{"id":18945,"date":"2008-04-27T19:00:00","date_gmt":"2008-04-27T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/bring-it-on-down-oasis-the-pistols-riff-that-missed-the-first-single\/"},"modified":"2026-09-27T01:16:06","modified_gmt":"2026-09-26T23:16:06","slug":"bring-it-on-down-oasis-the-pistols-riff-that-missed-the-first-single","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/bring-it-on-down-oasis-the-pistols-riff-that-missed-the-first-single\/","title":{"rendered":"Bring It On Down – Oasis: el riff de Pistols que se qued\u00f3 sin el primer single"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

McGee la quer\u00eda primero. El estudio no la solt\u00f3.<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Bring It On Down<\/em> es la pista siete de Definitely Maybe<\/em>, entre Supersonic<\/em> y Cigarettes & Alcohol<\/em>. La escribi\u00f3 Noel Gallagher. La canta Liam. Iba a ser el primer single. Alan McGee, en Creation, oy\u00f3 un riff r\u00e1pido y feo y pens\u00f3 que esa era la presentaci\u00f3n. En diciembre de 1993 la banda reserv\u00f3 el Pink Museum de Liverpool para llevarse un debut en cinta. La sesi\u00f3n no sac\u00f3 esta canci\u00f3n como single publicable. El ingeniero Dave Scott recuerda la toma que se muri\u00f3 en la sala como I Will Believe<\/em>. Noel volvi\u00f3 del cuarto de atr\u00e1s con Supersonic<\/em>. Bring It On Down<\/em> esper\u00f3.<\/p>\n

Noel ha sido claro con el riff. En el documental Definitely Maybe<\/em> de 2004 dijo que sonaba a Sex Pistols, y que no se pod\u00eda poner una canci\u00f3n de amor encima. En las notas de una edici\u00f3n posterior llam\u00f3 al tema un homenaje a los Stooges, a los MC5 y al punk rock. La letra va con el riff. Un paria, una underclass, un invitado que no han llamado y que se queda hasta el final. Tambi\u00e9n ha descrito a ese invitado como un tipo real, el que aparece en las fiestas y no se va. No es un himno. Es un empuj\u00f3n. Liam la canta recto. No hay adorno en la l\u00ednea.<\/p>\n

La versi\u00f3n del \u00e1lbum no es el intento fallido del Pink Museum. Definitely Maybe<\/em> se reconstruy\u00f3 despu\u00e9s de una tanda abandonada en Monnow Valley. El disco que la gente compr\u00f3 se grab\u00f3 en Sawmills, Cornualles, con Owen Morris al mando junto a Mark Coyle y la banda. Tony McCarroll sigue en la bater\u00eda. Guigsy al bajo, Bonehead a la r\u00edtmica, Noel al lead. La canci\u00f3n es m\u00e1s r\u00e1pida y m\u00e1s seca que los singles de alrededor. Sin colch\u00f3n de cuerdas, sin coda larga, un backbeat que empuja a Liam. Nunca sali\u00f3 en sencillo de 7 pulgadas. Supersonic<\/em>, Shakermaker<\/em>, Live Forever<\/em> y Cigarettes & Alcohol<\/em> se quedaron los huecos de single. Esta se qued\u00f3 en pista de \u00e1lbum, la que los primeros conciertos sacaban cuando quer\u00edan que la sala sonara a un ensayo que se hab\u00eda desmadrado.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Ten\u00eda el riff, y sonaba a Sex Pistols. Pero no pod\u00edas escribir de verdad una canci\u00f3n de amor encima, \u00bfno?<\/p>\n<\/blockquote>\n

(Noel Gallagher, Definitely Maybe: The Documentary, 2004)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb18940″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700018940{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

En el debut terminado, publicado el 29 de agosto de 1994, el orden lo dice. Supersonic<\/em>, la canci\u00f3n escrita porque esta no sal\u00eda en Liverpool, va justo antes. Luego Cigarettes & Alcohol<\/em>, la figura de T. Rex que Noel no solt\u00f3. Bring It On Down<\/em> es la pieza del medio que todav\u00eda suena a la banda que McGee fich\u00f3: poco equipo, mucha actitud, McCarroll golpeando recto, Liam sin adornar la melod\u00eda. La mezcla del \u00e1lbum de Morris le da la misma voz alta y las mismas guitarras apiladas que al resto del disco, sin convertirla en uno de los singles. No necesita un estribillo para tararear en el autob\u00fas. Necesita que el riff siga.<\/p>\n

Nunca tuvo un puesto propio en una lista. No le hac\u00eda falta para quedarse en el repertorio. Cuando Oasis la toc\u00f3 en directo en 1994 y 1995 hizo el trabajo para el que se escribi\u00f3 el riff: un empuj\u00f3n entre las canciones que la gente hab\u00eda comprado. El single de debut fue para Supersonic<\/em>. Bring It On Down<\/em> se qued\u00f3 en la pista siete, la figura de Pistols que perdi\u00f3 la carrera y aun as\u00ed abre la mitad ruidosa del \u00e1lbum. McGee hab\u00eda o\u00eddo la presentaci\u00f3n. El estudio le dio otro primer disco, y guard\u00f3 esta para la lista de temas.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

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