{"id":18667,"date":"2013-01-11T09:00:00","date_gmt":"2013-01-11T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/wonderwall-oasis-mellotron-cello-finished-by-dinner\/"},"modified":"2026-09-27T01:17:06","modified_gmt":"2026-09-26T23:17:06","slug":"wonderwall-oasis-mellotron-cello-finished-by-dinner","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/wonderwall-oasis-mellotron-cello-finished-by-dinner\/","title":{"rendered":"Wonderwall – Oasis: chelo de Mellotron, terminada antes de cenar"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Liam la eligi\u00f3 un mi\u00e9rcoles en Rockfield<\/h3>\n

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Un mi\u00e9rcoles de mayo de 1995, en los estudios Rockfield, cerca de Monmouth, Liam Gallagher eligi\u00f3 Wonderwall<\/em> y la cant\u00f3 el mismo d\u00eda. Noel Gallagher le hab\u00eda puesto dos canciones nuevas y le hab\u00eda preguntado cu\u00e1l quer\u00eda cantar. Liam se qued\u00f3 con Wonderwall<\/em>. Noel se guard\u00f3 Don’t Look Back in Anger<\/em>. El \u00e1lbum al que pertenecen, (What’s the Story) Morning Glory?<\/em>, todav\u00eda tardar\u00eda meses en llegar a las tiendas.<\/p>\n

Owen Morris coproduc\u00eda con Noel, y la semana ya ten\u00eda un m\u00e9todo. Estaban en el Coach House de Rockfield, la sala m\u00e1s peque\u00f1a de las dos, con una mesa Neve y dos multipistas Studer que Morris trataba casi como una m\u00e1quina de 24 pistas. Cada ma\u00f1ana Noel grababa una guitarra ac\u00fastica y una voz gu\u00eda sobre un clic. Alan White, en la bater\u00eda desde hac\u00eda solo unas semanas, despu\u00e9s del despido de Tony McCarroll, sobregrababa una Gretsch peque\u00f1a mientras Noel, sentado a su lado, le marcaba los fills. Noel sol\u00eda poner tambi\u00e9n el bajo. A primera hora de la tarde la canci\u00f3n ya ten\u00eda esqueleto. En Wonderwall<\/em> apil\u00f3 despu\u00e9s tres tomas de guitarra ac\u00fastica. Liam cant\u00f3 cuatro tomas de voz principal. Morris las compil\u00f3 y corrigi\u00f3 las notas desviadas con un Eventide DSP4000, la misma herramienta que en Definitely Maybe<\/em>. Dijo despu\u00e9s que a Noel le encant\u00f3 esa voz.<\/p>\n

Bonehead no toc\u00f3 sus acordes de siempre. Morris lo sent\u00f3 ante un Mellotron viejo, le marc\u00f3 las fundamentales y le hizo sostener el preset de chelo bajo la estrofa y hacia el estribillo. Ese zumbido grave es lo que la gente sigue llamando un chelo. No hay un chelista de sesi\u00f3n en la cinta. Morris cont\u00f3 a Sound on Sound que b\u00e1sicamente hab\u00edan terminado antes de cenar. Solo faltaban una l\u00ednea corta de piano que Noel a\u00f1adi\u00f3 semanas despu\u00e9s, para que el final no se apagara, y las cuerdas Kurzweil que Morris dej\u00f3 para la mezcla. El t\u00edtulo viene de Wonderwall Music<\/em> de George Harrison, la banda sonora de la pel\u00edcula de 1968, no de un muro fuera del estudio. Noel hab\u00eda hablado de grabar a Liam al aire libre. Lo dejaron y se quedaron con la voz dentro.<\/p>\n

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\n

B\u00e1sicamente hab\u00edamos terminado antes de cenar. Lo \u00fanico que no estaba era la peque\u00f1a l\u00ednea de piano que entra al final, y las cuerdas Kurzweil que yo a\u00f1adir\u00eda en la mezcla.<\/p>\n<\/blockquote>\n

(Owen Morris, Sound on Sound, 2012)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb18662″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700018662{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Creation public\u00f3 (What’s the Story) Morning Glory?<\/em> el 2 de octubre de 1995. Lleg\u00f3 al n\u00famero uno en el Reino Unido y se qued\u00f3 diez semanas. Wonderwall<\/em> sali\u00f3 como single el 30 de octubre, con Round Are Way<\/em>, The Swamp Song<\/em> y The Masterplan<\/em>. El single lleg\u00f3 al n\u00famero dos en casa. Morris anot\u00f3 despu\u00e9s que alcanz\u00f3 el n\u00famero ocho en Estados Unidos, el mayor \u00e9xito estadounidense del grupo hasta entonces. Noel dijo al NME en 1996 que la letra iba sobre Meg Matthews, su novia de entonces. Cuando el matrimonio acab\u00f3, cambi\u00f3 la historia: un amigo imaginario que iba a venir a salvarte de ti mismo. La cinta no lo decide. Lo que se oye es m\u00e1s simple que cualquiera de las dos versiones. Guitarras ac\u00fasticas, un backbeat lento de White, Liam delante, y el Mellotron de Bonehead haciendo el trabajo que habr\u00eda cobrado una secci\u00f3n de cuerdas.<\/p>\n

Nigel Dick dirigi\u00f3 el v\u00eddeo. Cuando el single sali\u00f3 de la lista, la canci\u00f3n se qued\u00f3. Se convirti\u00f3 en el tema de Oasis que los grupos de pub y las noches de micro abierto s\u00ed pod\u00edan tocar: tres acordes y un estribillo que la gente ya conoc\u00eda. Las versiones se acumularon durante a\u00f1os. La discusi\u00f3n sobre a qui\u00e9n iban las palabras se apag\u00f3. La toma del mi\u00e9rcoles en Rockfield, no. Liam hab\u00eda elegido la canci\u00f3n por la ma\u00f1ana, la hab\u00eda cantado antes de cenar y le hab\u00eda dejado la otra a Noel.<\/p>\n

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Un mi\u00e9rcoles de mayo de 1995, en los estudios Rockfield, cerca de Monmouth, Liam Gallagher eligi\u00f3 Wonderwall y la cant\u00f3 el mismo d\u00eda.<\/p>\n","protected":false},"author":1,"featured_media":18659,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305,299],"tags":[481,464],"class_list":["post-18667","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-classic-rock-es","tag-oasis-es"],"yoast_head":"\nWonderwall - Oasis: chelo de Mellotron, terminada antes de cenar - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/wonderwall-oasis-mellotron-cello-finished-by-dinner\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta 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