{"id":19236,"date":"2007-07-09T19:00:00","date_gmt":"2007-07-09T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/the-thin-ice-pink-floyd-gilmours-lullaby-then-the-ice-cracks\/"},"modified":"2026-09-26T23:58:27","modified_gmt":"2026-09-26T21:58:27","slug":"the-thin-ice-pink-floyd-gilmours-lullaby-then-the-ice-cracks","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/the-thin-ice-pink-floyd-gilmours-lullaby-then-the-ice-cracks\/","title":{"rendered":"The Thin Ice – Pink Floyd: la nana de Gilmour, luego el hielo cede"},"content":{"rendered":"

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Un beb\u00e9 sigue llorando. Luego Waters toma el aviso.<\/h3>\n

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The Thin Ice<\/em> es el segundo tema de The Wall<\/em>, y empieza antes de que nadie haya aceptado cantar. El llanto del beb\u00e9 al final de In the Flesh?<\/em> sigue en la sala. Luego el piano y el \u00f3rgano Hammond de Richard Wright ponen un 6\/8 suave, la misma familia de acordes que una balada doo-wop: do, la menor, fa, sol. David Gilmour canta la primera estrofa, la primera vez que su voz aparece en el disco. \u00ab Mama loves her baby, and daddy loves you too. \u00bb Es una nana con la temperatura ya mal puesta. Roger Waters escribi\u00f3 el tema solo. \u00c9l no canta esta parte.<\/p>\n

\u00c9l toma la segunda estrofa. El piano pasa a staccato. \u00ab If you should go skating on the thin ice of modern life. \u00bb El bajo de Waters deja un fa sostenido contra un acorde de la menor, una nota que no corresponde, y la tonalidad educada no sobrevive a la guitarra. El solo distorsionado de Gilmour abandona la nana, sostiene un do y funde con Another Brick in the Wall, Part 1<\/em>, con un re menor colado bajo el \u00faltimo acorde. Dos minutos y treinta segundos. El ni\u00f1o ya est\u00e1 en problemas.<\/p>\n

Las sesiones van de abril a noviembre de 1979: Super Bear y el estudio Miraval en Francia, luego Cherokee, Producers Workshop y The Village en Los \u00c1ngeles. Productores: Bob Ezrin, Gilmour, James Guthrie, Waters. Harvest publica The Wall<\/em> en Gran Breta\u00f1a el 30 de noviembre de 1979 (n.\u00ba 3). Columbia lo publica en Estados Unidos el 8 de diciembre (n.\u00ba 1). En la cinta demo original de Waters, la mitad instrumental se llamaba Instrumental Theme. Una introducci\u00f3n de piano m\u00e1s larga, ocho compases, con el \u00f3rgano de Wright bajo una melod\u00eda de Gilmour, se cort\u00f3 antes de la edici\u00f3n. La pel\u00edcula de 1982 devuelve parte de ese piano y mueve el llanto del beb\u00e9 a Goodbye Blue Sky<\/em>.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Creo que trata de c\u00f3mo los padres empiezan a inducir, casi a inyectar, sus propios miedos y sus preocupaciones en sus hijos desde muy peque\u00f1os. Sobre todo en mi caso, cuando acababan de pasar una guerra mundial. Todos pasamos por experiencias devastadoras y tendemos a pas\u00e1rselas a nuestros hijos cuando son muy peque\u00f1os.<\/p>\n<\/blockquote>\n

(Roger Waters, entrevista con Jim Ladd, KLOS, 1979)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb19231″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700019231{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

En los conciertos de The Wall de 1980 y 1981 el tema queda entre la apertura de la banda suplente y el primer ladrillo, con las pel\u00edculas de Gerald Scarfe ya en marcha. Nunca fue un sencillo. No le hace falta. La nana dura menos de un minuto de canto, y luego el disco deja de fingir que el ni\u00f1o est\u00e1 a salvo. La voz de Gilmour es el padre. La voz de Waters es el aviso. La guitarra ya es el tema siguiente.<\/p>\n

Escucha la juntura. El \u00faltimo acorde de The Thin Ice<\/em> no resuelve tanto como cede, y Another Brick in the Wall, Part 1<\/em> es la muerte del padre en la guerra, el primer ladrillo de verdad. Waters le dijo a Jim Ladd que el miedo era el de su generaci\u00f3n, ni\u00f1os criados a la sombra de una guerra que sus padres acababan de sobrevivir. El hielo es la promesa de que alguien te va a sujetar. En este tema, no aguanta. El piano de Wright es el \u00faltimo sonido suave de esta cara, y ya se ha vuelto staccato antes de que llegue la guitarra.<\/p>\n

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A dos minutos de The Wall, un beb\u00e9 sigue llorando y David Gilmour canta la \u00fanica estrofa suave que Roger Waters permite.<\/p>\n","protected":false},"author":1,"featured_media":19228,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305,273,299,278],"tags":[255,481,513,515],"class_list":["post-19236","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-canciones","category-chronicles","category-criticas","category-tracks","tag-classic-rock","tag-classic-rock-es","tag-pink-floyd","tag-pink-floyd-es"],"yoast_head":"\nThe Thin Ice - Pink Floyd: la nana de Gilmour, luego el hielo cede - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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