{"id":19406,"date":"2014-11-25T16:00:00","date_gmt":"2014-11-25T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/joy-in-repetition-prince-sunset-sound-in-july-a-solo-held-until-1990\/"},"modified":"2026-09-27T01:17:34","modified_gmt":"2026-09-26T23:17:34","slug":"joy-in-repetition-prince-sunset-sound-in-july-a-solo-held-until-1990","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/joy-in-repetition-prince-sunset-sound-in-july-a-solo-held-until-1990\/","title":{"rendered":"Joy in Repetition – Prince: Sunset Sound en julio, un solo guardado hasta 1990"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Grabado al d\u00eda siguiente de una reescritura de guitarra, y luego fuera de Sign O’ the Times<\/h3>\n

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El 17 de julio de 1986 Prince estaba en el Studio 3 de Sunset Sound, Hollywood, con la ingeniera Susan Rogers. El d\u00eda anterior hab\u00eda regrabado I Could Never Take the Place of Your Man<\/em>. Cinco d\u00edas despu\u00e9s grabar\u00eda Soul Psychodelicide<\/em>, un t\u00edtulo que ya met\u00eda en una letra. La canci\u00f3n del medio es Joy in Repetition<\/em>: bases, overdubs, voces y una mezcla el mismo d\u00eda. Otra mezcla es probable el 27 de julio en el estudio de casa de Galpin Boulevard, en Chanhassen. Prince toca los instrumentos y canta. Susannah Melvoin hace los coros.<\/p>\n

La escena de la letra es un club. Una banda lleva meses tocando. La cantante, una mujer que no hab\u00eda notado, repite dos palabras un poco detr\u00e1s del pulso. Las palabras son \u00abLove me.\u00bb Pregunta su nombre y recibe las mismas dos palabras. La l\u00ednea que cierra las estrofas es el t\u00edtulo: abrazar a alguien es creer que hay alegr\u00eda en la repetici\u00f3n. Luego el arreglo se abre y la guitarra se queda los dos \u00faltimos minutos. Rogers figura como ingeniera de grabaci\u00f3n y de mezcla en el m\u00e1ster publicado. Prince nunca explic\u00f3 la canci\u00f3n en una entrevista. La cinta es la explicaci\u00f3n.<\/p>\n

No entr\u00f3 en la secuencia de Dream Factory<\/em> armada al d\u00eda siguiente. S\u00ed entr\u00f3 en el plan del triple Crystal Ball<\/em>, encadenada tras The Ball<\/em>. Cuando Warner Bros. le oblig\u00f3 a recortar ese proyecto al doble Sign O’ the Times<\/em>, Joy in Repetition<\/em> sali\u00f3. No la volvi\u00f3 a grabar. La toma de 1986 es la que por fin aparece.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Un solo de guitarra sin freno, que rivaliza con cualquiera que Prince haya tocado.<\/p>\n<\/blockquote>\n

(Diffuser.fm, sobre Joy in Repetition)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb19401″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700019401{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

El 20 de agosto de 1990 Paisley Park y Warner Bros. publicaron Graffiti Bridge<\/em>, la banda sonora de la pel\u00edcula. Joy in Repetition<\/em> dura 4:53 y entra desde We Can Funk<\/em>, el tema con George Clinton. Prince conserv\u00f3 el ruido de fiesta al principio. Es el mismo murmullo que cierra Eye No<\/em> y lleva a Alphabet St.<\/em> en Lovesexy<\/em>. En el LP cierra la cara uno. La pel\u00edcula usa la canci\u00f3n en una escena de club que coincide con la letra y no mejora el disco. No retoc\u00f3 la mezcla de 1986 para la banda sonora. Otras canciones viejas del \u00e1lbum s\u00ed se tocaron. Esta no.<\/p>\n

El m\u00e1ster publicado acredita a Susan Rogers como ingeniera de grabaci\u00f3n y de mezcla, a Howie Weinberg y Michael Koppelman en el mastering, y a Coke Johnson como asistente. La lectura larga en directo es la que abre One Nite Alone… The Aftershow: It Ain’t Over<\/em> en 2002, con John Blackwell a la bater\u00eda, Rhonda Smith y Larry Graham al bajo, Renato Neto a los teclados y Maceo Parker al saxo. Esa versi\u00f3n estira el solo m\u00e1s all\u00e1 del corte de estudio. La canci\u00f3n que hay que contar sigue siendo el m\u00e1ster de Sunset Sound: cuatro a\u00f1os en el archivo, y luego un cierre de cara que Warner ya le hab\u00eda pedido quitar.<\/p>\n

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El 17 de julio de 1986 Prince grab\u00f3 Joy in Repetition en Sunset Sound, Hollywood, y lo dej\u00f3 fuera de Sign O’ the Times hasta Graffiti Bridge.<\/p>\n","protected":false},"author":1,"featured_media":19398,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305,273,299,278],"tags":[265,427,470,374],"class_list":["post-19406","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-canciones","category-chronicles","category-criticas","category-tracks","tag-discofunk","tag-discofunk-es","tag-prince-es","tag-prince"],"yoast_head":"\nJoy in Repetition - Prince: Sunset Sound en julio, un solo guardado hasta 1990 - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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