{"id":18967,"date":"2008-01-29T11:00:00","date_gmt":"2008-01-29T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/whatever-oasis-strings-in-chelsea-then-a-credit-for-neil-innes\/"},"modified":"2026-09-26T23:58:31","modified_gmt":"2026-09-26T21:58:31","slug":"whatever-oasis-strings-in-chelsea-then-a-credit-for-neil-innes","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/whatever-oasis-strings-in-chelsea-then-a-credit-for-neil-innes\/","title":{"rendered":"Whatever – Oasis: cuerdas en Chelsea, y luego un cr\u00e9dito para Neil Innes"},"content":{"rendered":"

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Un single fuera de \u00e1lbum que entr\u00f3 directo al n\u00famero 3<\/h3>\n

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Whatever<\/em> no es una canci\u00f3n de Definitely Maybe<\/em>. Las ediciones deluxe posteriores la aparcaron ah\u00ed. El disco que importa es el single suelto que Creation public\u00f3 el 18 de diciembre de 1994, en el hueco entre el \u00e1lbum de debut y (What’s the Story) Morning Glory?<\/em>. La escribi\u00f3 Noel Gallagher. La canta Liam. Dura 6 minutos y 21 segundos, con un edit de radio de unos 3:58. Entr\u00f3 directa al n\u00famero 3, el primer top 5 brit\u00e1nico de la banda.<\/p>\n

La grabaron en 1994 en Maison Rouge, Chelsea. Produjeron Owen Morris y Noel. La banda cort\u00f3 primero la base: Liam en la voz y la pandereta, Noel en la el\u00e9ctrica y la ac\u00fastica, Bonehead en la r\u00edtmica y el piano, Guigsy en el bajo, Tony McCarroll en la bater\u00eda. El \u00faltimo d\u00eda fueron las cuerdas. Las toc\u00f3 la London Session Orchestra. En la secci\u00f3n estaba Wilfred Gibson, ex violinista de Electric Light Orchestra. Nick Ingman arregl\u00f3 las cuerdas con Noel. El single suena a ese corte. Una figura ac\u00fastica clara, Liam en una melod\u00eda alta y abierta, y luego una l\u00ednea de cuerdas que los singles anteriores de Oasis no hab\u00edan tenido presupuesto para pagar. Mark Szaszy dirigi\u00f3 el v\u00eddeo: la banda con la orquesta, no en un local de ensayo.<\/p>\n

Las caras B trabajaron tanto como la cara A. (It’s Good) To Be Free<\/em> y Half the World Away<\/em> eran nuevas. Slide Away<\/em> ya estaba en el \u00e1lbum. Half the World Away<\/em> se convirti\u00f3 despu\u00e9s en la sinton\u00eda de The Royle Family<\/em>, y eso la llev\u00f3 m\u00e1s lejos que este paso por la lista. La historia del single se juega en ocho notas. La melod\u00eda de la estrofa se acerca a How Sweet to Be an Idiot<\/em>, la canci\u00f3n de 1973 de Neil Innes, un tema de su disco en solitario que tambi\u00e9n sal\u00eda en los directos de Monty Python. EMI, la editorial de Innes, demand\u00f3. Oasis lleg\u00f3 a un acuerdo. Innes recibi\u00f3 cr\u00e9dito de autor y una parte de los royalties. En las ediciones posteriores su nombre va al lado del de Noel. Las ocho notas en cuesti\u00f3n son las que van bajo \u00abI’m free to be whatever I\u00bb y bajo la frase del t\u00edtulo de Innes.<\/p>\n

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\n

I’m free to be whatever I, whatever I choose, and I’ll sing the blues if I want.<\/p>\n<\/blockquote>\n

(Whatever, Oasis, 1994)<\/em><\/p>\n

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En directo a veces la tocaban con las cuerdas y a veces sin ellas. En Knebworth, en agosto de 1996, la arm\u00f3nica de Mark Feltham la atravesaba. Han pegado l\u00edneas de Octopus’s Garden<\/em> y de All the Young Dudes<\/em> de Mott the Hoople al final, los \u00abblues\u00bb girados hacia el Manchester City. El single de estudio no hace eso. Termina en la orquesta y las palmas. Fue un lanzamiento de diciembre que no es una canci\u00f3n de Navidad, un puente mientras Morning Glory<\/em> todav\u00eda se escrib\u00eda. McCarroll sigue siendo el bater\u00eda. En unos meses ya no lo ser\u00e1. Este single es uno de los \u00faltimos discos en lista con los cinco que hicieron Definitely Maybe<\/em>.<\/p>\n

El acuerdo no la sac\u00f3 de la radio. El n\u00famero 3 de diciembre de 1994 fue el puesto m\u00e1s alto que hab\u00edan tenido. La canci\u00f3n que la gente compr\u00f3 es la toma de Maison Rouge, Liam delante de una secci\u00f3n de cuerdas de verdad, no el remaster que luego peg\u00f3 el tema a un deluxe de Definitely Maybe<\/em>. El cr\u00e9dito de Innes es la correcci\u00f3n. El disco sigue siendo el que Creation envi\u00f3 ese mes, seis minutos, orquesta el \u00faltimo d\u00eda, Noel y Morris en la producci\u00f3n, y ocho notas que hubo que compartir.<\/p>\n

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Whatever no est\u00e1 en el Definitely Maybe original. Oasis la grab\u00f3 en Maison Rouge, Chelsea, con la London Session Orchestra, y Creation la public\u00f3 el 18 de diciembre de 1994. 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