{"id":16049,"date":"2012-10-17T19:00:00","date_gmt":"2012-10-17T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/the-b-52s-athens-kitsch-that-danced-like-a-party-trick\/"},"modified":"2026-11-09T07:07:12","modified_gmt":"2026-11-09T06:07:12","slug":"the-b-52s-athens-kitsch-that-danced-like-a-party-trick","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-b-52s-athens-kitsch-that-danced-like-a-party-trick\/","title":{"rendered":"The B-52’s – El kitsch de Athens que bail\u00f3 como un truco de magia"},"content":{"rendered":"

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Tiendas de segunda mano de Athens, Farfisa y Rock Lobster<\/h3>\n

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The B-52’s surgieron de un restaurante chino en Athens, Georgia, en diciembre de 1976. Fred Schneider, Kate Pierson, Cindy Wilson, Ricky Wilson y Keith Strickland hab\u00edan cenado juntos, acabaron en el apartamento de alguien y tocaron versiones y temas propios hasta que existi\u00f3 un grupo. El primer concierto real fue el 14 de febrero de 1977, en una fiesta. Athens a\u00fan no era la ciudad musical que ser\u00eda cuando llegaron R.E.M. y Pylon poco despu\u00e9s; los B-52’s la convirtieron en una.<\/p>\n

El grupo reparti\u00f3 el trabajo con precisi\u00f3n. Schneider ladraba y declamaba m\u00e1s que cantaba, entregando inventarios surrealistas sobre lo que ocurr\u00eda r\u00edtmicamente. Pierson y Cindy Wilson apilaban armon\u00edas en un estilo alto y caricaturesco tomado en parte de los girl groups y en parte de la ciencia ficci\u00f3n. La guitarra de Ricky Wilson evitaba los acordes est\u00e1ndar en favor de afinaciones abiertas y patrones truncados que daban a la m\u00fasica una energ\u00eda nerviosa y hacia adelante. La bater\u00eda de Strickland era compacta y seca. El \u00f3rgano Farfisa, barato y ligeramente fuera de lugar, lo un\u00eda todo. Era un teclado de ocasi\u00f3n, y encajaba con las canciones que el grupo tocaba de verdad.<\/p>\n

El debut The B-52’s (1979) en Warner Bros public\u00f3 \u00abRock Lobster\u00bb, \u00abPlanet Claire\u00bb y \u00ab52 Girls\u00bb sin que un mercado evidente esperara esa fiesta. \u00abRock Lobster\u00bb en particular se constru\u00eda durante ocho minutos sobre un ritmo surf, llamadas y respuestas, y un inventario de criaturas marinas, produciendo curiosamente una situaci\u00f3n de pista de baile a cada vuelta. John Lennon supuestamente lo escuch\u00f3 en Bermudas en 1980 y se sinti\u00f3 revitalizado por su energ\u00eda de fiesta desenfrenada.<\/p>\n

Wild Planet (1980) sigui\u00f3 sin perder impulso. \u00abPrivate Idaho\u00bb mantuvo la amenaza cartoon; \u00abQuiche Lorraine\u00bb apost\u00f3 doble por el absurdismo. Whammy! (1983) empuj\u00f3 hacia un filo electr\u00f3nico m\u00e1s duro. Bouncing off the Satellites (1986) se grab\u00f3 bajo la sombra del deterioro de la salud de Ricky Wilson: le hab\u00edan diagnosticado sida, aunque la causa no fue confirmada p\u00fablicamente en ese momento. Muri\u00f3 en octubre de 1985, a los treinta y dos a\u00f1os, antes de que el \u00e1lbum estuviera terminado.<\/p>\n

El grupo estuvo a punto de detenerse. Ricky Wilson era tanto el guitarrista principal como el hermano de Cindy; su ausencia no era algo que un grupo simplemente pudiera sortear. Se tomaron tiempo, giraron modestamente, y finalmente decidieron que la respuesta era otro disco. Strickland pas\u00f3 a la guitarra y a tareas adicionales de composici\u00f3n. La qu\u00edmica cambi\u00f3 pero aguant\u00f3.<\/p>\n

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Cosmic Thing (1989), producido con Nile Rodgers en varios temas y Don Was en otros, marc\u00f3 el giro. \u00abLove Shack\u00bb se convirti\u00f3 en una canci\u00f3n que sigui\u00f3 en circulaci\u00f3n, en fiestas y en la radio: su construcci\u00f3n hablada y cantada, la l\u00ednea del tejado de hojalata, el juego de llamadas y respuestas entre Schneider, Pierson y Wilson, funcionaba igual en una fiesta que en un estadio. \u00abRoam\u00bb y \u00abDeadbeat Club\u00bb completaron un disco que combinaba los instintos surrealistas del grupo con una producci\u00f3n m\u00e1s limpia y un alcance m\u00e1s amplio. El \u00e1lbum acab\u00f3 vendi\u00e9ndose m\u00e1s de cinco millones de copias en todo el mundo.<\/p>\n

Good Stuff (1992) mantuvo el impulso, aunque estaba claro que Cosmic Thing hab\u00eda sido una alineaci\u00f3n excepcional de grupo y momento. Funplex (2008), el \u00faltimo \u00e1lbum de estudio, demostr\u00f3 que los B-52’s a\u00fan pod\u00edan hacer algo contempor\u00e1neo sin pretender ser m\u00e1s j\u00f3venes de lo que eran. Las giras siguieron atrayendo p\u00fablicos para el set de Cosmic Thing, y el grupo demostr\u00f3 que el kitsch, bien manejado, no envejece de la misma manera que el rock sincero.<\/p>\n

Talking Heads usaban las mismas salas del downtown para algo m\u00e1s conceptual y m\u00e1s literario. Devo usaba el surrealismo como cr\u00edtica cultural. Los B-52’s usaban el disparate como entretenimiento y hac\u00edan bailar. El camp era el material. El timing, que sigui\u00f3 siendo profesional, era el oficio. Escrib\u00edan canciones en las que el chiste era la forma misma, no un adorno.<\/p>\n

Empezar por el debut de 1979 para \u00abRock Lobster\u00bb y \u00abPlanet Claire\u00bb, luego pasar a Cosmic Thing para \u00abLove Shack\u00bb y la versi\u00f3n m\u00e1s completa del grupo con mayor alcance. Wild Planet cubre el trecho entre los dos. La escena de Athens que contribuyeron a construir, junto a R.E.M. y Pylon, convirti\u00f3 una ciudad universitaria de tama\u00f1o mediano en Georgia en una de las escenas musicales americanas clave de los ochenta. Los B-52’s lo lograron neg\u00e1ndose a tratar la m\u00fasica o la ropa como un proyecto solemne. La fiesta se oye en los discos.<\/p>\n

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The B-52’s se formaron en Athens, Georgia, en 1977. La ropa de segunda mano y un \u00f3rgano Farfisa alimentaron una fiesta new wave. Cosmic Thing, una d\u00e9cada despu\u00e9s, encontr\u00f3 el p\u00fablico m\u00e1s amplio.<\/p>\n","protected":false},"author":1,"featured_media":16028,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[299,301],"tags":[313,1016],"class_list":["post-16049","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-criticas","category-grupos","tag-alternative-indie-punk-es","tag-the-b-52s-es"],"yoast_head":"\nThe B-52's - El kitsch de Athens que bail\u00f3 como un truco de magia - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"The B-52's se formaron en Athens, Georgia, en 1977. La ropa de segunda mano y un \u00f3rgano Farfisa alimentaron una fiesta new wave. 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