{"id":15838,"date":"2008-04-04T11:00:00","date_gmt":"2008-04-04T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/the-stone-roses-madchester-swagger-in-four-players\/"},"modified":"2026-09-26T23:28:37","modified_gmt":"2026-09-26T21:28:37","slug":"the-stone-roses-madchester-swagger-in-four-players","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/","title":{"rendered":"The Stone Roses &#8211; El swagger Madchester en cuatro m\u00fasicos"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">M\u00e1nchester, 1989: las guitarras cristalinas de Squire, el swing de Reni, el arrastre de Brown y un debut que recable\u00f3 el indie<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">The Stone Roses se fue formando en M\u00e1nchester a lo largo de los primeros a\u00f1os ochenta, cimentado en la amistad entre Ian Brown y John Squire, que se conoc\u00edan desde la escuela primaria en Timperley. Cuando estabilizaron su formaci\u00f3n, Gary Mounfield, conocido como Mani, tocaba el bajo y Alan Wren, conocido como Reni, la bater\u00eda. Tras varios a\u00f1os de circuito indie y un primer single fallido en Thin Line Records, firmaron con Silvertone y entraron en Rockfield Studios en Gales con el productor John Leckie. Lo que sali\u00f3 en mayo de 1989 fue uno de los \u00e1lbumes debut brit\u00e1nicos m\u00e1s comentados de la d\u00e9cada.<\/p>\n<p style=\"text-align: justify;\">The Stone Roses (Silvertone, 1989) beb\u00eda de varias direcciones que su momento no sol\u00eda combinar. El trabajo de guitarra de Squire estaba nutrido por el ataque cristalino y resonante de los Byrds, filtrado a trav\u00e9s de la psicodelia y una clara admiraci\u00f3n por el trabajo de guitarra r\u00edtmica de Keith Richards y el enfoque lead de Jimi Hendrix. La entrega vocal de Brown era un arrastre mancuniano, comedido y seguro, que evitaba tanto el crooning sincero del indie de los ochenta como la agresividad del post-punk. La bater\u00eda de Reni era el esqueleto t\u00e9cnico: formado en los patrones del soul y el funk de los sesenta, inyectaba swing en los ritmos del rock indie de un modo que daba al grupo un groove que pocos de sus contempor\u00e1neos ten\u00edan.<\/p>\n<p style=\"text-align: justify;\">La escena del acid house estaba transformando los clubs de M\u00e1nchester al mismo tiempo, y los Stone Roses la absorbieron sin convertirse del todo en ella. La guitarra segu\u00eda siendo central, pero la soltura r\u00edtmica y el sentido de euforia comunal que recorr\u00eda la escena eran audibles en la energ\u00eda del grupo y en la respuesta de su p\u00fablico. Tocaron en el Hacienda. Eran amigos de Tony Wilson. El cruce entre guitarra indie y cultura de pista de baile que representaba el \u00e1lbum contribuy\u00f3 a definir lo que los periodistas llamar\u00edan despu\u00e9s Madchester, una etiqueta que abarcaba tambi\u00e9n a los Happy Mondays, James e Inspiral Carpets.<\/p>\n<p style=\"text-align: justify;\">El debut no conten\u00eda relleno. \u00abI Wanna Be Adored\u00bb abr\u00eda con una construcci\u00f3n de bajo y bater\u00eda que retrasaba la guitarra casi un minuto antes de llegar. \u00abShe Bangs the Drums\u00bb era una pieza de tres minutos de puro movimiento hacia adelante: el trabajo de charles de Reni y la l\u00ednea de bajo mel\u00f3dica de Mani empujando el riff de Squire y la voz de Brown hacia un impulso irresistible. \u00abThis Is the One\u00bb le daba a Brown su letra m\u00e1s teatral del \u00e1lbum. \u00abI Am the Resurrection\u00bb cerraba el disco en ocho minutos, los \u00faltimos tres de los cuales eran una secci\u00f3n instrumental impulsada por la bater\u00eda de Reni, ampliamente citada por bateristas posteriores como influencia directa en el enfoque de la percusi\u00f3n rock.<\/p>\n<p style=\"text-align: justify;\">La reputaci\u00f3n en vivo de los Roses se construy\u00f3 r\u00e1pidamente a lo largo de 1989. El concierto de Spike Island en mayo de 1990 reuni\u00f3 alrededor de 27.000 personas en una planta qu\u00edmica en Widnes, y se convirti\u00f3 en uno de esos eventos cuya mitolog\u00eda cultural supera lo que cualquier grabaci\u00f3n podr\u00eda capturar plenamente. La multitud, el entorno y el swagger desafiante del grupo lo convirtieron en un hito de la era independientemente de lo que el sistema de sonido entregara aquel d\u00eda.