 ya trataban la cancion como pieza central.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Here comes Johnny Yen again \/ Looking like a man from Mars.<\/p>\n<\/blockquote>\n

(Iggy Pop \/ David Bowie, primeras lineas de Lust For Life (1977))<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb15174″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790418032{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Las ventas del album original quedaron atras de su mito posterior. Syncs y reediciones hicieron el trabajo pesado. En los 90 la intro de bateria era taquigrafia cultural del apetito sin freno, ironico para un tema cortado bajo la disciplina de estudio de Bowie.<\/p>\n

Junto a The Passenger<\/em> se oye a la misma banda berlinesa hablar dos dialectos: uno para el empujon dancefloor, otro para la mirada por la ventanilla. Lust For Life<\/em> sigue siendo el empujon.<\/p>\n

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