{"id":19354,"date":"2018-07-07T09:00:00","date_gmt":"2018-07-07T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/lets-work-prince-un-baile-de-club-que-warner-rechazo\/"},"modified":"2026-09-27T01:18:18","modified_gmt":"2026-09-26T23:18:18","slug":"lets-work-prince-un-baile-de-club-que-warner-rechazo","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/lets-work-prince-un-baile-de-club-que-warner-rechazo\/","title":{"rendered":"Let’s Work – Prince: Un baile de club que Warner rechaz\u00f3"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Let’s Rock en Boulder, luego un nombre nuevo<\/h3>\n

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Let’s Work<\/em> empez\u00f3 como Let’s Rock<\/em>. Entre el 10 y el 21 de julio de 1979, en Mountain Ears Sound Studio, en Boulder, Colorado, Prince lo grab\u00f3 durante las sesiones del \u00e1lbum abandonado de The Rebels. El t\u00edtulo ven\u00eda de un baile que hab\u00eda visto en los clubes aquel verano, the Rock. Quer\u00eda el single enseguida. Warner Bros. dijo que no. El tema se qued\u00f3 en el estante. Le gustaba, y pensaba que el nombre sonar\u00eda viejo el d\u00eda en que un sello lo publicara de verdad.<\/p>\n

Lo regrab\u00f3 en la primavera y el verano de 1981 en Hollywood Sound Recorders, en Los \u00c1ngeles, para el \u00e1lbum Controversy<\/em>, y lo termin\u00f3 en Sunset Sound, Hollywood, entre el 14 y el 23 de agosto de 1981. El m\u00e1ster publicado acredita a los ingenieros Bob Mockler, Ross Pallone y Mic Guzauski. La versi\u00f3n del \u00e1lbum dura 3:52 y es el tema seis. Controversy<\/em> sali\u00f3 el 14 de octubre de 1981 en Warner Bros. Let’s Work<\/em> es el disco de baile de un \u00e1lbum corto que tambi\u00e9n lleva el tema titular y Do Me, Baby<\/em>.<\/p>\n

El single lleg\u00f3 el 6 de enero de 1982, una edici\u00f3n de 2:56, con Ronnie, Talk to Russia<\/em> en la cara B. El 12 pulgadas lleg\u00f3 el 17 de febrero, un dance remix de 8:02. Prince y Morris Day cortaron ese remix el 8 de diciembre de 1981 en Sunset Sound, y Day toca la bater\u00eda en la secci\u00f3n alargada. El 12 pulgadas americano tambi\u00e9n lleva Gotta Stop (Messin’ About)<\/em>. En el Billboard Hot Soul Singles el single lleg\u00f3 al n\u00famero 9 y se qued\u00f3 16 semanas. Burbuje\u00f3 bajo el Hot 100, en el 104. Con Controversy<\/em> ya hab\u00eda pasado seis semanas en el n\u00famero 1 del Disco Top 80 a finales de 1981.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Let’s Work iba a ser un punto alto del \u00e1lbum Controversy y un single de tama\u00f1o decente, n\u00famero 9 en Hot Soul Singles de Billboard y n\u00famero 1 dance.<\/p>\n<\/blockquote>\n

(Zachary Hoskins, Dance\/Music\/Sex\/Romance, 2018)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb19341″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700022610{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

Sigui\u00f3 toc\u00e1ndola. Una grabaci\u00f3n oficial en directo del Masonic Hall de Detroit, el segundo show del 30 de noviembre de 1982, es la de su canal. La gira Controversy y los primeros conciertos de 1999<\/em> usaron la versi\u00f3n larga. El 12 pulgadas tambi\u00e9n mete trozos de sus propios discos en la mezcla, incluidos pedazos de Controversy<\/em> y de Annie Christian<\/em>, un caso temprano en el que se samplea a s\u00ed mismo en vez de esperar a que lo haga otro.<\/p>\n

La canci\u00f3n que la gente compr\u00f3 en 1982 no es la demo de Boulder con el nombre viejo. Es la nueva versi\u00f3n de Hollywood, rebautizada para que el paso de baile no la fechara, con Morris Day en el 12 pulgadas y un n\u00famero 9 en la lista soul. The Rock, como baile de Minneapolis, casi no dej\u00f3 fotos. Let’s Work<\/em> es el disco que sobrevivi\u00f3 al rechazo.<\/p>\n

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Let’s Work empez\u00f3 como Let’s Rock, grabado en Boulder en julio de 1979 despu\u00e9s de un baile de club llamado the Rock.<\/p>\n","protected":false},"author":1,"featured_media":19349,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[265,374],"class_list":["post-19354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-discofunk","tag-prince"],"yoast_head":"\nLet's Work - Prince: Un baile de club que Warner rechaz\u00f3 - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/lets-work-prince-un-baile-de-club-que-warner-rechazo\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" 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