<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u00bb15824&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1758870012965{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Luego llegaron los retrasos. Un litigio legal con Silvertone impidi\u00f3 al grupo publicar m\u00fasica nueva. Cuando Second Coming finalmente apareci\u00f3 en Geffen en 1994, era un disco de rock m\u00e1s duro, con m\u00e1s influencia de Led Zeppelin, que dividi\u00f3 a los oyentes que hab\u00edan construido sus expectativas alrededor del debut. La guitarra de Squire era m\u00e1s fuerte y m\u00e1s abiertamente virtuosa. Los elementos de groove eran menos prominentes. \u00abLove Spreads\u00bb fue un single sustancial con un riff de guitarra slide y la actuaci\u00f3n vocal m\u00e1s segura de Brown, pero el giro hacia el rock del \u00e1lbum le pareci\u00f3 a muchos una ruptura con lo que hab\u00eda hecho esencial el debut.<\/p>\n<p style=\"text-align: justify;\">El grupo se disolvi\u00f3 en 1996 tras la marcha de Squire y una serie de malas actuaciones en directo. Squire fund\u00f3 The Seahorses. Brown emprendi\u00f3 una carrera en solitario que result\u00f3 m\u00e1s duradera de lo que muchos esperaban, con una serie de \u00e1lbumes desde 1998 que mantuvo su voz y su actitud mancuniana en circulaci\u00f3n. Mani se uni\u00f3 a Primal Scream. Reni se retir\u00f3 en gran medida de la vida p\u00fablica. Se anunci\u00f3 una reuni\u00f3n en 2011 y se produjo una gira que se extendi\u00f3 hasta 2017, con cabezas de cartel en festivales y fechas de arenas agotadas que demostraron lo bien que hab\u00eda aguantado el material del debut.<\/p>\n<p style=\"text-align: justify;\">La influencia en la m\u00fasica de guitarra brit\u00e1nica desde 1989 es extensa. Oasis cit\u00f3 a The Stone Roses expl\u00edcitamente; el enfoque vocal de Liam Gallagher debe algo al arrastre de Brown. Suede, Blur y la ola Britpop m\u00e1s amplia emergieron en parte en el espacio que los Roses hab\u00edan abierto. M\u00e1s tarde, grupos como Kasabian y The Courteeners apuntaron al mismo modelo. La combinaci\u00f3n de destellos de guitarra psicod\u00e9lica, swing r\u00edtmico ajustado y una fe sin iron\u00eda en la m\u00fasica como experiencia f\u00edsica y comunal result\u00f3 influyente de maneras que se extendieron desde M\u00e1nchester por todo el rock brit\u00e1nico.<\/p>\n<p style=\"text-align: justify;\">Los puntos de entrada empiezan por el \u00e1lbum debut y terminan all\u00ed. The Stone Roses es uno de esos discos donde el orden y la secuencia importan: esc\u00fachalo completo sin saltarte nada. Para temas individuales, \u00abShe Bangs the Drums,\u00bb \u00abI Wanna Be Adored,\u00bb \u00abThis Is the One\u00bb y \u00abI Am the Resurrection\u00bb representan toda la capacidad de la banda en cuarenta minutos. Second Coming merece escucharse por \u00abLove Spreads\u00bb y por el contexto de lo que sonar\u00eda un sucesor cinco a\u00f1os despu\u00e9s de ese debut bajo presiones diferentes. La recopilaci\u00f3n Turns into Stone recoge las caras B y los singles fuera de \u00e1lbum, incluidos \u00abElephant Stone\u00bb y \u00abFool&#8217;s Gold,\u00bb este \u00faltimo llevando la direcci\u00f3n groove influenciada por el funk m\u00e1s lejos que cualquier cosa del debut.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Ian Brown, John Squire, Gary \u00abMani\u00bb Mounfield y Alan \u00abReni\u00bb Wren formaron The Stone Roses en M\\u00e1nchester a mediados de los a\\u00f1os ochenta y convirtieron un debut en Silvertone en un hito de Madchester.<\/p>\n","protected":false},"author":1,"featured_media":15816,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[299,301],"tags":[313,1003],"class_list":["post-15838","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-criticas","category-grupos","tag-alternative-indie-punk-es","tag-the-stone-roses-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Stone Roses - El swagger Madchester en cuatro m\u00fasicos - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Stone Roses - El swagger Madchester en cuatro m\u00fasicos - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Ian Brown, John Squire, Gary &quot;Mani&quot; Mounfield y Alan &quot;Reni&quot; Wren formaron The Stone Roses en Mu00e1nchester a mediados de los au00f1os ochenta y convirtieron un debut en Silvertone en un hito de Madchester.