{"id":19198,"date":"2007-08-02T11:00:00","date_gmt":"2007-08-02T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/astronomy-domine-pink-floyd-jenners-megaphone-barretts-esquire\/"},"modified":"2026-09-26T23:58:27","modified_gmt":"2026-09-26T21:58:27","slug":"astronomy-domine-pink-floyd-jenners-megaphone-barretts-esquire","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/astronomy-domine-pink-floyd-jenners-megaphone-barretts-esquire\/","title":{"rendered":"Astronomy Domine – Pink Floyd: el meg\u00e1fono de Jenner, la Esquire de Barrett"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Un meg\u00e1fono, y luego la Esquire de Barrett<\/h3>\n

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Astronomy Domine<\/em> abre The Piper at the Gates of Dawn<\/em>, grabado en Abbey Road el 11 de abril de 1967, con Syd Barrett en la voz grave y Rick Wright en la aguda. Norman Smith produjo la sesi\u00f3n en cuatro pistas. Barrett tambi\u00e9n toca slide en una Fender Esquire. Wright toca un \u00f3rgano Farfisa. Roger Waters toca el bajo. Nick Mason toca la bater\u00eda. EMI Columbia public\u00f3 el \u00e1lbum en Gran Breta\u00f1a el 5 de agosto de 1967. El tema es lo primero del disco.<\/p>\n

Peter Jenner, co-m\u00e1nager del grupo, dice la introducci\u00f3n por un meg\u00e1fono. Lee una lista: J\u00fapiter, Saturno, Neptuno, Ober\u00f3n, Miranda, Titania, Tit\u00e1n. Bajo el \u00f3rgano, apenas en la mezcla, a\u00f1ade que Plut\u00f3n no se descubri\u00f3 hasta 1930. Barrett escribi\u00f3 la canci\u00f3n. Las dos voces se quedan lejos una de otra. Wright sostiene la l\u00ednea aguda. Barrett canta debajo, y la Esquire responde en los huecos. Es una canci\u00f3n pop corta, con una lista de planetas hablada pegada delante, no un jam largo.<\/p>\n

Luego se dijo que el \u00e1lbum abr\u00eda el space-rock. Waters lo ha rechazado. Ha dicho que Barrett ten\u00eda una sola canci\u00f3n que tuviera algo que ver con el espacio, y que es esta. Interstellar Overdrive<\/em>, en el mismo \u00e1lbum, era solo un t\u00edtulo. La grabaci\u00f3n que hay que tener en la cabeza es la toma del 11 de abril: meg\u00e1fono, Farfisa, Esquire, cuatro pistas, Smith en la sala de control. La letra nombra lunas y planetas. El arreglo son dos voces y una guitarra slide.<\/p>\n

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\n

Todo ese rollo de que Syd invent\u00f3 el space-rock es una puta tonter\u00eda. Syd ten\u00eda una sola canci\u00f3n que tuviera algo que ver con el espacio, Astronomy Domine, y se acab\u00f3. Interstellar Overdrive es solo el t\u00edtulo.<\/p>\n<\/blockquote>\n

(Roger Waters)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb19193″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700019193{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

El 14 de mayo de 1967 la banda toc\u00f3 el tema en la televisi\u00f3n de la BBC, en The Look of the Week<\/em>, junto a Pow R. Toc H.<\/em> El presentador, Hans Keller, les pregunt\u00f3 por qu\u00e9 ten\u00eda que sonar tan fuerte. La grabaci\u00f3n de estudio ya estaba hecha. La actuaci\u00f3n de televisi\u00f3n sigue siendo el grupo de Barrett, un mes antes de que saliera el \u00e1lbum. El Farfisa de Wright y la Esquire de Barrett son los dos sonidos que se oyen primero, bajo la lista de Jenner.<\/p>\n

El tema sigui\u00f3 en el directo despu\u00e9s de que Barrett se fuera. Una grabaci\u00f3n en vivo de la \u00e9poca de Ummagumma<\/em>, cantada por David Gilmour, sustituy\u00f3 luego la versi\u00f3n de estudio en algunas ediciones de la recopilaci\u00f3n A Nice Pair<\/em>. Es otra actuaci\u00f3n. El tema de Piper es la toma de abril de 1967: cuatro pistas, meg\u00e1fono, guitarra slide, y las dos voces separadas, aguda y grave. Los planetas est\u00e1n en la letra. El disco es una canci\u00f3n pop que da la casualidad de que abre el \u00e1lbum. La toma de estudio dura poco m\u00e1s de cuatro minutos. El meg\u00e1fono de Jenner es su \u00fanica parte en el \u00e1lbum. Barrett canta las estrofas en un registro grave, casi hablado, y la armon\u00eda aguda de Wright lleva la l\u00ednea del t\u00edtulo. El slide de Barrett en la Esquire responde al Farfisa en vez de doblar la voz. Smith lo grab\u00f3 el 11 de abril y la banda lo dej\u00f3 como apertura.<\/p>\n

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Astronomy Domine abre The Piper at the Gates of Dawn, grabado en Abbey Road el 11 de abril de 1967, con Syd Barrett en la voz grave y Rick Wright en la aguda.<\/p>\n","protected":false},"author":1,"featured_media":19190,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305,299],"tags":[481,515],"class_list":["post-19198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-canciones","category-criticas","tag-classic-rock-es","tag-pink-floyd-es"],"yoast_head":"\nAstronomy Domine - Pink Floyd: el meg\u00e1fono de Jenner, la Esquire de Barrett - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/canciones\/astronomy-domine-pink-floyd-jenners-megaphone-barretts-esquire\/\" \/>\n<meta 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