{"id":15683,"date":"2010-06-02T19:00:00","date_gmt":"2010-06-02T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/radiohead-anxiety-that-kept-rewriting-the-band\/"},"modified":"2026-09-27T01:16:32","modified_gmt":"2026-09-26T23:16:32","slug":"radiohead-la-ansiedad-que-reescribia-a-la-banda","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/radiohead-la-ansiedad-que-reescribia-a-la-banda\/","title":{"rendered":"Radiohead &#8211; La ansiedad que reescribi\u00f3 la banda"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">De Creep a la m\u00e1quina<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">En Oxfordshire a principios de los 90, cinco m\u00fasicos dejaron On a Friday y se llamaron Radiohead antes de que \u00abCreep\u00bb hiciera las salas demasiado peque\u00f1as. Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O&#8217;Brien y Philip Selway ya llevaban a\u00f1os ensayando. Pablo Honey (1993) en Parlophone puso ese sencillo en MTV y los atrap\u00f3 en un himno de autodesprecio que pronto se negaron a tocar cada noche.<\/p>\n<p style=\"text-align: justify;\">The Bends (1995), producido con John Leckie, fue la trampilla de escape. Din\u00e1micas fuerte-suave, guitarras secas, voz de Yorke empujada a falsetto y grano. \u00abFake Plastic Trees\u00bb, \u00abHigh and Dry\u00bb, \u00abStreet Spirit (Fade Out)\u00bb los hicieron banda de guitarra capaz de asustar una sala quiet. Influencias Pixies quiet-loud y ansiedad mel\u00f3dica de R.E.M. eran audibles; las decisiones de arreglo eran suyas.<\/p>\n<p style=\"text-align: justify;\">OK Computer (1997), grabado sobre todo en Canned Applause y luego St Catherine&#8217;s Court con Nigel Godrich, convirti\u00f3 viaje, pantallas y dread en rock secuenciado. \u00abParanoid Android\u00bb, \u00abKarma Police\u00bb y \u00abNo Surprises\u00bb hicieron del \u00e1lbum un informe de sistema cantado por un humano que odiaba el informe. Godrich fue el copiloto a largo plazo; el arte de Stanley Donwood emparej\u00f3 el lenguaje audio de c\u00f3digos de barras, osos y paisajes rayados.<\/p>\n<p style=\"text-align: justify;\">Kid A (2000) y Amnesiac (2001) cortaron las guitarras obvias. Sintetizadores modulares, fraseo jazz, voces enterradas. Fans debatieron en foros; los discos chartearon igual. Hail to the Thief (2003) acerc\u00f3 pol\u00edtica sin volver a formas Pablo Honey. In Rainbows (2007) lleg\u00f3 con pay-what-you-want y temas como \u00abNude\u00bb y \u00abReckoner\u00bb c\u00e1lidos sin sonar blandos.<\/p>\n<p style=\"text-align: justify;\">The King of Limbs (2011) persigui\u00f3 loops e impro en vivo. A Moon Shaped Pool (2016) cerr\u00f3 un arco largo con cuerdas y \u00abTrue Love Waits\u00bb por fin terminado en p\u00fablico. Caminos paralelos: solo de Yorke, bandas sonoras de Jonny, The Smile con Tom Skinner. La banda sigui\u00f3 siendo unidad que pod\u00eda desaparecer a\u00f1os y llenar arenas al volver.<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u00bb15677&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790076200001{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">La gira OK Computer qued\u00f3 documentada como desgaste en Meeting People Is Easy. La voz de Yorke se deshilach\u00f3; la banda aprendi\u00f3 la saturaci\u00f3n por dentro. Ese cansancio aliment\u00f3 el rechazo de Kid A a la secuela guitarra esperada. B-sides y volcados web trataron sobras como archivo p\u00fablico, no polvo de b\u00f3veda.<\/p>\n<p style=\"text-align: justify;\">Los arreglos en vivo siguieron mutando. Una canci\u00f3n de The Bends pod\u00eda llegar con ondes Martenot, un boceto Kid A pod\u00eda ganar columna guitarra en escena. El punto nunca fue nostalgia. Fue prueba de que los cinco a\u00fan compart\u00edan tempo cuando cambiaban texturas. Frente al uplift de estadio de Coldplay o el espect\u00e1culo prog de Muse, Radiohead guard\u00f3 inquietud en letra y mezcla.<\/p>\n<p style=\"text-align: justify;\">Lo que los separa de pares britpop es negarse a repetir f\u00f3rmula ganadora. Cada giro cost\u00f3 algo: fans, radio, sue\u00f1o. El cat\u00e1logo premia escucha secuencial: Pablo por el accidente, The Bends por pico guitarra, OK Computer por dread sistema, Kid A\/Amnesiac por giro electr\u00f3nico, In Rainbows por calor humano tras el glitch.<\/p>\n<p style=\"text-align: justify;\">Empieza por OK Computer para centro de gravedad, The Bends para riffs, Kid A cuando quieras habitaci\u00f3n fr\u00eda. \u00abCreep,\u00bb \u00abParanoid Android\u00bb y \u00abReckoner\u00bb son tres puertas a tres bandas distintas que comparten nombre.<\/p>\n<p style=\"text-align: justify;\">Queda un m\u00e9todo de trabajo: tratar el hit como problema, el estudio como instrumento, mantener qu\u00edmica a cinco aunque las texturas suenen a m\u00e1quinas. Radiohead no invent\u00f3 ansiedad digital. La parti\u00f3 con guitarras, luego circuitos, sin fingir que el miedo hab\u00eda salido de la habitaci\u00f3n.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>En Oxfordshire a principios de los 90, cinco m\\u00fasicos dejaron On a Friday y se llamaron Radiohead antes de que \u00abCreep\u00bb hiciera las salas demasiado peque\\u00f1as.<\/p>\n","protected":false},"author":1,"featured_media":15673,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[299,301],"tags":[313,565],"class_list":["post-15683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-criticas","category-grupos","tag-alternative-indie-punk-es","tag-radiohead-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Radiohead - La ansiedad que reescribi\u00f3 la banda - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/radiohead-la-ansiedad-que-reescribia-a-la-banda\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Radiohead - La ansiedad que reescribi\u00f3 la banda - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"En Oxfordshire a principios de los 90, cinco mu00fasicos dejaron On a Friday y se llamaron Radiohead antes de que &quot;Creep&quot; 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