{"id":18934,"date":"2008-04-10T13:00:00","date_gmt":"2008-04-10T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/supersonic-oasis-written-in-a-back-room-mixed-the-same-night\/"},"modified":"2026-09-26T23:58:33","modified_gmt":"2026-09-26T21:58:33","slug":"supersonic-oasis-written-in-a-back-room-mixed-the-same-night","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/supersonic-oasis-written-in-a-back-room-mixed-the-same-night\/","title":{"rendered":"Supersonic – Oasis: escrita en el cuarto de atr\u00e1s, mezclada esa misma noche"},"content":{"rendered":"

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Pink Museum, una comida china, y un single en once horas<\/h3>\n

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En diciembre de 1993 Oasis est\u00e1 en el Pink Museum de Liverpool, en Hesketh Street, intentando irse con un single de debut. Alan McGee, en Creation, quer\u00eda Bring It On Down<\/em>. En la sala, el ingeniero Dave Scott recuerda la toma que no cuajaba: I Will Believe<\/em>. La energ\u00eda cae. Mark Coyle produce con Noel Gallagher. Tony Griffiths, de los Real People, que anda alrededor de la banda, los empuja hacia otra cosa. Tienen un jam de la prueba de sonido, una figura de rock lenta que Tony McCarroll puede sostener. Noel se mete en el cuarto de atr\u00e1s.<\/p>\n

Cuenta la historia igual desde el documental Supersonic<\/em>. Alguien pidi\u00f3 una comida china. En el tiempo que los dem\u00e1s tardaron en com\u00e9rsela, escribi\u00f3 la canci\u00f3n. El relato de Scott de esa misma noche es m\u00e1s mec\u00e1nico y igual de corto. Noel quiere una copa antes de la letra. El whisky le duele la cabeza y la cerveza le pesa, as\u00ed que Scott le propone un gin tonic, el que \u00e9l se hab\u00eda tomado en el avi\u00f3n porque no hab\u00eda vodka. De ah\u00ed sale la l\u00ednea de sentirse supersonic y pedir un gin tonic. Liam Gallagher canta la voz principal en una toma, con un drop-in por un fallo en el medio. Tony Griffiths apila los \u00abaah\u00bb de coros. Scott mezcla en la Neve de 1969 del estudio, sin automatizaci\u00f3n, a un DAT, y cree que est\u00e1 sacando una mezcla de escucha. Dijo despu\u00e9s que todo llev\u00f3 once horas y que, que \u00e9l supiera, nunca se remezcl\u00f3. Esa mezcla es la del single y la de Definitely Maybe<\/em>.<\/p>\n

Elsa, en la letra, no es una chica. Es la rottweiler de Scott. Mientras Noel escribe, la perra se tira un pedo y salta del sof\u00e1. Bonehead dice que el perro ha llegado hasta el final. Noel mete el nombre en la canci\u00f3n. El resto de las palabras funciona igual: un yellow submarine, un tren, l\u00edneas que no se paran a explicarse. Creation publica Supersonic<\/em> el 11 de abril de 1994 como single de debut, con Take Me Away<\/em>, un I Will Believe<\/em> en directo y un demo de Columbia<\/em> seg\u00fan el formato. Llega al n\u00famero 31 en el Reino Unido. No es un bombazo. El primer disco con su nombre en la etiqueta.<\/p>\n

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\n

Me fui al cuarto de atr\u00e1s y, por raro que suene, escrib\u00ed Supersonic en m\u00e1s o menos el tiempo que tardan otros seis t\u00edos en comerse un chino.<\/p>\n<\/blockquote>\n

(Noel Gallagher, Oasis: Supersonic, 2016)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb18929″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700018929{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

En Definitely Maybe<\/em>, publicado el 29 de agosto de 1994, Supersonic<\/em> es la pista seis, entre Columbia<\/em> y Bring It On Down<\/em>. No se regrab\u00f3 en Sawmills. Owen Morris produjo la mayor parte del \u00e1lbum. Esta canci\u00f3n se qued\u00f3 en la mezcla de escucha del Pink Museum: guitarras abiertas a los lados, Liam delante, el fundido escondiendo un final que Noel dir\u00eda despu\u00e9s que segu\u00eda con m\u00e1s guitarra e interferencias de radio. Scott cree que ese recuerdo es de Slide Away<\/em>. El disco que lleg\u00f3 a las tiendas es la mezcla de las once horas. La Gibson SG de Bonehead, el bajo de Guigsy, la bater\u00eda de McCarroll, el lead de Noel doblado y un poco desafinado por indicaci\u00f3n de Scott, para que las dos tomas se sentaran juntas. Sin segunda pasada.<\/p>\n

Noel ha dicho que antes de este single la gente iba a los conciertos porque hab\u00eda le\u00eddo sobre la banda, y que nadie se sab\u00eda las canciones. El d\u00eda que sali\u00f3 Supersonic<\/em>, oy\u00f3 a un p\u00fablico devolverle la letra, unas palabras escritas en mitad de la noche y no pensadas para significar gran cosa. Bring It On Down<\/em> nunca fue el primer single. Esta s\u00ed. El debut con el que la gente sigue empezando es el que se escribi\u00f3 mientras la comida estaba en la mesa, mezclado por un ingeniero que cre\u00eda estar sacando solo un boceto.<\/p>\n

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En diciembre de 1993, en el Pink Museum de Liverpool, Noel Gallagher escribi\u00f3 Supersonic mientras el resto de la sala com\u00eda, y la banda la grab\u00f3 antes de que acabara la noche.<\/p>\n","protected":false},"author":1,"featured_media":18926,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305,299],"tags":[481,464],"class_list":["post-18934","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-classic-rock-es","tag-oasis-es"],"yoast_head":"\nSupersonic - Oasis: escrita en el cuarto de atr\u00e1s, mezclada esa misma noche - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/supersonic-oasis-written-in-a-back-room-mixed-the-same-night\/\" 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