{"id":16942,"date":"2014-01-11T19:00:00","date_gmt":"2014-01-11T18:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/do-the-damage-noel-gallaghers-high-flying-birds-bumped-from-opener-to-a-b-side\/"},"modified":"2026-09-26T22:58:06","modified_gmt":"2026-09-26T20:58:06","slug":"do-the-damage-noel-gallaghers-high-flying-birds-bumped-from-opener-to-a-b-side","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/do-the-damage-noel-gallaghers-high-flying-birds-bumped-from-opener-to-a-b-side\/","title":{"rendered":"Do the Damage – Noel Gallagher’s High Flying Birds: del tema de apertura a una cara B"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Noviembre de 2014, y Noel la ordena \u00e9l mismo<\/h3>\n

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En noviembre de 2014, Noel Gallagher’s High Flying Birds public\u00f3 Do the Damage<\/em> como cara B de In the Heat of the Moment<\/em>, despu\u00e9s de un a\u00f1o en el que iba a abrir el disco siguiente. NME lo emiti\u00f3 el 13 de noviembre. La descarga y el 7 pulgadas limitado llegaron el 17 de noviembre, en Sour Mash, el sello de Gallagher. La cara A era el primer adelanto p\u00fablico de Chasing Yesterday<\/em>. La cara B era la canci\u00f3n de la que ya se hab\u00eda convencido de no usarla como tema uno.<\/p>\n

Chasing Yesterday<\/em> lo escribi\u00f3 y produjo Gallagher, y se grab\u00f3 entre 2012 y 2014 en Strangeways y Abbey Road, en Londres. Sali\u00f3 el 2 de marzo de 2015 y entr\u00f3 directo al n\u00famero uno en el Reino Unido. En el debut hab\u00eda mandado las mezclas a Dave Sardy en Los \u00c1ngeles. Esta vez dirigi\u00f3 las sesiones \u00e9l. Al anunciar el disco en octubre de 2014 dijo que lo m\u00e1s duro fue gestionar una sala llena de gente que preguntaba qu\u00e9 se hac\u00eda ese d\u00eda, y que lo iba inventando sobre la marcha. Do the Damage<\/em> vivi\u00f3 dentro de ese proceso y luego se cay\u00f3 de la lista est\u00e1ndar. Una edici\u00f3n deluxe lo dej\u00f3 despu\u00e9s como bonus. El lanzamiento que cuenta es la cara B de 2014, no la casilla de reedici\u00f3n.<\/p>\n

En el disco es un rocker recto: bater\u00eda adelante, un estribillo que cae en \u00abWe’ll do the damage, kid\u00bb, y una estrofa sobre el alquiler, un sol que se pone y un sue\u00f1o que ya se fue. No lo vendi\u00f3 como manifiesto. Un v\u00eddeo de la interpretaci\u00f3n lleg\u00f3 en diciembre de 2014, un mes despu\u00e9s del clip de In the Heat of the Moment<\/em>. Esa cara A entr\u00f3 en el n\u00famero 26 de la lista brit\u00e1nica de singles. Los oyentes repet\u00edan que la cara B era mejor, viejo problema de cara B. Gallagher ya le hab\u00eda puesto su propio puesto.<\/p>\n

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\n

Do The Damage? Puede que sea la 23.\u00aa mejor canci\u00f3n que he escrito. Durante cerca de un a\u00f1o iba a ser el tema de apertura del disco, hasta que apareci\u00f3 la 22.\u00aa mejor canci\u00f3n que he escrito.<\/p>\n<\/blockquote>\n

(Noel Gallagher, estreno en NME, noviembre de 2014)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb16937″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700016937{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Nunca nombr\u00f3 la canci\u00f3n que la apart\u00f3. El disco de marzo abre en otro sitio. Ballad of the Mighty I<\/em>, con Johnny Marr a la guitarra, sali\u00f3 despu\u00e9s como single. Riverman<\/em> y The Dying of the Light<\/em> cargan la mitad lenta. Do the Damage<\/em> se qued\u00f3 como la que perdi\u00f3 una discusi\u00f3n con su autor. Sour Mash prens\u00f3 el 7 pulgadas en una tirada de color limitada y en vinilo normal, las dos con este tema en la cara B. Ese es el lanzamiento: una cara B con un n\u00famero puesto por quien la escribi\u00f3.<\/p>\n

P\u00f3nganla al lado de lo que al final eligi\u00f3 como apertura y el puesto suena a broma que tambi\u00e9n es inventario. Ten\u00eda un mont\u00f3n de canciones, un estudio que dirig\u00eda \u00e9l, y el h\u00e1bito de degradar lo que le parec\u00eda demasiado obvio. Do the Damage<\/em> sobrevivi\u00f3 como la cara B del primer single de Chasing Yesterday<\/em>. Vigesimotercera, seg\u00fan \u00e9l. Sigue siendo el tema del que se dice que deb\u00eda ir primero.<\/p>\n

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En noviembre de 2014, Noel Gallagher’s High Flying Birds public\u00f3 Do the Damage como cara B de In the Heat of the Moment, despu\u00e9s de un a\u00f1o en el que iba a abrir el disco siguiente.<\/p>\n","protected":false},"author":1,"featured_media":16934,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305,299],"tags":[255,729],"class_list":["post-16942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-classic-rock","tag-noel-gallaghers-high-flying-birds"],"yoast_head":"\nDo the Damage - Noel Gallagher's High Flying Birds: del tema de apertura a una cara B - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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