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2008-04-04T09:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T21:28:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/final-roses.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-stone-roses-madchester-swagger-in-four-players\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-stone-roses-madchester-swagger-in-four-players\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"The Stone Roses &#8211; El swagger Madchester en cuatro m\u00fasicos\",\"datePublished\":\"2008-04-04T09:00:00+00:00\",\"dateModified\":\"2026-09-26T21:28:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-stone-roses-madchester-swagger-in-four-players\\\/\"},\"wordCount\":1141,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-stone-roses-madchester-swagger-in-four-players\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/final-roses.jpg\",\"keywords\":[\"Alternative \\\/ Indie \\\/ Punk\",\"The Stone Roses\"],\"articleSection\":[\"Cr\u00edticas\",\"Grupos\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-stone-roses-madchester-swagger-in-four-players\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-stone-roses-madchester-swagger-in-four-players\\\/\",\"name\":\"The Stone Roses - El swagger Madchester en cuatro m\u00fasicos - RIFFS AND BEATS\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-stone-roses-madchester-swagger-in-four-players\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-stone-roses-madchester-swagger-in-four-players\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/final-roses.jpg\",\"datePublished\":\"2008-04-04T09:00:00+00:00\",\"dateModified\":\"2026-09-26T21:28:37+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-stone-roses-madchester-swagger-in-four-players\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-stone-roses-madchester-swagger-in-four-players\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-stone-roses-madchester-swagger-in-four-players\\\/#primaryimage\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/final-roses.jpg\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/final-roses.jpg\",\"width\":1200,\"height\":700},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-stone-roses-madchester-swagger-in-four-players\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Stone Roses &#8211; El swagger Madchester en cuatro m\u00fasicos\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\",\"name\":\"RIFFS AND BEATS\",\"description\":\"Soundtrack Of Our Lives\",\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#organization\",\"name\":\"RIFFS AND BEATS\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"width\":500,\"height\":500,\"caption\":\"RIFFS AND BEATS\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/profile.php?id=61576819018054\",\"https:\\\/\\\/x.com\\\/riffsandbeats99\",\"https:\\\/\\\/www.instagram.com\\\/riffsandbeatsofficial\",\"https:\\\/\\\/www.youtube.com\\\/@RiffsandBeats\",\"https:\\\/\\\/www.tiktok.com\\\/@riffsandbeats\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\",\"name\":\"pgorce\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"caption\":\"pgorce\"},\"sameAs\":[\"https:\\\/\\\/riffsandbeats.com\"],\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/author\\\/pgorce\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The Stone Roses - El swagger Madchester en cuatro m\u00fasicos - RIFFS AND BEATS","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/","og_locale":"es_ES","og_type":"article","og_title":"The Stone Roses - El swagger Madchester en cuatro m\u00fasicos - RIFFS AND BEATS","og_description":"Ian Brown, John Squire, Gary \"Mani\" Mounfield y Alan \"Reni\" Wren formaron The Stone Roses en Mu00e1nchester a mediados de los au00f1os ochenta y convirtieron un debut en Silvertone en un hito de Madchester.","og_url":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/","og_site_name":"RIFFS AND