{"id":19247,"date":"2007-06-27T16:00:00","date_gmt":"2007-06-27T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/young-lust-pink-floyd-a-collect-call-the-operator-believed\/"},"modified":"2026-09-26T23:58:27","modified_gmt":"2026-09-26T21:58:27","slug":"young-lust-pink-floyd-a-collect-call-the-operator-believed","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/young-lust-pink-floyd-a-collect-call-the-operator-believed\/","title":{"rendered":"Young Lust – Pink Floyd: una llamada a cobro revertido que la operadora crey\u00f3"},"content":{"rendered":"

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Producer’s Workshop. Mrs Floyd no acepta la llamada.<\/h3>\n

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Los \u00faltimos cuarenta segundos de Young Lust<\/em> no son un sketch escrito en una cabina. En el oto\u00f1o de 1979, en Producers Workshop, Los \u00c1ngeles, el ingeniero James Guthrie pone un tel\u00e9fono en un rinc\u00f3n insonorizado y graba una extensi\u00f3n en cinta de cuarto de pulgada. Ya ha llamado a su vecino en Londres, Chris Fitzmorris, que tiene las llaves de su piso. La instrucci\u00f3n es simple: descuelga, di hola, deja hablar a la operadora, cuelga. Tantas veces como llegue la llamada. Las primeras operadoras son demasiado secas. La tercera se queda en el disco.<\/p>\n

No le dicen que la est\u00e1n grabando. Guthrie pide una llamada a cobro revertido para Mrs Floyd, de parte de Mr Floyd. Fitzmorris contesta y cuelga, una y otra vez, hasta que la operadora empieza a preocuparse de que haya un hombre en la casa y de que la esposa no acepte la llamada. Despu\u00e9s Guthrie borra su propia voz de la cinta y deja la de ella, y a Fitzmorris diciendo hola. Los pitidos bajo el di\u00e1logo son la se\u00f1alizaci\u00f3n transatl\u00e1ntica normal de 1979. En el \u00e1lbum, as\u00ed es como Pink, de gira, se entera de que hay alguien m\u00e1s en casa.<\/p>\n

El tema que precede a esa llamada es un chiste de hard rock con cara seria. Lo escribieron Waters y Gilmour. Lo canta Gilmour. El riff es cock-rock de estadio, la letra un circuito de groupies: un chico nuevo, una mujer sucia, una ciudad del desierto. Queda en The Wall<\/em> despu\u00e9s de Empty Spaces<\/em> y choca con One of My Turns<\/em>, la habitaci\u00f3n del hotel despu\u00e9s de que cuelgan. Harvest publica el \u00e1lbum en Gran Breta\u00f1a el 30 de noviembre de 1979. Columbia sigue el 8 de diciembre. El corte del \u00e1lbum dura 3:25. Un sencillo italiano usa un montaje m\u00e1s largo, unos 3:56. Gran Breta\u00f1a no tuvo Young Lust<\/em> como cara A. El sencillo, el 23 de noviembre, fue Another Brick in the Wall, Part 2<\/em>, con One of My Turns<\/em> detr\u00e1s.<\/p>\n

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\n

Le dije que quer\u00eda hacer una llamada a cobro revertido a Mrs Floyd. \u00ab \u00bfQui\u00e9n llama? \u00bb, pregunt\u00f3. \u00ab Mr Floyd \u00bb, respond\u00ed. El timing de Chris era tremendo: una y otra vez colgaba justo en el momento, y ella se preocup\u00f3 de verdad. \u00ab \u00bfSe supone que hay alguien ah\u00ed adem\u00e1s de su mujer? \u00bb … Sin saberlo, estaba ayudando a contar la historia.<\/p>\n<\/blockquote>\n

(James Guthrie, sobre la llamada de Young Lust, 1979)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb19242″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700019242{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

En la gira de The Wall de 1980 y 1981 el tema es el disfraz de estrella de rock: la banda suplente delante, la banda de verdad detr\u00e1s de los ladrillos, una canci\u00f3n sobre querer una mujer sucia que termina con un hombre que cuelga. El riff es el chiste. La operadora no. Cre\u00eda que estaba pasando una llamada para alguien cuya mujer no aceptaba el cobro, y sigui\u00f3 intent\u00e1ndolo.<\/p>\n

Guthrie dijo despu\u00e9s que a veces se preguntaba si ella lleg\u00f3 a o\u00edrse en el disco. El \u00e1lbum no la nombra. No le hace falta. Young Lust<\/em> son tres minutos de deseo barato, y luego una mujer de verdad con auriculares, en 1979, haciendo su trabajo, y contando la historia sin querer. El chiste solo funciona porque la gira de 1977 ya hab\u00eda convertido el circuito de groupies en un trabajo, y Waters hab\u00eda dejado de fingir que le gustaba.<\/p>\n

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En Los \u00c1ngeles, en 1979, el ingeniero James Guthrie pide a una operadora de verdad una llamada a cobro revertido de Mr Floyd a Mrs Floyd, y no le dice que est\u00e1 grabada.<\/p>\n","protected":false},"author":1,"featured_media":19239,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305,273,299,278],"tags":[255,481,513,515],"class_list":["post-19247","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-canciones","category-chronicles","category-criticas","category-tracks","tag-classic-rock","tag-classic-rock-es","tag-pink-floyd","tag-pink-floyd-es"],"yoast_head":"\nYoung Lust - Pink Floyd: una llamada a cobro revertido que la operadora crey\u00f3 - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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