{"id":19483,"date":"2008-07-26T13:00:00","date_gmt":"2008-07-26T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/the-beautiful-ones-prince-written-for-the-morris-scene-tracked-the-same-day\/"},"modified":"2026-09-27T01:58:40","modified_gmt":"2026-09-26T23:58:40","slug":"the-beautiful-ones-prince-written-for-the-morris-scene-tracked-the-same-day","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/tracks\/the-beautiful-ones-prince-written-for-the-morris-scene-tracked-the-same-day\/","title":{"rendered":"The Beautiful Ones – Prince: Escrita para la escena con Morris, grabada el mismo d\u00eda"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Vanity hab\u00eda dejado la pel\u00edcula. La balada de piano era para Morris y Apollonia.<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

El 20 de septiembre de 1983, en Sunset Sound en Hollywood, Prince graba The Beautiful Ones<\/em> solo. Los ingenieros Peggy McCreary y David Leonard llevan la sesi\u00f3n. Es el \u00faltimo d\u00eda de una racha larga en esa sala. Cinco d\u00edas antes hab\u00eda grabado Irresistible Bitch<\/em>. En las semanas previas estaba cerrando I Would Die 4 U<\/em>, Baby I’m a Star<\/em>, Purple Rain<\/em> y Darling Nikki<\/em>. The Beautiful Ones<\/em> sustituye a Electric Intercourse<\/em> en el \u00e1lbum. Prince Vault lo acredita en todas las voces y todos los instrumentos. Con When Doves Cry<\/em> y Darling Nikki<\/em>, es uno de los tres temas de Purple Rain<\/em> que toca solo.<\/p>\n

La letra est\u00e1 hecha para un plano que todav\u00eda no existe. En la pel\u00edcula, el Kid est\u00e1 en el escenario de First Avenue. Apollonia est\u00e1 entre el p\u00fablico, sentada con Morris Day. El tema empieza en el piano, quieto, y acaba con Prince en el suelo. Apollonia se va llorando. Prince explica el reparto en una entrevista con Ebony en diciembre de 2015. La frase sobre elegir entre \u00e9l y el otro hombre es para esa escena. La frase sobre las beautiful ones que siempre acabas perdiendo va por Vanity, Denise Matthews, que hab\u00eda sido elegida para el papel principal y luego dej\u00f3 la pel\u00edcula. Apollonia Kotero ocup\u00f3 el sitio.<\/p>\n

Hab\u00eda dicho lo contrario a gente m\u00e1s cerca de las sesiones. Susan Rogers y Susannah Melvoin oyeron ah\u00ed una canci\u00f3n personal. En el texto de Ebony recula. Dice que una balada as\u00ed no habr\u00eda funcionado si hubiera estado mirando a una persona en la sala. Ten\u00eda que ser el personaje. El grito del final sigue siendo su voz, una toma de piano, guitarra y esa subida, editada despu\u00e9s en el mismo estudio.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Do you want him or do you want me, eso se escribi\u00f3 para esa escena de Purple Rain, en concreto, donde Morris estar\u00eda sentado con Apollonia y habr\u00eda ese tira y afloja. Y tambi\u00e9n, the beautiful ones you always seem to lose: Vanity acababa de dejar la pel\u00edcula.<\/p>\n<\/blockquote>\n

(Prince, Ebony, diciembre de 2015)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb19478″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1700019478{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

En los primeros \u00f3rdenes de pistas, el tema iba segundo. Es la pista dos de las configuraciones del 7 de noviembre de 1983 y del 23 de marzo de 1984. Despu\u00e9s de a\u00f1adir Take Me with U<\/em>, la secuencia del 14 de abril de 1984 lo pasa a la pista tres, donde se queda. Un pase de edits el 22 de marzo de 1984 en Sunset Sound es la otra sesi\u00f3n que anota Prince Vault. El corte del \u00e1lbum dura 5:13. No fue single.<\/p>\n

Purple Rain<\/em> sale el 25 de junio de 1984. Rogers dir\u00eda despu\u00e9s que Prince trataba The Beautiful Ones<\/em>, Purple Rain<\/em> y Computer Blue<\/em> como el n\u00facleo del disco, los temas que segu\u00eda ensayando cuando el resto pod\u00eda ser relleno. La escena de la pel\u00edcula es la que se vuelve a ver: la c\u00e1mara de Albert Magnoli avanzando, Morris y Apollonia en los asientos, el Kid agotado en el suelo del escenario. La grabaci\u00f3n de debajo sigue siendo la cinta de Sunset Sound del 20 de septiembre, el d\u00eda en que la larga racha de Hollywood se par\u00f3.<\/p>\n

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El 20 de septiembre de 1983 en Sunset Sound, Prince graba The Beautiful Ones solo, una balada de piano escrita para la escena en la que Morris Day est\u00e1 sentado con Apollonia.<\/p>\n","protected":false},"author":1,"featured_media":19475,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305,273,299,278],"tags":[255,481,374,470],"class_list":["post-19483","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-canciones","category-chronicles","category-criticas","category-tracks","tag-classic-rock","tag-classic-rock-es","tag-prince","tag-prince-es"],"yoast_head":"\nThe Beautiful Ones - Prince: Escrita para la escena con Morris, grabada el mismo d\u00eda - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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