{"id":15405,"date":"2023-09-07T09:00:00","date_gmt":"2023-09-07T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/simply-red-manchester-soul-that-filled-the-charts\/"},"modified":"2026-09-26T21:38:50","modified_gmt":"2026-09-26T19:38:50","slug":"simply-red-manchester-soul-that-filled-the-charts","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/simply-red-manchester-soul-that-filled-the-charts\/","title":{"rendered":"Simply Red &#8211; Soul de Manchester que llen\u00f3 las listas"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">De Frantic Elevators a Picture Book: Hucknall construye una revista soul de charts<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Mick Hucknall deja los Frantic Elevators y las salas post-punk de Manchester por un proyecto soul con mira de charts m\u00e1s clara. Simply Red se forma en torno a su voz, los teclados de Fritz McIntyre y un elenco rotatorio de m\u00fasicos capaces de honrar Motown y Filadelfia sin parodia. Picture Book (1985) en Elektra lleva \u00abMoney&#8217;s Too Tight (To Mention)\u00bb y \u00abHolding Back the Years,\u00bb la balada que los lleva al n\u00famero uno de EE. UU.<\/p>\n<p style=\"text-align: justify;\">Men and Women y A New Flame mantienen abierto el carril blue-eyed soul. \u00abIf You Don&#8217;t Know Me by Now\u00bb (cover de Harold Melvin) y \u00abStars\u00bb convierten el grano de Hucknall en moneda adult contemporary mundial. El nombre de la banda sigue en plural aunque cambien las formaciones; la constante es la voz: aguda, algo nasal, calzada a grooves midtempo y estribillos endulzados con cuerdas.<\/p>\n<p style=\"text-align: justify;\">Stars (1991) vende por millones en el Reino Unido y marca el pico de saturaci\u00f3n radiof\u00f3nica. Los \u00e1lbumes posteriores prueban bordes m\u00e1s funk y confesiones m\u00e1s quietas. En directo, Simply Red llena teatros y arenas con formato revista: metales, coros, Hucknall en el centro. La cr\u00edtica a veces encoge los hombros ante el polish; quien compra entradas no.<\/p>\n<p style=\"text-align: justify;\">Manchester sigue siendo biograf\u00eda m\u00e1s que marca sonora. Los discos apuntan al sur y al oeste: deberes de soul estadounidense filtrados por un cantante pop brit\u00e1nico que trata los covers como repertorio serio. Colaboraciones y cambios de sello siguen la ruta major habitual, pero la primera ola Elektra\/WEA sigue explicando el gancho.<\/p>\n<p style=\"text-align: justify;\">Lo que sostiene es el oficio, no el mito. Camas de shuffle y cuatro por cuatro, melod\u00edas que se silban tras un estribillo y un frontman que mantiene a la banda en el mix. Simply Red convirti\u00f3 el soul de Manchester en lenguaje de charts durante dos d\u00e9cadas sin necesitar teatro punk.<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u00bb15399&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_17588700012942{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Pon \u00abHolding Back the Years\u00bb o \u00abStars\u00bb y la lecci\u00f3n es clara: deberes Motown y Philly, delivery brit\u00e1nico, salas para lentos y edits de radio. Simply Red convirti\u00f3 el blue-eyed soul en pop durable sin vaciar el groove.<\/p>\n<p style=\"text-align: justify;\">Ex-punk de Manchester. Soul de charts con metales. Una voz que vend\u00eda sinceridad a midtempo.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Mick Hucknall deja los Frantic Elevators y las salas post-punk de Manchester por un proyecto soul con mira de charts m\u00e1s clara.<\/p>\n","protected":false},"author":1,"featured_media":15389,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[299,301],"tags":[647,538],"class_list":["post-15405","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-criticas","category-grupos","tag-simply-red-es","tag-soul-rb-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Simply Red - Soul de Manchester que llen\u00f3 las listas - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/simply-red-manchester-soul-that-filled-the-charts\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Simply Red - Soul de Manchester que llen\u00f3 las listas - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Mick Hucknall deja los Frantic Elevators y las salas post-punk de Manchester por un proyecto soul con mira de charts m\u00e1s clara.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/simply-red-manchester-soul-that-filled-the-charts\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2023-09-07T07:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T19:38:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/SimplyRed.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/simply-red-manchester-soul-that-filled-the-charts\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/simply-red-manchester-soul-that-filled-the-charts\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Simply Red &#8211; 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