BEATS","article_publisher":"https:\/\/www.facebook.com\/profile.php?id=61576819018054","article_published_time":"2008-04-04T09:00:00+00:00","article_modified_time":"2026-09-26T21:28:37+00:00","og_image":[{"width":1200,"height":700,"url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/final-roses.jpg","type":"image\/jpeg"}],"author":"pgorce","twitter_card":"summary_large_image","twitter_creator":"@riffsandbeats99","twitter_site":"@riffsandbeats99","twitter_misc":{"Escrito por":"pgorce","Tiempo de lectura":"6 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/#article","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/"},"author":{"name":"pgorce","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599"},"headline":"The Stone Roses &#8211; El swagger Madchester en cuatro m\u00fasicos","datePublished":"2008-04-04T09:00:00+00:00","dateModified":"2026-09-26T21:28:37+00:00","mainEntityOfPage":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/"},"wordCount":1141,"publisher":{"@id":"https:\/\/riffsandbeats.com\/es\/#organization"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/final-roses.jpg","keywords":["Alternative \/ Indie \/ Punk","The Stone Roses"],"articleSection":["Cr\u00edticas","Grupos"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/","url":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/","name":"The Stone Roses - El swagger Madchester en cuatro m\u00fasicos - RIFFS AND BEATS","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/#primaryimage"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/final-roses.jpg","datePublished":"2008-04-04T09:00:00+00:00","dateModified":"2026-09-26T21:28:37+00:00","breadcrumb":{"@id":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/#primaryimage","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/final-roses.jpg","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/final-roses.jpg","width":1200,"height":700},{"@type":"BreadcrumbList","@id":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-stone-roses-madchester-swagger-in-four-players\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/riffsandbeats.com\/es\/"},{"@type":"ListItem","position":2,"name":"The Stone Roses &#8211; El swagger Madchester en cuatro m\u00fasicos"}]},{"@type":"WebSite","@id":"https:\/\/riffsandbeats.com\/es\/#website","url":"https:\/\/riffsandbeats.com\/es\/","name":"RIFFS AND BEATS","description":"Soundtrack Of Our Lives","publisher":{"@id":"https:\/\/riffsandbeats.com\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/riffsandbeats.com\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/riffsandbeats.com\/es\/#organization","name":"RIFFS AND BEATS","url":"https:\/\/riffsandbeats.com\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/logo\/image\/","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","width":500,"height":500,"caption":"RIFFS AND BEATS"},"image":{"@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/profile.php?id=61576819018054","https:\/\/x.com\/riffsandbeats99","https:\/\/www.instagram.com\/riffsandbeatsofficial","https:\/\/www.youtube.com\/@RiffsandBeats","https:\/\/www.tiktok.com\/@riffsandbeats"]},{"@type":"Person","@id":"https:\/\/riffsandbeats.com\/es\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599","name":"pgorce","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","caption":"pgorce"},"sameAs":["https:\/\/riffsandbeats.com"],"url":"https:\/\/riffsandbeats.com\/es\/author\/pgorce\/"}]}},"_links":{"self":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/15838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/comments?post=15838"}],"version-history":[{"count":5,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/15838\/revisions"}],"predecessor-version":[{"id":21165,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/posts\/15838\/revisions\/21165"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/media\/15816"}],"wp:attachment":[{"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/media?parent=15838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/categories?post=15838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/riffsandbeats.com\/es\/wp-json\/wp\/v2\/tags?post=15838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}